The Gulf Between Conception and Execution

Back in my teenage years, as a young comic book fan, I copied a quote from Neil Gaiman’s Sandman and stuck it on my wall. I wasn’t a kid given to this kind of behaviour, but this fragment where Gaiman’s protagonist, Dream, describes the creation of the first Corinthian spoke to me even then:

Imagine that you woke in the night and rose, and seemed to see before you another person, whom you slowly perceived to be yourself.

Someone had entered in the night and placed a mirror in your sleeping place, made from black metal. You had been frightened only of your reflection.

But then the reflection slowly raised one hand, while your own hand stayed still…

A dark mirror…

That was always the intention…

But the gulf between conception and execution is wide and many things can happen along the way.

Sandman #57, Neil Gaiman

My admiration for this passage came in two parts. The first, unsurprisingly, lay in my youthful terror of exactly that kind of experience. Even at an age when I should have known better, I harboured a lingering fear of empty spaces and the uncanny moment when something familiar became strange and dangerous.

But the part that really resonated was always the last line. Even at fifteen or sixteen years old, where my narrative focus was RPG games rather than fiction, I knew, acutely, that the conception of a project rarely matched the final outcome. Intentions changed, signals were misread, and paths could get diverted by all manner of blockages and side-routes.

In many ways, fiction (and particularly short-fiction) came as something of a relief once I started writing, because the projects were so self-contained. RPG campaigns have a tendency to go on for years, constantly metastasizing as you negotiate the contributions and digressions as your own voice and the voice of your players evolves and changes over time.

Which leads to a kind of truism — the longer the wait between conception and execution, the further you stray from the original intention and goals of the project. Some days this is for the best, with bad ideas becoming good ideas as additional complexity and theory builds up around them.

Other times, the gulf obliterates your original intent and you have to rebuild from the ground up.

When I launched the Eclectic Projects Patreon back in March, one of my intentions was getting back into the rhythm of regular blogging (which, in turn, would lead to future resources and possible books as I collated themed content together and fleshed out ideas). I set the goals and rewards to fit those intentions, trying to find the right balance between ambition (because I like ambition) and focused (so I wasn’t over-committing to the point of getting nothing done).

For thirty breif, shining days intention and execution seemed to work in sync.

Then, shit went wrong.

It started with laptop problems, which were followed by a long period of internet issues that left our household unable to get online. All up, I had about twenty-six or twenty-seven days of being offline or working on a back-up computer that didn’t play well with the internet, my default writing program, or any of the tools I used to publish books through Brian Jar Press. Then the next round of Australian lockdown hit, and my plans to make use of this blog got thwarted by some serious back-end issues that made it inaccessible, and anxiety over catching up on the massive backlog of work that built up while the computer was out and…

Well, the gulf between intention and execution is wide, and many things can happen along the way.

Last month, I was notified the theme/design I used for the previous iteration of PeterMBall.com was going to be archived. It would still work, but the designers were no longer maintaining it and making sure it ran perfectly on the latest iterations of the Worldpress platform.

My initial response was a moment of mild irritation—one more fucking thing to fix—but it was also an opportunity to re-think. A lot of the things I originally set up PeterMBall.com to do were now better handled by the Brain Jar Press site, and that allowed me to re-think decisions and approaches to an online presence.

The last few days have been a whirlwind of hassling tech support at my web host, experimenting with new designs, and re-imagining the look and feel of the site. Gone is the static front page and host of sidebars, and in their place is a scaled back approach that puts the blog front-and-centre.

It’s very much a statement of intent.

The next few weeks will be dotted with occasional posts, but I should hit cruising speed around September 18 and maintain posts at a fairly regular clip. Right now, there’s a small crew of Patreon supporters who are getting treated to an early preview of the coming blog posts and ideas I’ve been tooling with, and I’ll make no bones about the fact that I’m getting back into blogging because of their backing and enthusiasm.

Admittedly, it’s not quite the vision of the relationship between blog and Patreon I’d pitched them back in March of this year, but the gulf between conception and execution is vast, and many things can happen along the way.

Picture of PeterMBall

PeterMBall

Peter M. Ball is a speculative fiction writer, small press publisher, and writing mentor from Brisbane, Austraila. He publishes his own work through Eclectic Projects and works as the brain in charge at Brain Jar Press.
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