Stacking Notebooks

This week has been all about regrouping after the latest life-roll to disrupt my year (the third, and hopefully, the last). My brain is heavily scattered at the moment, and my anxiety gets to drive a lot more than I’d like, so I wanted to create a space where I could just sit down and get my priorities in order.

Part of that meant dragging out all the work spaces on my desk and taking a close look at them. Which, inevitably, means dragging out a veritable mountain of notebooks and taking a look at everything that’s in progress, then looking at the current unfinished projects on the digital front.

I had assumed I was in a notebook-lite workflow just prior to doing this. It would appear…not so much.

That said, it looks worse than it is, as not every notebook represents an active work project. There are two finished Bullet Journals in there, left in place so I can reference details and notes from last year. There’s two full-length notebooks containing a novel draft that I really need to get around to typing up. There’s two of the smaller notebooks which are filled with notes for the Keith Murphy series and the various fixes and new works I might choose to do (and, at this stage, may not). Two notebooks for my superhero RPG campaign (you can see the rulebooks poking over the top of the pile on the left), and one for a campaign that I’m planning when SMAX wraps up in a couple of weeks. Two research notebooks–one for PhD research, one for another project I’ve poking at. One notebook that is just for the morning brain dump.

What’s really surprising is the way my tastes are shifting as I work at dekss more often. After years of working in hardcover notebooks, I’m starting to really use a lot of the softcover Moleskine Cahiers which tend to come in three-packs. My preference for RPG planning is the grid-ruled Cahier in the beige colouring–the smaller sized, 80-page notebooks for general notes, and a larger sized, 120-page notebooks for broad worldbuilding details.

Writing is increasingly taking place in blank notebooks of various sizes, depending on the project (I’m increasingly fond of the green ones, which makes for easier colour-coding of writing and gaming work).

Either way, a good day of sorting and figuring out what’s still useful has allowed for a more organised approach to storage.

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PeterMBall

Peter M. Ball is a speculative fiction writer, small press publisher, and writing mentor from Brisbane, Austraila. He publishes his own work through Eclectic Projects and works as the brain in charge at Brain Jar Press.
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