The Sunday Circle: What Are You Working On This Week?

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The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them).

After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all.

Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here).

MY CHECK-IN

What am I working on this week?

I’ve got my eye on the next five scenes in Project Stairwell this week, taking me up to the end of the first act. It’s a tricky project at this stage of the narrative–there’s a lot of scenes built around the same archetypal structure and power struggles, and a lot of context to get around the action in order to make the character negotiations meaningful. 

The feel that I want–and I’m not sure whether I’ll nail it or not–is a series of negotiations that feel like the slow progression towards a boss fight. This often means looking for ways to change things up–looking for ways to tilt the dynamics between the characters a little, and setting the stage in a new way to convey that things have shifted. 

What’s inspiring me this week?

Peter Benchley’s novel, Jaws, which has been largely superseded by the iconic film (and soundtrack( in the eyes of most people but remains an incredibly useful book to go back and study for the craft of it.

Admittedly, I haven’t seen the film since I was seven, but I was caught off guard by just how well the book builds up its metaphors and uses the shark as a catalyst for various social and personal conflicts in its protagonist. In a lot of respects, the shark is the least interesting part of the novel, were it not for the fact that’s its also steeped in useful shark facts and research that gets doled out as you read along. 

What action do I need to take?

Mostly, right now, I feel like I need to start making a development plan for the parts of publishing that aren’t writing. As I get the writing side of things under control, my attention starts to turn towards getting stuff out and promoting it, and there’s both a wealth of options for doing that and a lot of skills to pick up to make them effective.

Right now, I don’t have a plan, just a general idea of all the directions I want to head because they seem to have some merit. That feels a bit like I’m trying to wrap my head around every part of that and trying to level it up all at once. In truth, what I really need to do is develop one skill at a time and then add new strings to my bow as I go along. 

Part of my week really should involve logging my current resources, new skills to acquire, and a rough order to start exploring.

Black Swan Thinking

Many years ago, I worked a shift at dayjob where shit well-and-truly hit the fan. We were preparing for one of our busiest periods of the year–lots of incoming calls from lots of panicked writers looking to double-check a big opportunity™ deadline, while simultaneously trying to prep for other big projects that were coming up.

Big opportunity™ deadline days weren’t fun days at the best of time, but within the first hour of this one kicking off shit started going wrong. One staff member’s flight home had been delayed by twenty-four hours. Another staff member called in sick (from memory, they were heading to hospital). Our then-CEO was incomunicado for the day (for reasons I don’t recall), and the two other staff members on deck were both relatively new to the organisation. On top of that, i was relatively new to the role I was working and the projects I was working on. It was a time of transition, new staff coming in and old staff taking on new positions, everyone trying to find their feet in the new landscape.

All other tasks on the docket went by the wayside as two of us downed tools and answered phone calls for the next seven hours. An unrelenting stream of phone calls, constantly asking the same handful of questions. The third staff member present–who, from memory, wasn’t actually meant to be there and had come in to get ahead on the big opportunity™ deadline project–pitched in and did some of the sorting so we could focus on the customer service.

The day ended, as submission days tended to do, with a manic burst of activity and panicked writers trying to double-check just how close to the wire they could cut things. Five o’clock came and we downed tools, sorted things, and celebrated with that nervous, relieved laughter that only arrives when the day has been crazy, yet you’ve handled it well and finished without succumbing to the madness.

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The next week, parts of our management team went into evaluate mode trying to figure out what procedures we could implement in order to prevent such a thing from happening again. We already had guidelines around how many people needed to be in the office in order to stay open to the public (a minimum of two), and when people could take leave, but the reaction to a big, manic day of hell was legislate all the ways it wouldn’t happen again.

We’d stumbled into the phenomena that economic theorist Nassim Nicholas Taleb has dubbed a Black Swan Event, used to describe a moment in crises that both a) involve a very high level of rare, hard-to-predict events that are beyond the scope expectations set by experience and current understandings of the state of play, and b) hold considerable sway on future thinking because we’re psychologically blind to the role uncertainty and chance played in setting up the event.

Or, the short version, an unpredictable event that’s a massive outlier occurs, and we waste all sorts of energy trying to prevent it happening again.

There was a lot of low-probability chance of this particular day being the focal point of so many people being out of the office, and even then it was only a problem because it coincided with the one day in a whole 365 day year that was the final day to submit to a big opportunity™ that got our base all riled up.

In the six years I worked at QWC, it was the sole time someone missed their flight home after taking leave, and the sole time we were without a CEO and an acting CEO in the office when we weren’t expecting it. It wasn’t the sole time a staff member got sick, but in 99% of cases someone taking sick leave wasn’t a big deal because it wasn’t a high pressure day with lots of queries from panicking writers.

So we talked about what we could do to prevent it from happening again, and the suggestion was basically: do nothing. We couldn’t predict a day like that happening again, and there weren’t any reasonable precautions against it. Rationalising that we could have was applying hindsight to an unpredictable event.

There were, frankly, better uses for our time.

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Thinking about this a lot right now, because I wrote very little on the fiction and thesis front last week. There were a confluence of factors that influenced this, among them:

  • I had a stack of marking to grade, which always escalates my tendency towards anxiety
  • The lead-in to Father’s Day was rough, both via advertising and the subtle uptick of movies with relationships-with-your-dad themes on various streaming platforms.
  • I was prepping Short Fiction Lab #4 for launch, but noticing that it was headed for the weakest sales of the series thus far.
  • I was prepping some other projects for launch later in the year, which sucked up a little time.
  • I’d hit a transition point in my thesis draft, and needed to revisit some notes I’d made two years ago. Because we’d reorganised the flat, those notebooks weren’t where i remembered.
  • I’d hit a complex point in my fiction draft, and got a little stuck.

Now, these weren’t entirely unpredictable, but some of them did catch me off-guard. You can’t predict when your subconscious is going to latch onto a problem in your manuscript that you haven’t consciously noticed yet, and this was my first time trying to manage the grief over losing a parent as the major milestones came up.

Obviously, I knew it would be rough, but had no idea how rough or what was going to trigger it (Netflix was a killer, with its seasonal algorithms kicking dad movies into the recommended viewing queue). Even with all that, my suspicion that a good chunk of how rough it was actually stemmed from marking anxiety.

Similarly, i knew my writing tended to dip during release weeks, and also while marking, but there is a big difference between ‘dipping’ and ‘stalling out entirely.’

Despite this, I’d hit a confluence of events that mixed together into a potent disruption, and I immediately started looking for things that would prevent it from ever happening again. I started rewriting business plans and rethinking how i was going to monetise writing projects on the docket. I pulled new ideas out of my arse because they were shiny, figuring they’d be an obvious next choice.

I succumbed, in short, to black swan thinking on the micro level, and started trying to figure out how to manage unpredictability out of existence.

It wasn’t until Sunday, when the marking was done and I’d had a morning to brainstorm the issues with the story I was writing, that I finally caught my breathe and realised what I was doing.

Now, there was some use to the black swan induced mania last week, but those usages largely came because it opened up new avenues of thought rather than gave me useful solutions. It wasn’t until things calmed down that I started to see how those solutions could be implemented much later and much better, compared to slapping something together on the fly to try and solve the unsolvable problem.

I’ve flagged them for further thinking and planning, rather than immediate action.

And yesterday, I fired up my thesis file and my current draft and got back to work, trusting in the process and the business plan that’s gotten me this far into the year. The sole change I’ve made to my process is slapping a honking great eight-hour Freedom session on the writing computer Monday to Friday, rather than just the first three hours of the work day.

‘Cause my process may not be 100% right, but it’s done me right enough thus far, and writing is a better use of my time than any other solution I might come up with.

“There is always more work to do, you know?”

I’m 90 words off hitting my fiction target for the day, and getting to tick the left-hand box on my monthly streak tracker. It’s occurring late today, but my partner is asleep and there’s an evening of work before me…and I’ll be stopping once those 90 words are written. As I mentioned in my last post, the upper limit is as important to me as the minimum I need to get done.

I bang on about having hard edges on your creative practice because I’ve seen the results of not having limits on my work–to whit, I spend all my time trying to get things done and end up doing less.

So it was interesting to see Austin Kleon talking about the same thing on his blog today, courtesy of a question he was asked about always feeling like you can and should be doing more creative work:

“Yeah, always. If you get into that productivity trap, there’s always going to be more work to do, you know?”

Working with Time, AustinKleon.com

He goes on to talk about his own practice, which largely involves working regular hours like he’s a banker, showing up at the office and checking in.

I’ve always been a time-based worker. You know, like, ‘did I sit here for 3 hours and try?’ I don’t have a word count when I sit down to write. It’s all about sitting down and trying to make something happen in that time period — and letting those hours stack up.

Working with Time, AustinKleon.com

Admittedly, I’m a word-count writer rather than time-based, but it’s serving the same purpose. Focusing in making a little chunk of work happen, letting the words stack up.