Tag: Bleed (aka the novella formerly known as Cold Cases)

Works in Progress

16 Days

On Friday night, during the Write Club recently documented over on Angela Slatter’s website, I finished the first draft of Cold Cases. Afterwards, I looked at the messy first draft state that’s so familiar after years of first draft, and immediately started fretting. There were sixteen days until the deadline. My usual rewriting process, particularly for something this long, winds out over the course of a year or more. I do a little rewriting, let it sit for a while, then do a little more. I tinker with scenes, do little bits here and there. I show it to a critique group, get some feedback, then show the revision to a different writer-buddy or two in order to see if it works yet.  I sort through what other people think works, what I think works, and I fine-tune. I can’t replicate that process in sixteen days, especially with a work that’s sitting at 24,000 words. So I spent most of

Works in Progress

Project Update: Cold Cases

There’s usually a point in a project where I stumble over it’s identity. Not a theme or a plot or a character conflict, but a moment where I can suddenly look at the piece and realise why I’m writing. Sometimes it’s easy – Horn got defined as as the book about unicorns for people who hate books about unicorns right from the very beginning, before I even came up with the characters. Most of the time it isn’t, and it takes a good deal of noodling around before I have moment of realisation and everything falls into place. The noodling is actually kind of painful and aimless, because even if I’ve got a plot in mind and the story is travelling okay, it always feels a bit listless without getting to know the reason for the book. Cold Cases spent a really long time without that sense of identity. That thing that makes it a specific book I want to write,