I just walked up these stairs and, man, I’m buggered…

Once upon a time I didn’t own a car and I lived in a city with a laughable idea of public transport. Since I was also young and broke and generally wanted to go to places buses didn’t really go, I ended up walking everywhere and got quite good at it. It became a big part of my identity. My name was Peter and I walked places; any trek that required less than an hour or two meant I didn’t really bother with public transport.

Naturally, the walking went away after I acquired my first car, even if the mental image of myself as a guy who walked didn’t. And about a year after driving everywhere I walked fifteen minutes to the shops down the street and it utterly wiped me out. I found myself huffing and puffing my way home, two liters of milk tucked under my arm, wondering what the fuck, exactly, had happened.

Because I am not terribly smart, this kind of thing happened a couple of dozen times before I made the connection. I no longer walked, and thus I was no longer a walker. Being surprised that walking now took considerable effort was kind of idiotic.

I write five thousand words over the weekend. I was utterly exhausted when I finally hit the end of the story on Sunday night. This isn’t the first time this has happened, but it seems it’s this time where I’ve finally made the connection. Two and a half thousand words a day used to be an average, not something to strive for.

So I’m no longer a guy who writes a lot either. Which shouldn’t been a surprise, because there’s been many excuses not to write over the last year, and I’ve taken almost all of them, but it still came as a surprise.

Writing a lot, incidentally, means far more to me than walking ever did.

So it appears my creative muscles have atrophied considerably. If you need me, I’ll be over here, having a startling revelation that shocks me to the core of my sense of self. After that I’ll be planning the writing equivalent of going to the gym.

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According to SF Signal my short story, Say Zucchini, and Mean It, should be sent out to DailySF subscribers  on May 17th. I mention this because subscription is free and gets you all sorts of interesting stories sent to you via email every weekday, which seems a far better way of procrastinating at work than spending yet another hour on facebook.

I’m also pretty sure that Say Zucchini, and Mean It will be my last non-Flotsam story for a while. There’s nothing else waiting to be published, nothing else doing the rounds of submission, and I’m not writing any new short fiction until Flotsam is done with.

And, sure, every time I said something like this in the past, I immediately go into a mad panic and write a bunch of stories to try and correct the situation, but it’s entirely possible that this time I mean it. I have a dayjob now. More than one. I can eat without selling short fiction, and so it’s entirely possible I’m slowing down 🙂

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Lest this be entirely bogged down in mournful observation, allow me to say this: we played our weekly session of Deadlands early this weekend, and it was awesome. I make no secret of the fact that I adore my Deadland’s peeps and the campaign we’re currently playing has been a cracker, so much so that it’s successfully transitioned the regular Sunday night game into Deadland’s night rather than C’thulhu night when I put it into my calendar.

Finally, after many months, we hit the scenes I’d identified as the mid-point of the campaign, which is probably best identified as “Aliens in the Old West, if the Xenomorphs wore cow skins as a disguise.”

Afterwards we feasted on roasted pork, courtesy of our hosts.

And really, when your weekend includes good company and good food and a horror-western filled with cattle mutilation, life is pretty good.

The Return to Sanity

So, yes, I’m back, I think. At the very least, I can compose sentences without cursing, which is a good thing, and my weekend was actually pleasant in a mildly stressful kind of way.

On Friday night I taught at UQ and went to my sister’s place to do washing, whereupon I was promptly fed delicious butter chicken (with bonus ham) and indulged while I ranted about my week. Afterwards we bundled into the car with a camera and a tripod and went galavanting into the night in search of the photograph of a somewhat spooky pedestrian underpass that will go with my next Flotsam story.

We found one by walking through a darkened bike-path through a stretch of scrub between Griffith University and the Highway. This process was made somewhat more exciting than it could have been by the fact that we’d forgotten to bring a torch, so we lit our way with the soft glow of my sister’s iPhone screen.

I think it was the first thing I’d done all week that actually counted as fun.

My good mood was ruined a few hours later when my neighbor came home and blasted their stereo at four in the morning. The bass was so loud my bed actually moved while I was in it, twitching its way across the room in that strange little dance furniture does in the presence of loud music.

I did not kill my neighbor, which I thought was very restrained of me.

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On Saturday there was a desperate attempt to finish this week’s Flotsam story, which was a) overdue, and b) overdue, and c) really, really overdue. If you’re getting a sense of the theme there, you’re probably understanding exactly why last week was so miserable for me.

I dislike blowing deadlines, even by a few days, and I couple this with a pigheaded stupidity that makes me incapable of admitting I’m going to blow a deadline even when it’s patently obvious that it’s going to happen. Couple this with the added dayjob stress and I spent much of last week in the red-zone, building up the kind of self-directed anger that’s best released by destroying a major metropolitan area in a pique-fueled kaiju-esque temper tantrum.

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On Sunday I was afforded the opportunity hang with one of my Melbourne peeps, Kapowe, who was drifting through Brisvegas for the day. There was beer and bacon and catching up and I was forced to torture him with stories about the awesomeness of my current Deadlands game which is rapidly approaching my favourite RPG campaign that I’ve ever run. We also spoke of books and games and his rapidly rising career in voice-artistry, which is one of those unexpected and unfeasibly cool things my friends occasionally wander off and do when I’m not really looking. (Edit: were I a good friend, I would have mentioned Kev has a shiny new email newsletter for folks who may be interested in voice-over stuff)

After this, there was Deadlands, and it’s not like I’ve been shy about how much that improves my week. Our games are usually fun, especially given something with obvious genre tropes like the western we can play off, but last night’s session my players went above and beyond to make with the awesome. Wild flying machines were invented, plots were advanced, characters were fleshed out and given unexpected new arcs. At some point I need to stat out a guy named Dressed Up Eddie, himself a neat piece of meta-narrative lifted directly from the works of Raymond Chandler, and I didn’t even put him into the game.

It was a good way to end the weekend. Possibly the best way I can think of.

And since I’ll be freed from the dayjob at my usual time, I think I’ll celebrate by doing some writing this afternoon.

Mmm, BBQ

S0 yesterday was pretty good day.

There was a delayed birthday dinner with the family, whereupon we set out for The Smoke in New Farm and ate our own bodyweight in American-style BBQ, then we set out to see Wil Anderson at the Brisbane Comedy Festival, and then because I was full of food and happy I stayed up to listen to the latest Galactic Suburbia podcast instead of going to sleep.

Somewhere in there the home internet was fixed, so I rejoined the online world, and I wrote some things. About 1 o’clock I went to bed and actually slept for five hours, which is something I rarely do since starting the dayjob and discovered that being employed is actually far more stressful and soul-destroying than being unemployed (who knew?).

So yesterday was a pretty good day, against all expectations, and tonight I make chili in the hopes that it’ll redeem today in much the same way.

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The Aurealis Awards short-lists came out yesterday, which includes all sorts of awesome news such as: Jason Fischer making the final list of the Best Horror Novel for Gravesend (and really, it’s about time the Fisch made an Aurealis Shortlist); four nominations for the inimitable Angela Slatter (both her collections were shortlisted, as was the story Sister, Sister and her collaboration with LL Hannett, The February Dragon ); Trent Jamieson making the shortlist with Death Most Definite; Dirk Flinthart making the list  YA Short Story; all sorts of love for Twelfth Planet Press up and down the shortlist.

I’m inevitably forgetting to congratulate *someone* in the list above, for which I apologise and offer a blanket congratulations go out to everyone. Full details of the list can be found over at the Aurealis Awards website.

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I read Ian McEwen’s Solar over the weekend, which quickly became one of those books that I’m ish-ish about. It was my first McEwen book and I found myself intrigued by the idea of the book after it was featured on First Tuesday Book Club last year, and while it’s got some beautiful writing and characterization it left me feeling utterly unsatisfied at the end.

Basically it’s one of those comic tragedies where you follow the life of an utterly appalling human being who’s rarely punished for their follies until the end, only when it comes the tragedy is so utterly weak that I found myself shrugging and thinking “really? That’s it?”

I mean, I would have been more satisfied if he’d gotten away with everything, which isn’t really really the kind of thing tragedy should strive for. Still, it’s an interesting read, and the narrative POV  is so hands-off and telling-oriented that I’m fascinated by the fact that it seems to work.

It just doesn’t inspire me to read more McEwen, which seems a shame.

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I keep forgetting to mention this and it should probably be something that gets a blog post of its own, but the latest installment of Flotsam is out over at the Edge of Propinquity website.