The Gulf Between Conception and Execution

Back in my teenage years, as a young comic book fan, I copied a quote from Neil Gaiman’s Sandman and stuck it on my wall. I wasn’t a kid given to this kind of behaviour, but this fragment where Gaiman’s protagonist, Dream, describes the creation of the first Corinthian spoke to me even then:

Imagine that you woke in the night and rose, and seemed to see before you another person, whom you slowly perceived to be yourself.

Someone had entered in the night and placed a mirror in your sleeping place, made from black metal. You had been frightened only of your reflection.

But then the reflection slowly raised one hand, while your own hand stayed still…

A dark mirror…

That was always the intention…

But the gulf between conception and execution is wide and many things can happen along the way.

Sandman #57, Neil Gaiman

My admiration for this passage came in two parts. The first, unsurprisingly, lay in my youthful terror of exactly that kind of experience. Even at an age when I should have known better, I harboured a lingering fear of empty spaces and the uncanny moment when something familiar became strange and dangerous.

But the part that really resonated was always the last line. Even at fifteen or sixteen years old, where my narrative focus was RPG games rather than fiction, I knew, acutely, that the conception of a project rarely matched the final outcome. Intentions changed, signals were misread, and paths could get diverted by all manner of blockages and side-routes.

In many ways, fiction (and particularly short-fiction) came as something of a relief once I started writing, because the projects were so self-contained. RPG campaigns have a tendency to go on for years, constantly metastasizing as you negotiate the contributions and digressions as your own voice and the voice of your players evolves and changes over time.

Which leads to a kind of truism — the longer the wait between conception and execution, the further you stray from the original intention and goals of the project. Some days this is for the best, with bad ideas becoming good ideas as additional complexity and theory builds up around them.

Other times, the gulf obliterates your original intent and you have to rebuild from the ground up.

When I launched the Eclectic Projects Patreon back in March, one of my intentions was getting back into the rhythm of regular blogging (which, in turn, would lead to future resources and possible books as I collated themed content together and fleshed out ideas). I set the goals and rewards to fit those intentions, trying to find the right balance between ambition (because I like ambition) and focused (so I wasn’t over-committing to the point of getting nothing done).

For thirty breif, shining days intention and execution seemed to work in sync.

Then, shit went wrong.

It started with laptop problems, which were followed by a long period of internet issues that left our household unable to get online. All up, I had about twenty-six or twenty-seven days of being offline or working on a back-up computer that didn’t play well with the internet, my default writing program, or any of the tools I used to publish books through Brian Jar Press. Then the next round of Australian lockdown hit, and my plans to make use of this blog got thwarted by some serious back-end issues that made it inaccessible, and anxiety over catching up on the massive backlog of work that built up while the computer was out and…

Well, the gulf between intention and execution is wide, and many things can happen along the way.

Last month, I was notified the theme/design I used for the previous iteration of PeterMBall.com was going to be archived. It would still work, but the designers were no longer maintaining it and making sure it ran perfectly on the latest iterations of the Worldpress platform.

My initial response was a moment of mild irritation—one more fucking thing to fix—but it was also an opportunity to re-think. A lot of the things I originally set up PeterMBall.com to do were now better handled by the Brain Jar Press site, and that allowed me to re-think decisions and approaches to an online presence.

The last few days have been a whirlwind of hassling tech support at my web host, experimenting with new designs, and re-imagining the look and feel of the site. Gone is the static front page and host of sidebars, and in their place is a scaled back approach that puts the blog front-and-centre.

It’s very much a statement of intent.

The next few weeks will be dotted with occasional posts, but I should hit cruising speed around September 18 and maintain posts at a fairly regular clip. Right now, there’s a small crew of Patreon supporters who are getting treated to an early preview of the coming blog posts and ideas I’ve been tooling with, and I’ll make no bones about the fact that I’m getting back into blogging because of their backing and enthusiasm.

Admittedly, it’s not quite the vision of the relationship between blog and Patreon I’d pitched them back in March of this year, but the gulf between conception and execution is vast, and many things can happen along the way.

Status: Friday, 3 September, 2021

LOCATION: Windsor, Brisbane, Australia.

THE QUICK-AND-DIRTY NEWS

  • Just launched the print editions of Not Quite The End Of The World Just Yet.
  • Preparing to launch pre-orders for a chapbook collection of microfiction from Sean Williams — stay tuned for details next week

CURRENT INBOX: 38 (Gah!)

WORKING ON

  • Finishing Median Survival Time, a science fiction novella produced for my PhD thesis. Two chapters left to go on the current draft, and it’s an emotional project to finish. It was first derailed by my father’s death in March 2019, and there hasn’t been much “normal” time to get back on track since then.
  • Final page proofs of the Exile print release, scheduled for the end of this month.
  • Working the title development process for a series of fairy tale retellings Brian Jar Press will be releasing in 2022. Covers exist in rough form and rough layouts are progressing, which means I’m up to writing the cover synopsis for each.
  • Catching up on the structural editorial of a horror novella we’ve picked up.
  • Drafting contracts for a series of fantasy novellas I’m really excited about.

THINKING ABOUT

  • Sites of online engagement and how to play by your own rules, rather than the expectations of a platform. I did some early thinking and experimenting with this back in March of 2019, logged in the post Who Gets To Monetize Your Spare Minutes Of Attention.
  • The impending pivot when my small business grant ends and decisions need to be made about Brain Jar, the PhD, and the basic mechanics or paying rent. Debating whether it’s better to seek out additional freelance work and keep more control over my schedule, or seek out a part-time job that’s divorced from the writing and publishing field.
  • The cover design options for the next round of Writer Chaps books. The series has grown more ambitious and less unified in its covers, and I’ll either need to double down on that or pare back to a clearer set of motifs.

READING

  • Luanne G Smith’s The Vine Witch, which starts with a woman breaking the curse that turned her into a toad because the man who laid it didn’t account for the debilitating effects of poison upon magic.
  • Cal Newport’s Digital Minimalism and Mike Monteiro’s Ruined By Design – both re-reads, but two books that have shaped the way I think about being intentional in online spaces. They’re useful touchstones when it feels like I’ve slipped away from that.

LISTENING TO

  • The Kaiser Cheif’s Employment, especially the trilogy of I Predict A Riot, Every Day I Love You Less & Less, and Na-Na-Na-Na-Naaa, which is an incredible wake-up call first thing in the morning.

WATCHING

  • AEW Dynamite and Rampage, following along on the pro-wrestling return of CM Punk after seven years away from the business. It’s hard to explain exactly how important this is to non-wrestling fans, but imagine your favourite writer “retired” seven years ago because the publishing industry burned them out at the height of their career. Then they made an unexpected return thanks to a plucky small press that gave them a platform and the freedom to do
  • what they liked.

STATUS OF THE ADMIRAL

Trying to eat the bookmark ribbon on my bullet journal.

Now Shipping: Not Quite The End Of The World Just Yet

Brain Jar Press is now shipping print editions of my short story collection, Not Quite The End Of The World Just Yet. The book contains twelve science fiction stories, including my sci-fi dragon western Dying Young and the Aurealis Award winning cyberpunk fairytale Clockwork, Patchwork, and Raven. It also features two stories, 52 Pick-Up and and Inside An Egg, Inside A Duck, that are original to the collection.

Customers who pre-ordered already have their books. Copies have been showing up on Twitter.

Some books are events — launched and celebrated, pushed hard to find their readership — but increasingly I fall back on the default of making books available. The launch is a product of an older sales environment, where you needed all the attention on a book right now, before the sales window closed and a mass of new releases swept yours off the shelf.

Launches are fun, and they celebrate the author, but increasingly a writer’s career will be built out a deep backlist of releases that can sell over time. Very few of my books sell a huge number on the week they’re released, but most of them sell steadily over a number of years. Not Quite The End Of the World Just Yet has been ticking along in ebook since 2018, quietly becoming one of Brain Jar’s best-selling titles in the handful of formats it was available.

The print edition has less “new book” energy because of that, because it’s mostly a new option and format.

Not Quite The End Of The World is available now in Print and Ebook via Brain Jar Press or Your Favourite Bookstore