Hello!

So, apparently I lied yesterday – I am back today. I didn’t mean to lie, or expect to be here, but after a day at the final Year of the Novel course at the Queensland Writer’s Cetnre there was a part of brain that clicked over and said wait, yes, I am meant to be writing, perhaps it’s time to reclaim that bit of my life again. And so I have critted work, and pondered problems with the novel-in-progress, and chatted with the awesome Angela Slatterabout when we can kick off write-club again and which day we can use so we can get some continuity going (we’ve traditionally used Fridays, Sundays and Thursdays, all of which have become untennable due to semi-regular scheduling conflicts).

It’s been chaotic fortnight around these parts – it kicked off with the news of my dad’s heart attack on the 24th of October that saw me spend much of the week on the Gold Coast, either at the hospital or at my parents place doing stuff to help my mum out. It was followed with my first week of work at the new day job (acquired  on the day my dad went in for his triple bypass) while the list of post-operative complications from my dad’s surgery filtered through (short version: collapsed lung, a longer-than-expected stay in Intensive Care, and a slower build-up to post-operative physio than we would have liked).

The good news is that Dad’s looking like he’ll be getting out of the hospital soon. I have to thank a bunch of people for their well-wishes and e-mails and support over the last two weeks, but since it’ll be a while before I’m caught up on e-mail, I’ll say a big public thank-you now. My peeps, they are awesome.

And with all the mental space that’s been freed up, I get to move onto this week’s problem: figuring out how writing fits into my new work schedule.

In theory, this is easy. The day-job is a part-time gig as an office assistant, which makes it somewhat ideal for my purposes – I go in every morning, I work until lunch, and then I’m out. It’s the first job I’ve ever had where the work doesn’t follow me home – no marking, no preperation for the next class, no figuring out of what needs to be done or jobs that get taken home to be worked on after-hours. I don’t have to think about things until the following morning. In this respect its something of an anomoly for me, albeit a welcome one.

The tricky bit is this: I’m used to contracting and casual work, so I’ve never worked regular hours five days a week*. This means I’ve never had to be particularly disciplined about my writing in order to get things done – I didn’t suck at it, but if I set a word-count of 3000 words a day in order to hit a deadline, I could pretty much rearrange my schedule to meet it without too much difficulty. If it had to be done in the morning, I had time to goof off and play computer games. If I hit the wordcount in the wee hours of the morning, I could wake up a little later the following day. In the rare periods where time was at a premium and regidly disciplined schedules were required, they were short-term.

The new day job, hopefully, isn’t a short-term thing. Which means I’m going to have to figure out this “writerly discipline” thing in order to get stuff done at the speed they need to be. On the plus side it means I get to work a little smarter about things, but I also need to relearn how to resshape my expectations of what constitutes a good days’ writing.

With luck it shouldn’t take too long.

*I did work a full-time job  once, but that was a work-from-home gig I could do in my pyjama’s most days and accumulated time-off-in-lieui like no-ones busines, so it wasn’t quite the same as this.

Heading off for a few days

I’m preparing to decamp to the Gold Coast and hang out with my parents for a few days, which is a process that would probably go a lot better if I hadn’t just spent an hour drinking my morning coffee and checking my RSS feeds on the internets. On the other hand, the more internets I get out of my system now, the less time I spend wasting my parent’s bandwidth.

I’ve also been deploying kitchen timers and to-do lists this week, which is slowly starting to make a difference when it comes to getting things done. I’m yet to actually finish a to-do list, mind, but I’m usually averaging five or six things on a list of ten goals for the day. I’m still debating whether the timer is going with me to the Gold Coast or not; in theory I’ll be spending the bulk of my time down there doing a rewrite on the sparse first-quarter of Claw (which is messy and needs to be rewritten in order for me to figure out the dreaded what-happens-next) and rewriting isn’t an activity that I do in timed increments due to the concentration required.

On the plus side, Claw has grown. I’ve managed to average about a thousand words a day for the last week, gotten some non-Clawwriting done on the side, and generally started to get my shit together on the writing front. My main concern for the next few days is actually finding ways to thin the story down a little so I don’t blow out the wordcount horribly – I’m about two-thousand words over where I wanted to be at this point, and I’m only a quarter done.
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Current Writing Metrics

Consecutive Days Writing (500+ words): 7
New Short Stories Sent Into the Wild: 10/30
Rejections in 2010: 21/100
Claw Word Count (Finish Date: 15th November)
 

Musings

Today is wet and dreary and therefore full of awesome. I’m always far fonder of the world when it’s overcast and dreary than I am during the sunny days, especially now that it’s spring and the demolition-force humidity and heat of Summer are just on the horizon. I am steadily ignoring the fact that there are multiple breeds of football dominating the airwaves at the moment and pretending the rest of the world has gone away for a while. It’s always easier to write on such days, although I’ll admit that I miss the comfort of having another cup of coffee and watching the world through my office window.

Soon I will head off and make myself some soup.

Until then I will sit and think about Claw, which is proving to be unruly and hard-to-tame due to my insistence on a) not repeating the opening tropes that were used in Horn and Claw; and b) my desire to make use of the supporting cast from the previous two novellas, thus adding to the already considerable backstory-baggage that Aster already carries around with her. I try to calm myself with the thought that it will all be okay once the first corpse is onstage, but this is a lie. Once the corpse arrives, I will simply have a different set of narrative problems to puzzle my way through. And if I write another 400 words on Claw this evening, I can spend a few hours thinking about Black Candy and getting a thousand words done on that. After which, if I’m lucky, I’ll have time to get some short story work done before I slumber.

And really, this is the way days should be.

Although I wouldn’t complain if I started figuring out how to make these stories and novellas and novels work a little faster.
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Current Writing Metrics

Consecutive Days Writing (500+ words): 1
New Short Stories Sent Into the Wild: 10/30
Rejections in 2010: 21/100
Claw Word Count (Finish Date: 15th November)