Tag: Non-Fiction

Journal

Restlessness

I’m trying to buy an apartment this year. I’m not terribly good at it. I can find places I quite like in locations I’d enjoy living, but the response I get when consulting with expert is basically the equivalent of a warning siren and the robot from Lost in Space flailing its arms in a panic. When I find places that are really quite solid investments, well made and reasonably priced, I look at their location and the streets that surround them and realise, should I live in this place alone, my future will involve unacceptable levels of boredom and self-loathing. There have been suggestions, in Australian media of late, that we’re far too hard on suburbia. Perhaps this is true. I grew up in the suburbs. I live in Brisbane, which is mostly a sprawling suburban expanse that goes on forever and ever, amen. I’m not good at that. I like the idea that there are people around, people

Journal

Winter

All my friends keep moving to Melbourne and I do not. I find this kinda tiring, ’cause I’m not the kind of guy who makes new friends easily. I make new acquaintances. I’m good at new acquaintances. Making friends is harder. I don’t like to impose on people, especially now we’re in our thirties. I need clear signs that acquaintances would like to take things further. I assume, for the most part, that people have their shit down and don’t want me to show up and mess with it. I don’t bother ’cause I don’t want to be a bother. Besides, making new friends is all kinds of awkward. There are friends who skip Melbourne and just go overseas. I cant even imagine how to migrate like that. It’s not in my DNA to relocate that far. There are days when moving to Melbourne seems all kinds of daunting. I keep saying I’m going to do it, and keep failing

Conspicuous Acts of Cultural Consumption

Things on My Shelf: The Notebooks of Raymond Chandler

It’s been suggested that there’s an undercurrent of gloom running through my posts of late, which is one of those inevitable things that happens ’round these parts every Summer. I’m pre-programmed for deep seriousness December through February, largely ’cause it’s too damn hot and I spent the better part of a decade being broke during those months on account of doing session work for Universities. Also, they’re my drinking months. I brood when I drink. Still, in deference to the fact that not everyone is as fond of embracing their inner gloomcookie as I am, I figured I’d spent a blog post talking about awesome things. Specifically, this awesome thing, which ranks among the coolest books in my collection: I picked this up at a Melbourne bookstore back in 2008, although I’ll be damned if I can remember which bookstore it was. A friend of mine took me there, and it was back in the days when I’d never really

Conspicuous Acts of Cultural Consumption

Seven Notes on A Lover’s Discourse While Halfway Through the Book

One Habitual marking of quotes is one of those weird habits you pick up when you hang around universities for too long. I still do it, despite being out of the game for the better part of six years now, which means I frequently end up with shelves full of dog-eared books, notebooks filled with hastily scribbled details, and the occasional stray post-it with a quote scrawled across it with the bibliographic details on the back. Since I don’t really teach classes or write essays anymore, the vast majority of the quotes I mark tend to be because I truly adore the phrasing. There’s a great deal of beauty in theory and criticism, if you look for it. Exquisitely phrased ideas that sucker-punch you the same way a perfectly formed poetic line does, or well-turned phrase in a piece of prose. I’ve been reading Roland Barthes A Lover’s Discourse for the last two weeks. It started as a bit of

Conspicuous Acts of Cultural Consumption

5 Books

If you were to ask me for book recomendations right now – and yes, I know you aren’t, but lets just say you were – you’d probably get a list that runs something like this: The Thin Man, Dashiel Hammett: Screw The Maltese Falcon – if you’re only going to read one hardboiled detective story by Hammett then you really should start with this one. I picked it up on the back of watching Nick and Nora’s Infinite Playlist when it was mentioned that the title characters in the film were based on the relationship between Hammett’s Nick and Nora Charles in the film version of this book, and it’s not hard to see why they were taken with the couple. Nick and Nora Charles are fricken’ awesome – their banter, their affection for one another, their goddamn chemistry as a literary couple – and it’s refreshing to see a hardboiled investigator who is actually happy much of the time.