Let There Be Gaimans (9 Mar 2023 Status Post)

OUT IN THE WORLD

I recently guested on the Pratchat podcast hosted by Ben McKenzie and Elizbath Flux, talking about Terry Pratchett’s non-fiction collection A Slip Of The Keyboard and the writing advice within. You can find the episode online now, or at any of the mysterious services that bring podcasts to your phone. Here’s the episode pitch:

Liz and Ben are joined by writer and publisher Peter M Ball for Pratchat’s first foray into Pratchett’s nonfiction! We discuss fandom, genre, Sharknado, figgins and even fit in six pieces from “A Scribbling Intruder”, the first section of Pratchett’s 2014 nonfiction anthology A Slip of the Keyboard.

Pratchett writes about the letters he receives from various kinds of fans as a popular genre author in “Kevins” (1993), before revisiting the same topic in the email age and explaining why he quit his own newsgroup in “Wyrd Ideas” (1999), both for The Author magazine. Then its time to discuss fantasy as a genre – both advice for writing it in “Notes From a Successful Fantasy Author: Keep It Real” for the 2007 edition of The Writers and Artists Notebook, and reasons why children should be reading it in “Let There Be Dragons”, a speech given at the Booksellers Association Annual Conference in 1993. Finally, best mates Terry Pratchett and Neil Gaiman tell us how they feel about each other, Terry in “Neil Gaiman: Amazing Master Conjuror” for the Boskone 39 convention booklet (2002), and Neil in his Foreword for A Slip of the Keyboard (2014).

As we’ve discussed before, Pratchett was never one to let a good idea only be used once – and you may have heard him talk to some of the themes in these pieces when being interviewed. Short stories may have cost him blood, as he used to say, but he never lost his journalistic mojo for writing fact and opinion – or replying to reader mail!

It’s been years since I got to go out and talk about stuff as a writer, rather than a publisher or an even organiser, and I had an extraordinary amount of fun nattering out about Pratchett (and more).

ON THE DOCKET

As predicted, I’ve spent the bulk of the last forty-eight hours shipping orders for Gorgons Deserve Nice Things (and other Brain Jar Press books—this seems to be the release where everyone caught up on releases they missed). We also announced the last book in Meg Vann’s InSecurity Triptych, Crawlspace, which will come out in May.

Brain Jar store got hit by another round of fraudulent orders yesterday. Once again, none of them are being processed as actual orders, but there’s the whole time-consuming process of clearing out the back end and dealing with the our payment processor to see if we can stop things from happening. There’s a chance it may involve investing in new and not-entirely-cheap services, which is probably the point where I need to rethink the current set-up.

Going a bit bonkers because our printer apparently shipped a recent order of books back on the 23rd of Feb, but the tracking is showing one of those codes that could mean “we forgot to process this properly, and the books are nearly there” and could mean “we’ve left this sitting on the dock, waiting for pick-up, for the better part of two weeks.” One of these is a frustrating annoyance, the other is a catastrophic problem that I should be fixing now, so not knowing which is in play is frustrating.

There’s also a mentee meeting this afternoon and I still need to finish a story for this week’s Patreon entry, plus I’ve almost got the March issue whipped into shape and ready to send to the printer (although, given the above, I really need to be expanding my lead time on these).

“Become a publisher,” they said. “It’ll be fun.” (And it is, mostly, but some days it’s all just a bit much to manage).

PETER M. BALL INBOX: 29

BRAIN JAR INBOX: 22

BRAIN JAR SUBMISSION QUEUE: 4

Status: 8 Mar 2023

The latest short story collection from Brain Jar Press, Tansy Rayner Roberts’ Gorgons Deserve Nice Things, went on sale yesterday and the response has been phenomenal. Gorgons is our most pre-ordered book in two years, and while we shipped the bulk of those over a month ago, there’s also been a steady stream of first day sales to keep things bubbling along. By the standards of small press publishing—or, at least, my little corner of it—it’s on the road to being our smash hit for 2023.

Here’s the blurb, for the curious:

“We lived in a world that did not allow women to breathe; how could we be anything but monsters?”

Tansy Rayner Roberts retells the stories of seven women from Greek mythology, giving voice to the scorned, the sidelined, and the monstrous.

A young gorgon finds acceptance at the Medusa Club. Atalanta spills the truth behind the myth of the Argonauts. Scylla suffers through a series of terrible college roommates. Handmaids in Sparta get more than they bargained for when they interfere in their queen’s correspondence with a Trojan prince. A comparative mythology graduate finds herself at a speed-dating night packed with dodgy gods. Behind a velvet rope, a queenly Minotaur presides over a roller disco. Persephone shares her story via a series of pomegranate recipes.

Deliciously mythic and delightfully funny, Gorgons Deserve Nice Things delivers new takes on ancient stories, reinvigorating them with modern perspectives and settings. Showcasing the craft and insight that made her one of Australia’s most beloved short fiction writers, this collection sees Roberts at her wry, subversive best

PRAISE FOR GORGONS DESERVE NICE THINGS

“A perfect concoction of Greek myths revisited, rewilded, and remade. Bite-sized and blazing with wit and rage these stories will delight. Gorgons deserve nice things, and readers of myth and fantasy deserve this most wonderful of books.” – Trent Jamieson, author of Day Boy and The Stone Road

“This collection is an absolute delight. Tansy Rayner Roberts’ take on Greek mythology is sometimes savage, sometimes witty, always written with elegance, and often downright hilarious.  The stories are insightful, reflecting the author’s deep knowledge of her source material. Five stars from me!” – Juliet Marillier, author of the Blackthorn & Grim and Warrior Bards series

Right, then. Now that I’ve done my bit to pay the bills and keep the cat in kibble…

ON THE DOCKET

Shipping books will be a big part of my day, obviously, but I’ve also got the soft launch of the next Brain Jar Press book and a bunch of other titles to push forward. At some point, I definitely need ot sit down and work on this week’s short story for Patreon, and prep Eclectic Projects 3 to go to the printer.

PETER M. BALL INBOX: 27

BRAIN JAR INBOX: 23

BRAIN JAR SUBMISSION QUEUE: 4

Release days—particularly big release days—always blow out my email numbers as there’s a chaotic stream of emails coming in alerting us to new orders, books going live on various sales platforms, and checking in on folks to make sure everything’s running smoothly.

I’ll be attempting to winnow those numbers down before the end of the day.

Status: 6 Mar 2023

We cleaned out the storage space chaos at the top of the wardrobe over the weekend and assembled an impressive list of rubbish, old clothes to be donated, and a graveyard of dead and unused modems to transport to a recycling centre. Among the detritus was a promotional postcard for 2009s Interfictions II anthology that’s been blue-tacked to the wall of multiple offices, but never found its way onto the walls of the current flat because there’s no actual office space.

I loved this anthology series and the sponsoring org, the Interstitial Arts Foundation, which always seemed to be a place where I found interesting work that pushed boundaries. Both strike me as an artifact of a very different era, where conversations about art and digital publishing focused on what you could do with the new tools and distribution methods. These days, I feel like the voices focused on what you should do typically drown out everything else, and the focus lies on replicating the space once occupied by mid-list titles. There’s still some excitements there—digital publishing spaces seem to grow new cult-hit subgenres that boom out of nowhere—but it’s harder to find the wild, experimental stuff.

(This, of course, assumes that I’ve not become so old, isolated, and spoiled-by-algorithms that I simply miss the wild experimental stuff. Odds are, this is the stronger possibility…)

ON THE DOCKET

Today there are copyedits to process and a new book announcement to organise on the Brain Jar Press front, and we’re definitely in my last-day-to-to-finalise-Eclectic-Projects-003 before I blow the end of the month publishing date. There’s a meeting with a writing mentee this afternoon which will require some prep.

PETER M. BALL INBOX: 15

BRAIN JAR INBOX: 13

BRAIN JAR SUBMISSION QUEUE: 4

There’s more movement on these three than the numbers would suggest, especially the personal inbox which sees a pretty constant flow of new stuff that needs handling.

RECENT VIEWING

I talked about Cocaine Bear in Saturday’s post, but I’m flagging that my beloved and I have started working our way through Star Trek: Enterprise and just hit the middle of the first season. The passage of two decades has rendered the series an oddly fascinating experience—it’s part of the transition between purely episodic television and the slow drift towards the aesthetics of Jason Mittel’s Complex TV where the expectation of repeated watching on DVD (or streaming) drives more ambitious, arc-driven storytelling. You can see the echoes of what’s to come in Enterprise, but it’s also oddly milquetoast and there’s so damn much of it.

I keep marveling at the fact that all TV used to be like this, aimed at a general viewing episode that might see one or two episodes and rarely follow the continuity, with the occasional bright spot where someone took chances.