Thursday Linkfest

Over-tired, very busy, and generally lazy this week. This is not so much a weeks worth of interesting links (which I’ve started doing as I go along) as stuff I remembered with half-hearted accuracy sometime this morning.

  • Via the ever-entertaining villainous_mog photographs of Japanese Factories at night (as VM puts it: they look straight out of Final Fantasy 7.)
  • Tansy Raynor Roberts on writing time, with much on the notion of draft-speed.
  • Clarion peep Ben Francisco has posted his latest article at Fantasy, grading last years big comic-book company crossovers. (In the interest of self-confession, I must admit that my primary response was “thank god I don’t read comics” anymore, even though that’s something of a misnomer – it was big crossovers that drove me towards the discreet stories of the graphic-novel format).
  • Speaking of Clarion Peeps, both Lyn Battersby and Daniel Braum have posted their thoughts on the 2007 experience at tutor Lee Battersby’s blog.
  • Kate Eltham has two posts full of notes about Building Online Communities from the Tools of Change for Publishing conference in New York. If you’re a writer and you’re not reading Kate’s blog, you really should – it’s chock-full of stuff about the relationship between writers, the internet, and emerging technologies.
  • This week’s mind-meld over at SF Signal talks about the Hardest Part of Being a Writer
  • A few weeks back I loaned my friend Kathleen a copy of Space Train (aka the actual worst SF novel, rather than the so-bad-it’s-amusing worst SF novel ever). Like many people who have heard me hold forth on the horrors of Terence Haile’s story of sabotage, misogyny and class warfare (with bonus space crabs) she remained unconvinced that it was as bad as I claimed – behold her capitulation, in which she shares the pain (with bonus snark)… For those of you intrigued by all this, bear in mind that I’ve already made this book sound better than it is.
  • Clarion peep (and owner of the most awesome boots in existence) Chris Green shares his own list of links and bookmarks. I’ll just send you to his blog rather than posting them all here.

It’s a Slow News Day, so you get a Meme

It’s the day after the Aurealis Awards and I’m basically running on fumes at this point (courtesy of an early start for the official recovery breakfast, an industry seminar, lunch, and a reading by Margo Lanagan this afternoon). With that in mind, I’m suspending any pretense of coming up with original content and embracing the ancient art of memeage.

The Rules:

1. Leave me a comment saying, “Interview me!”
2. I will respond by asking you five questions. I get to pick the questions.
3. You will post the answers to the questions (and the questions themselves) on your blog or journal.
4. You will include this explanation and an offer to interview someone else in the same post.
5. When others comment asking to be interviewed, you will ask them five questions. And thus the endless cycle of the meme goes on and on and on and on…

Current Interview Questions courtesy of Jason Fischer (If you want to ask your own questions of me in the comments, feel free; I’m rushing the thesis draft deadline this week and the questions could make for a good warm-up of a morning)

1) You’ve recently sold a novella to Twelfth Planet Press, with the working title of Unicorn. For those of us who don’t know the sordid tale, how did this masterpiece come about? Are you looking at continuing the story?

Well, I think it’s titled now – the inimitable Cat Sparks suggested the title Horn at one point over the weekend and it’s the first suggest that’s gained any traction with folks who’ve read it since “That Uniporn Novella.”

It started at Clarion – Lyn Battersby mentioned that her husband Lee (who tutored our second week) hated stories about Unicorns, and I took that as a challenge to try and write one he liked. I succeeded, kind-of, but the idea didn’t quite fit into the five-thousand word story I’d put together, so the novella got written courtesy of some very strong encouragement from my Clarion ’07 peeps and the ever-awesome Angela Slatter (who pushed for me to get the damn thing finished and submitted two years after I’d finished the first draft).

There should be a second novella using the same character, only this time I’ll be tackling the magic-talking-cat genre.

2) What do you think about the recent spate of authors bemoaning reviews that they’ve disagreed with? What do you think about the practice in general terms, and when does professionalism outweigh a right of reply?

I might have missed the outbreak, but as a general rule I’m against an approach that can be described as bemoaning when it comes to reviews.

I’m not sure its possible to speak about the practice in general terms, although my first instinct largely comes down “don’t.” The ability to respond to any review without looking like a complete tool is largely a function of the writer’s personality and public persona, and I can certainly think of a few people who have been able to address concerns raised in reviews without seeming combative or defensive. Respect for the reviewer and the effort they’ve gone to probably has a lot to do with it, as does the ability to both pick your battles and trust readers to recognise when a review has got it blatantly wrong. The big problem in making a blanket statement may be that the instances of writers responding poorly and making things worse tend to be spectacularly visible, while those who have learned to respond well tend to pass without notice.

3) If you had to pick one genre or sub-genre, and only write in that style for the rest of your days, where would you pin your hopes?

Speculative Fiction 🙂

I find it hard to think of genre as something closed, to be honest, but I normally think of myself as a fantasy writer. If you squint hard enough, nearly everything I’ve written fits under the fantasy aegis somehow.

4) Who are the three authors that most excite and inspire your writing?

It depends on the project, but of late: Neil Gaiman, Raymond Chandler, Caitlin Kiernan.

5) If there was a televised combat show, where you could get a zombie anything to fight another zombie anything, what kind of zombie would you reanimate and send in to kick arse on your behalf? What stage-name would you give it?

A Zombie Otter named Giggles with a straight-edged razor clenched in its tiny paws. He’s not going to win all that often, but I figure his loses would be spectacular to watch (and who doesn’t want a zombie otter?)