Horn Review

It appears we have the first review of Horn live on the internets, courtesy of awritergoesonajourney.com.

Meanwhile I’m peeling myself off the couch after three straight days of Veronica Mars DVDs and trying to figure out how to get back to work. My current to-do list: Black Candy draft, Clawredraft, third Miriam Aster novella draft (since I now have a plot for it), short story redrafting, marking of student assignments. I suspect what I really need to do is the latter, since it’s going to have the most psychic drag associated with it, but I do so hate the marking process…

Ah, yeah, that’s right, writing…

I’m having one of those “rebuild your process” kind of weeks where I remember how this writing thing actually works. That includes some long-delayed redrafting of Claw in an effort to produce an “other people can actually read this one” kind of draft. I’m back to remembering my issues with the first scene: so much back story, so little desire to explain it in one long dump. Things would be easier if I wasn’t dead-set on starting the story with a fight between the detective and the talking cat, but I like that opening a lot and it does something different to the opening pages of Horn.

There’s a taste of the current (re-written) opening behind the cut, warts and all, for those who are curious:

Read more

Claw Update.

Went away after the last post, wrote 898 words, then realised I was done. The net for Draft One is 20,799 word, and there is a part of me that’s still kind of shocked that I’ve written something that long. I don’t do long that often, and I can still remember two years ago when writing the 10k novella for my AHWA Mentorship was a long, drawn-out battle to get words on the page; when I look back and realise that this has all been done in less than a fortnight, it freaks me out.

I can safely say without looking at it that this is one of the most god-awful draft I’ve ever written, full of random asides and irrelevant scenes that aren’t going to make any sense to anyone who isn’t me. Which is okay, really, because I’m slowly starting to figure out that this is going to be the process I end up using for novellas (or, at least, for this particular style of novella) – it’s literally a race to the finish line where I keep writing until I’ve got the shape of the story worked out, some of the key moments nailed down, and an ending that everything is working towards. Tomorrow I’m going to compare what I’ve written to the plan I started with – I suspect there’s not going to be many similarities between the two short of the occasional image.

Draft two will be about going back and adding a bunch of stuff in – I think at least two scenes will be replaced altogether, one character needs to be given a lot more page-time in order to make the ending work, and I suspect one scene will be pulled forward in order to serve as a much stronger end to the act-one part of proceedings than what I’ve got there. I’m also toying with the idea of pulling some chapters apart (since I seem to write novella chapters in binary scenes that play off each other, both hitting a particular narrative beat in the three-act structure) and adding in additional stuff around them.