Some Awesomeness, Some Writing Advice, Some Help Needed, and Some Horn Spotting

1) Two Reasons Angela Slatter is awesome

The latest Clarkwesworld magazine has an interview with eight Emerging SF authors, including the insightful and rather startlingly talented Angela Slatter. She says some smart stuff, as do the rest of the interviewees, and it’s well worth a read. If, however, you like you’re writing advice in a more direct and focused form, I really suggest heading over to Angela’s website and read through her advice on editing. Actually, I’d advocate printing out the entire post and keeping it handy next time you’re proofing something. I’ve been lucky enough to have stuff edited/proofed by Angela before and I can say with certainty that she knows of what she speaks here.

2) Interesting Writing Advice from Across the Interwebs

Still on the writing front, I’d also recommend going and taking a listen to Mary Robinette Kowal’s guest-spot on the Writing Excuses podcast. It crams four really useful pieces of advice to fiction writers (based on puppetry, interestingly enough) into the space of fifteen minutes. I transcribed them and put them in the folder where my draft of Black Candy is waiting for me to start rewriting, just as a reminder that I need to think very clearly when I start replacing all my habitual non-verbal tags that get scattered through dialogue.

3) Help Needed/Gen Con Australia

Do you know someone who loves fantasy and SF authors and roleplaying games who doesn’t suffer from stage fright and will be in Brisbane between the 18th and the 20th of September? If so, get them to drop me an e-mail at peter.ball@genconoz.com because I’m in need of some volunteers who’d be willing to MC some panels at this year’s Gen Con Australia. This is your basic call for interested folks – e-mail me for more details.

Yes, I realise this is an odd way to go about it, but I’m short on time and the usual pool of folks I’d ask has gotten shallow in recent years, and I figure most of you who are reading this are SF and Fantasy fans who might know some folks. Given that we’ve had to do this fast and there were set-backs due to the computer-crash*, I’m going to go with odd-but-direct rather than time-consuming-but-standard. 🙂

*after all my gloating about my back-up plans, it was discovered that I’d failed to back-up the outlook files for the account used in this exercise.

4) Horn Spotting

Horn got a nice write-up from Narelle Harris on her blog. As always, there’s the excerpt:

Horn is a novella, a fast read at 80 pages – a short, sharp uppercut of a book. Parts of it are hard and ugly, as they need to be for this kind of story, but it’s also a ripping yarn. It may leave you desperate for whisky and a cigarette, but you’ll finish it knowing you’ve fought the good fight.

As usual, I’ll mention that copies of Horn are still available from Twelth Planet Press (Not *many* copies, sure, which still blows my mind, but there are still some there if you’re so inclined…)

And now I need to go figure out what’s happening with the sequel. And figure out something to cook for write-club tonight. And get some gen-connery organised. ‘Tis a busy day in the office for me, which is as it should be really.

Links and Things

1) Chris Green Distills the Clarion Wisdom

I went to Clarion South with Chris two and a half years ago. He’s a smart man, very interested in things, and on something of a roll of late as far as publications and sales go. Over the last week Chris started distilling some of the major lessons we learned during the workshop into a series of very short, controlled blog posts. Given his terse nature, these are short and easy to digest, and they’re basically the high points of the workshop in collected form (and since he doesn’t believing in tagging posts, I’ll send you straight to the first entry and let you follow along from there).

2) Philip Pullman on How to Write a Book

This amuses me in its accuracy.

3) Reviewage andPimpage

– My comrade-in-writing Ben Francisco – and the first man to tell me “this should be a novella” – engages in some Horn Pimpage on my behalf
– The Fix diggs my story Clockwork, Patchwork, and Ravens which appeared in Apex Magazine back in May
– The Internet Review of Science Fiction describes On the Destruction of Copenhage… as “mundane surrealism.”

4) Rewriting as an Animated Giff

A very short-but-interesting post from Elizabeth Bear on the re-writing process, showing the evolution of a paragraph through multiple layers of revision.

5) My Projects

Man, the last week has been all about the new projects. I started the new novel draft, started revision of another project, started preparing for the next draft of Claw, agreed to do some work for Gen Con Australia, and tentatively agreed to take on another project I cannot yet talk about. I also ticked another entry off the 80-point-plan of awesome, making my year 3.75% awesome. If you see me looking wild-eyed this week, it’s not because I’m stressed – I’m just learning to cope with an opportunity-rich environment again 🙂

6) Oh, hell, let’s cap it off with a youtube clip

Because I’m far to fascinated by this film-clip at the moment.

Links, Reviews and Dancing

I’ve been all words, words, words this week, resulting in big long posts both here and elsewhere, so today I’m aiming for short and brief. Lots of getting in, doing the pimpery, and getting out. And this time it’s not all about me, just like, two thirds about me. You know how it is.

Cool Stuff: The Outlandish Voices Podcast

A project set up by Laura E. Goodin, a friend from Clarion and fellow believer in the power of the middle initial, to deliver readings by Illawarra’s established and emerging science fiction, horror, and fantasy authors. Laura is one of those folks whose not content to be contained as far as her creative ambitions, so she’s managing this while simultaneously picking up momentum as a short story writer and playwright (with, I suspect, a host of novels getting written as well). I get tired just reading her blog and trying to keep up with her various projects, especially given her propensity for making them all work.  The first three installments of Outlandish Voices (featuring readings by the Rob Hood, Cat Sparks, and Richard Harland, a trio of writers with some pretty damn impressive credentials) are online now and there’s more to come.

The Stuff of Glee: Horn Reviews

Two reviews hit the world in recent weeks. One from Genrereviews, which (quite-rightly) says some awesome things about the cover art before kicking on to the discuss the story. My favorite bits, excerpted:

In a lot of ways, Horn sticks pretty close to what have become the standards of urban fantasy. … On the other hand… dude, the underaged victim has been raped to death by a unicorn in a nasty snuff film.

I spent awhile trying to figure out how to review this one, because the dark elements are so unexpected it spun my head around. It’s not the sort of thing I could recommend to anyone, but odds are good if you read “unicorn” and “rape” in the same sentence and instead of having your brain explode, you thought “wow, that sounds really interesting and original,” this is probably something you should be looking deeper into, because a premise like this one isn’t something you’re going to come across again.

The other review was in the Courier Mail courtesy of Jason Nahrung two weeks ago (I was slow on the uptake that weekend) and doesn’t seem to have migrated online yet, but there’s a good selection of excerpts over on Girliejones’ blog. And to borrow a phrase from my redoubtable publisher: Copies of Horn are available from Twelfth Planet Press, Pulp Fiction in Brisbane,  and Fantastic Planet in Perth.

Updates: Awesome

So here’s the thing about my plans to awesomeify my year – I’m kinda hesitant to blog about it, in specifics or in general, because I’m assuming it’s very uninteresting to watch from the outside and lots of it will come off like bad self-help book cliches when I try to pin the process down and put it into words. And none of it is big, life-changing stuff – I’m not trying to reach Kathmandu or walk around Australia for charity. I’m just trying to put together the life I want to live as best I can, and that largely comes down to pretty basic stuff (write more, read more, spend more time with friends). The list is mostly about reconfiguring mental processes, reminding me to compartmentalise bad stuff until I can do something about it, and prompting me to do more rather than endlessly fritter away time on the internet. It’s about doing things that scare me a little, which is why the Spokesbear finally made it onto the site (if you look at the bio, you’ll notice I’ve been threatening to post pictures of the bear since I started petermball.com – it just took nine months or so to work myself up to it).

This week I’ve read a lot. And I’ve danced around the house a lot too. This, by me, is awesome. I got interested in stuff again – discussions, books, music, ideas – rather than falling back on the stuff I already know. Somewhere along the line, probably during the PhD and the “comfort food” binging after my life went kablooie (twice) over the last few years, I fell into a heavy groove of repetition – the same bands, the same books, the same jobs. New stuff went in, but slowl, and often it’d just become part of the groove again. I’d see new films, for example, but only if they seemed like they’d produce a similar feel to something I’ve already seen.

So this week I read new books. I listened to albums I haven’t heard in over five years. If I hadn’t signed up for a media fast over August (no TV or film), I would have gone and rented a bunch of films that looked like they weren’t my cup of tea. I tried to be interested in stuff again, even if it wasn’t my thing. And here’s the interesting side-effect of that: I think, for the first time in ages, I can actually look at my week and say “yeah, I did enough.” For someone who never feels like I’m doing enough to be productive, that’s fairly huge.