Writing, Budgeting, and Shame

My primary activity at the moment is not doing things, which is not conducive to exciting bloggery. For example, I’m not succumbing to the temptation to renew my Locus subscription; I’m not rushing out to buy the passel of books I really want to buy; I’m not going on online shopping sprees to celebrating the moment of parity between the Australian dollar and the US*. In fact, I’m not really leaving the house much for anything, really.

All of this takes considerable mental energy on my part, because the impulse is there to do all of them and in some cases (say, Locus) I can even partially justify why I should do them. Such are the realities of paying off credit card debt in my current circumstances – I’ve trimmed my budget to focus as much as possible on paying off the accumulated debt of the last year, and even then the realities of credit interest meant I’m only dropping the debt by $5-$20 a month. Eventually that will change – the payments will knock down the debt, the not-using-the-credit-card will keep new debt from accumulating, and thus there will be less interest as the months go by – but that day is a ways off . At the moment the best option available to me is getting used to not doing things, even if it’s hard and depressing and largely un-fun.

So the question becomes: why am I blogging about this? Well, call it a lesson in the psychology of being a writer (or, at least, this writer).

Like most people, I’m not actually terrible with money. I’m not great with it, but my bills get paid and my rent goes in on time and I’m rarely without food. Between post-graduate studies, a tendency towards casual employment, and a focus on writing as a long-term career, I’ve gotten used to living on not a lot of money. Most days I’m okay with the trade-off between earning much less in order to do the one thing that I’m really good at doing in the hopes it’ll pay off in the long run. And until about five years ago, I either avoided my credit card like the goddamn plague or kept it paid off when it was seeing regular use.

But, like most people, there were gaps in my budget that leaked cash like a sieve, and when I stopped doing sessional lecturing gigs a few years back the outlet for those became the credit card.

My first budgeting blind-spot largely came down to purchases justified under the aegis that I “needed them for writing.” Stuff like printer ink cartridges would get charged to the card on the weeks that I didn’t have the ready cash for them, or I’d look at a magazine like Locus and rationalise the subscription. Or I’d celebrate a story sale by hitting the bookstore, working off the theory that I’d pay things back when the cheque came in, and somehow never did. Yes, this is thoroughly stupid, but I suspect many people are stupid with their credit cards in much the same way.

And, honestly, it’s far less stupid than my second blind-spot. ‘Cause my second blind-spot is largely summed up as “shame.”

There are hundreds of small purchases on my credit cards that were primarily driven by shame:  petrol for the car so I could make it to social events without saying “sorry, I’m broke;
last-minute grocery shopping for when people where coming around so they weren’t exposed to my regular diet of hot-dogs and baked beans; pizza on those nights when the writing seemed hopeless and my life wasted and the only defense against the lingering spectre of shame was spending money on the simplest of luxuries. Birthday presents I wouldn’t have been able to afford under ordinary circumstances. Christmas. Meeting people for coffee. Simple things, ordinary things, that I just couldn’t bring myself to admit weren’t in the budget. It was rarely a lot of money, only ten dollars here and twenty dollars there, but it quickly added up.

And to be fair, this probably wasn’t needed – my friends and family have always been pretty good about understanding when I say “the money’s not there.”  The problem largely came down to me. Doing those things were a way of bolstering my self-esteem rather than taking the hit of saying “I don’t have the cash”, and it was a way of warding off the sinking feeling that maybe I just wasn’t good enough to do better. For years I warded off that feeling with the excuse of “post-graduate study”, but when I left the degree behind a few years back I no longer had that defense, and thus the credit card stepped in to pick up the slack.

I may well be alone in this, but I suspect this is the real danger when budgeting as an aspiring writer without a full-time day job: it’s hard to keep your eyes on the future and accept that you’re doing without now, especially if you’ve been doing without for a while . Writing is one of those careers that doesn’t have immediate payoffs, may never have a payoff at all, and doesn’t get a hell of a lot of respect in ordinary society. When you pick writing and you aren’t making a success of it, odds are there’s going to be a moment of shame somewhere in your future – the culture virtually demands it. You’ll feel it in your gut the first time you tell someone “I’m a writer” and they respond with the handful of usual response that statement gets. It’s one of the best reasons I can think of to listen to writing books when they say stuff like “don’t give up your day job.”  Hell, it’s the reason why I was much more productive when I had a damn day job and I really miss having one. It’s much easier to be proud of your work when you’re not wishing it’d earned you the discretionary cash to buy a new book, meet a friend for coffee, or afford a McDonald’s burger.

I spent a lot of time trying to figure out why I was so interested in blogging this budgeting/credit card process, and it largely came down to the idea of writing without a net (ie, putting my process out there, warts and all) and a desire to just admit to the shame so I could stop worrying about it so much (cause, honestly, I don’t see it going away). A writer far smarter and more successful than I (probably John Scalzi) once blogged that writing is a career for people who enjoy being in a constant state of panic. I think that’s probably true, but it’s a mistake to think that all the panic is going to come from deadlines and late cheques and wondering how you’re going to pay your rent next week. Slowly, inevitably, some of that panic’s going to come from not moving as fast as you want to be, and some of it’s going to come from fear of failure, and some of it’s going to come from the thought that “maybe this is as good as I’m ever going to be.”

And based on my conversations with people who are further along the food chain than I am, I’m not sure that ever goes away. Somehow you have to figure out how to handle it and keep writing anyway.

Metrics!

For the first time in a long while, I’ve managed to write two thousand words in the space of a day. While this is certainly good news around these parts, it comes with the somewhat sickening realisation that Giving Up Coffee is Working.

Interestingly, kicking the draft version of Claw into gear has involved sketching the bare bones of a scene – basically, getting the conflict and the final line down – then trusting that I’ll be able to come back and flesh things out once I’ve got the structure in place. This is a new and different territory so far as my process goes, and may well come back to bite me in a few thousand words time.
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Current Writing Metrics

Consecutive Days Writing (500+ words): 2
New Short Stories Sent Into the Wild: 10/30
Rejections in 2010: 21/100
Claw Word Count (Finish Date: 15th November)

Coffee, Meaning, and Getting What You Get

I woke up this morning with a desire to blog, only to discover that the back end of my website is down for some kind of regular maintenance, and this presents problems because I’ve grown so used to using it that the thought of posting straight to livejournal seems redundant. So instead I write this elsewhere and assume it’ll go online sooner or later.

It’s 8:36 in the morning. It’s raining. I’m barefoot and wearing my oversized winter writing coat and listening to old Cure songs. There’s a list of five things I want to accomplish today sitting beside the keyboard. The first thing on the list is the production of words for Claw. The second thing on the list is the revision of words for Black Candy. If you read yesterday’s post, you may be seeing a theme.

Right now I’m missing coffee. Not the caffeine or the taste of it, just the comforting way it used to fit into my routine on mornings like this, it’s ability to be the thing that happens next when I reach a certain point in a blog post and get stuck and need a few minutes to think. I miss the way coffee marked time, gave me a thing to do without doing anything. Tea doesn’t have this quality. Tea is a moment of thought, a decision that’s made and a process that’s undergone. And there’s no measuring required for tea, no judgement about how much or how little to add to the mug. It’s drop a teabag and add the hot the water and away you go, back to wordmines with a poor coffee substitute.

Yes, I know tea doesn’t have to be this way. I’ve made tea from loose leaves before. It’s not the same; the weight is different – physically and metaphorically – as are the textures and the smells. And the making of coffee is complex enough to be engaging, yet automated enough that it doesn’t need to be thought about; easily done, able to leave the mind free to ponder.

This was not meant to be a morning when I blogged about coffee or the giving up of it. I’m not sure how we ended up here. My original thought was write about the writing process; or, write something vaguely amusing; or, for the love of god, I don’t care, just as long as you’re not whinging about stuff. They may even have been in that order, or have arrived all at once. Some morning’s its hard to be sure.

Today the blog is not a place governed by the fun-writer-mind, the part of me that writes to entertain and perform-without-performing. That part of my brain is off solving other problems: how do I handle the next scene transition in Claw, for example; or should I finally finish that blog post about story structure and Hellboy II and the fact that it should have been an utterly devastating movie were it not for some stupid choices; or, when am I going to learn how to write in third person and do that second-world fantasy series I’ve always longed to write?

For the most part, that fun-writer-brain is interested in fun and cool stuff and explosions. The one you get today is the same hungry-writer-brain that goes searching for profundity despite the belief there’s no such thing, the one that occasionally seeps out in stories where the extraordinary is greeted with a shrug and a desire to get on with life. The part of me that first encountered post-modernism and the collapse of grand narratives and the death of meaning and said, yes, sure, that makes perfect sense, then chose to believe in art and poetry and the redemptive power of ordinary moments. Hungry-writer-brain is hungry for meaning, despite the fact that he doesn’t believe in it. Hungry-writer-brain is very bad at endings, for endings imply meaning and for all that he’s hungry for meaning he still struggles to believe in it.

Hungry-writer-brain doesn’t get let out much, for obvious reasons. He’s not fun, after all, and he’s inclined to moping, and there is a third writer-brain known as business-writer-brain who acknowledges that he’s not the best face to present to the world online.

Business-writer-brain says this post should probably be written. It could have a snappy title about three-writing-selves and talk about process and the way all three brains work together. ‘Cause they do, and that’s important, and I fully acknowledge that there’s no one reason to write and only satisfying one of the impulses is a fast way to make myself miserable.

But you know what? It’s Hungry-writer-brain’s morning this morning, so you’re getting what you get.