Tag: What Peter's Reading

Stuff

Notebooks, Erle Stanley Gardner, and Accidental Creative

I’ve been re-reading Secrets of the World’s Best-Selling Writer: The Storytelling Techniques of Erle Stanley Gardner this week, tracking down a quote I wanted to use for my thesis. It’s an incredibly intriguing book–Gardner is, after all, best known for creating Perry Mason, but was also known as the king of the pulps for a time, including a year-long stint where he maintained 13 different series characters. What’s really intriguing is that Secrets isn’t actually written by Gardner–instead, it’s an assemblage put together by two other authors using the vast archives of his notebooks, correspondence, and other resources archived at a university library. This means there’s less “this is how you do it” advice, and more glimpses into the ongoing development of the writer for whom writing did’t come naturally. Gardner taught himself to write using a lot of diligent study and stress-testing of ideas, and recorded a lot of it in his dairies and notebooks. One of the quotes that

Conspicuous Acts of Cultural Consumption

Recent Reading: Sharks and more Sharks

One of the projects I’d like to work one, somewhere down the line, is essentially a deranged giant monster horror/thriller that should not exist. Since I’m primarily a fan of these in film form, rather than fiction, I set myself the task of reading a bunch of books that serve as an introduction to the form in a literary sense. The result was Shark Week. I kicked off with Steve Alten’s The Meg because a) I’d really enjoyed the recent film in all it’s goofy glory, and b) it had a surprising number of sequels, which immediately caught my eye as a researcher interested in series.  The Meg in book form is a very different beast to the film. There are still giant sharks, of course, and plenty of people who get eaten along the way, but the character traits wrapped around the default archetypes are different enough to mean something. Our protagonist, Jonas Taylor, isn’t just a retired navy

Conspicuous Acts of Cultural Consumption

RECENT READING: The Five Book Catch-Up

I am probably offline when you read this. Of late, I’ve been programming Freedom to block my internet access for eight or nine hours a day. No social media, no checking sales numbers, no logging into this blog to check stats. The net result is a lot of writing, and a whole lot of reading. Right now, this series is running several books behind my actual reading. I’m starting to forget things and get the order all mixed up in my head. So here we go, a quick-and-dirty catch-up of books I heartily recommend. Go and read Mary Robinette Kowal’s THE CALCULATING STARS. Obviously, you don’t need me to tell you this, given that it just won a Hugo and seems poised to win all the other awards in short order. Short version: It’s great. It’s really, really great. I gave a copy to my partner, and it largely sparked off a week of good book noises and momentary pauses

Conspicuous Acts of Cultural Consumption

RECENT READING: Clementine, Cherie Priest

I started describing this book to my partner as I was approaching the midpoint, running through the key details: steampunk western; Escaped slaves turned dirigible pirates; a female spy forced to become a Pinkerton because she’s too famous for the South to want her anymore; MAD SCIENCE SUPER-WEAPONS! My partner basically asked me to stop and put it on her to-read pile before I’d finished the list. Clementine is part of Priest’s Clockwork Century series, which started with 2009’s Steampunk Zombie Western Boneshaker and rolled through another 5 novels and two novellas. This is one of the latter, originally released as a special edition by Subterranean press and now out in paperback for everyone who wants to catch up. As a novella, it’s not going to be for everyone. It’s definitely a long novella–I’d estimate that it runs close to 40,000 words–but it packs a lot of story, action beats, and two POV characters into that count. The result is