Awesome Things About 2009 – the Rest of the List

Perhaps unsurprisingly, I ran out of 2009 before finishing the list. Given that I’ve managed to start 2010 with a whole bunch of stuff unfinished, much of it urgent and really needing to be done, I give you the truncated version of what would have rounded out the fifteen awesome things about 2009.

10) Non-Fiction, Part One: Booklife, Jeff VanderMeer

I’ve been known to bemoan the fact that there are very few resources for writers that actually teach you the stuff you need know once you’ve got the basics of things like “plot” and “character” and “not looking like a crazy freak when submitting” under control. In many ways the learning curve for writing becomes a hodge-podge of received wisdom and scraps of knowledge gleaned from conversation, with the occasional outright question being asked of friends and contacts further along the path when need be.

From that point of view, Jeff VanderMeer’s Booklife is one of the best writing guidebooks I’ve come accross in a decade. Very little in this book actually focuses on how to write, but there’s a lot of detail on how to be a writer. The chapters on how book promotion works and what VanderMeer does off his own bat are worth the cover price on their own (part of me dearly wishes it’d been released before Horn came out – it might have saved me from sounding like a rambling goose when people interviewed me). The book itself is freaking awesome, but there’s also a blog built as support for the book content.

This honestly would have been the best writing book I read all year if I hadn’t immediately followed it with…

11) Non-Fiction, Part Two: About Writing, Samuel Delany

Four words of advice for writers: go buy this book. I sure as hell wish I’d read it ten years ago – it would have saved me all sorts of grief and made my job as a creative writing tutor a hundred times easier. Delany is so frighteningly insightful and smart about a) how writing works, and b) why writing works that way, that I spent two months paralysed with fear every time I sat down to the keyboard. While most how-to-write books focus on the stuff that’ll make an okay writer into a good one, this one is focused on folks who have got the basics down and want to really fine-tune their process. Freaking. Awesome.

12) Call of Cthulhu Peeps

I’ve been playing Call of Cthulhu once a week with more-or-less the same group of people for nearly two years now. Our Sunday night games are an ingrained part of my schedule, to the point where nearly everyone in my family has finally learned that trying to call me on a Sunday evening is an exercise in futility for I will be off pretending to be a young chap in the 1920s going slowly mad as the reality of horrors from beyond space and time are revealed. As a shut-in writer-type who spends most of his time with the computer, getting out to catch up with the folks who play Cthulhu is frequently one of the high spots of my week. The fact that they’re generally awesome types and the campaign is starting to develop the kind of depth you only get by playing in the same setting with the same people for a prolonged period is something of a bonus.

13) The Gen Con Oz Guests

Towards the middle of 2009 I found myself organising the seminar program for Gen Con Oz on somewhat short notice.  In the midst of that my computer died, right in the middle of writing up the seminar program. Needless to say, it was a frantic period filled with much profanity on my my end, but it never quite hit the level of angst it should have because the various Gen Con Oz Guests (and Volunteers) were made of unmitigated awesomeness.

I urge you to seek out and buy the work of the following folks: Karen Miller, Keith Baker, Jason Bulmahn, Marianne De Pierres, Kylie Chan, Matt Farrer, David Conyers, Rowena Daniels, Steve Darlington, and Ryan Naylor.

14) Novel Draft

As in: I finished one. The first I’ve actually finished since I was twenty, which means there was a good period of thirteen-odd years where I wandered around living in fear of the novel (of course, to be fair, I also lived in fear of the short story and a variety of other forms). And once I’ve cleared the bulk of lasts weeks job off my desk this afternoon I’m going to get back to work on the redraft and finish the damn book.

15) Writing

I spent seven or eight years being a PhD student who wanted to be a writer. Somewhere in the middle of 2009 I managed to invert that – writing felt like a tangible enough activity that it kind of succeeded the thesis in terms of how I thought about my process and structuring my day.

Net result: A multitude of things went wrong this year – I spent most of it broke and angry and managed to fuck-up my thesis in a moderately mundane manner – but I wrote a lot and submitted and things seemed to keep coming togehter. Stuff got published. Stuff got reviewed. Horn came very close to selling out (last word before Christmas – four copies left). People invited me to write stuff for their projects, which is one of those experiences that still bewilders me beyond all belief.  Heck, the fact that people actually read things I write still catches me by surprise.

Given that I’d expected 2009 to be a wasteland as far as writing went (2008 sucked – we do not speak of it – and very little new work got done), this year has been awesome .

Which leads me to my resolution for 2010: Don’t fuck it up, dumb-ass.

Things Worth Reading: The Innocent Mage

The Innocent Mage_Spokesbear ApprovedThere’s always something a bit oogly-boogly about blogging your responses to fiction written by people you know (especially if you don’t necessarily know well them well), but today I’m going to bite the bullet and recommend Karen Miller‘s The Innocent Mage as one of those books that folks interested in writing fantasy should really pick up and take a look at in order to understand its narrative tricks.

I’m kind of envious of writers who can write big, doorstopper-sized fantasy novels at the best of times but this one manages to go somewhere interesting in its avoidance of standard genre tropes. I mean, The Innocent Mage feels like a traditional fantasy novel – you can run through the check-list of elements needed for a big doorstopper fantasy and they’re all there: Ancient enemy from the distant past? A young lad of simple beginnings heading out into the wised world? A prophecy ordaining a great battle between good and evil? The deeds of kings, sorcerers and princes brought to the fore? Check, check, check, and check. This kind of stuff is the baseline of the doorstopper fantasy genre, and their presence no doubt contributes to The Innocent Mage’s ability to satisfy as a big doorstopper fantasy experience. And it does satisfy, very well, on that front. I’m still recovering from the sleep debt I accumulated by staying up until six in the morning reading the book.

What surprised me wasn’t what was in the book, but rather what wasn’t. Things like, say, sword-fights. Or the start of the war we’re teased with via prophecy. Or big epic overland quests to pick up macguffins and plot coupons. Hell, by the end of the first book titular Innocent Mage is not yet a mage, nor has he even had an inkling that magic and great deeds are in his future. His heroic journey, as presented in book one, is essentially one of rising from fisherman to becoming the highest rank Bureaucrat of his race within the tense, bi-racial government system set up within the country. Even the evil sorcerer and his demonic army are safely segregated from the story for about three hundred and seventy pages, making a last-minute appearance to set up for the second book in the duology (where, I suspect, the inevitable war will finally kick off).

The revelation of the evil sorcerer is actually something of a let-down when it comes, because the real antagonist of the story is actually the protagonists best friend who creates conflict by continually asking the everyman analogue to become more than he is. In essence it’s Doorstopper Fantasy by way of a buddy movie, with the threads weaving together and getting you good and involved in their lives. While the background is epic, the foreground is all small-scale conflicts – interpersonal, political, and rarely physical except as a means of underpinning the former. Last week I suggested that the City and the City is one of those books worth pulling apart to figure out how it does what it does. I’m inclined to say the same thing aboutThe Innocent Mage– in terms of taking an established genre and fulfilling the expected tropes in an unexpected way it’s a brilliant read, but its ability to do that without calling attention to the fact is one of those subtle narrative tricks that I gaze upon in unabashed envy.

While there’s lots of everyman-journey stories out there in the genre (see the works of Eddings, Jordan, Tolkein and Tad Williams for starters), it’s a telling point that the stuff that usually make up the formative experiences of their champions (the journey from the familiar territory, the exposure to violence, the learning to become a hero) are neatly sidestepped or glossed over here without feeling like we’re missing something.