Awesome Things About 2009 – the Rest of the List

Perhaps unsurprisingly, I ran out of 2009 before finishing the list. Given that I’ve managed to start 2010 with a whole bunch of stuff unfinished, much of it urgent and really needing to be done, I give you the truncated version of what would have rounded out the fifteen awesome things about 2009.

10) Non-Fiction, Part One: Booklife, Jeff VanderMeer

I’ve been known to bemoan the fact that there are very few resources for writers that actually teach you the stuff you need know once you’ve got the basics of things like “plot” and “character” and “not looking like a crazy freak when submitting” under control. In many ways the learning curve for writing becomes a hodge-podge of received wisdom and scraps of knowledge gleaned from conversation, with the occasional outright question being asked of friends and contacts further along the path when need be.

From that point of view, Jeff VanderMeer’s Booklife is one of the best writing guidebooks I’ve come accross in a decade. Very little in this book actually focuses on how to write, but there’s a lot of detail on how to be a writer. The chapters on how book promotion works and what VanderMeer does off his own bat are worth the cover price on their own (part of me dearly wishes it’d been released before Horn came out – it might have saved me from sounding like a rambling goose when people interviewed me). The book itself is freaking awesome, but there’s also a blog built as support for the book content.

This honestly would have been the best writing book I read all year if I hadn’t immediately followed it with…

11) Non-Fiction, Part Two: About Writing, Samuel Delany

Four words of advice for writers: go buy this book. I sure as hell wish I’d read it ten years ago – it would have saved me all sorts of grief and made my job as a creative writing tutor a hundred times easier. Delany is so frighteningly insightful and smart about a) how writing works, and b) why writing works that way, that I spent two months paralysed with fear every time I sat down to the keyboard. While most how-to-write books focus on the stuff that’ll make an okay writer into a good one, this one is focused on folks who have got the basics down and want to really fine-tune their process. Freaking. Awesome.

12) Call of Cthulhu Peeps

I’ve been playing Call of Cthulhu once a week with more-or-less the same group of people for nearly two years now. Our Sunday night games are an ingrained part of my schedule, to the point where nearly everyone in my family has finally learned that trying to call me on a Sunday evening is an exercise in futility for I will be off pretending to be a young chap in the 1920s going slowly mad as the reality of horrors from beyond space and time are revealed. As a shut-in writer-type who spends most of his time with the computer, getting out to catch up with the folks who play Cthulhu is frequently one of the high spots of my week. The fact that they’re generally awesome types and the campaign is starting to develop the kind of depth you only get by playing in the same setting with the same people for a prolonged period is something of a bonus.

13) The Gen Con Oz Guests

Towards the middle of 2009 I found myself organising the seminar program for Gen Con Oz on somewhat short notice.  In the midst of that my computer died, right in the middle of writing up the seminar program. Needless to say, it was a frantic period filled with much profanity on my my end, but it never quite hit the level of angst it should have because the various Gen Con Oz Guests (and Volunteers) were made of unmitigated awesomeness.

I urge you to seek out and buy the work of the following folks: Karen Miller, Keith Baker, Jason Bulmahn, Marianne De Pierres, Kylie Chan, Matt Farrer, David Conyers, Rowena Daniels, Steve Darlington, and Ryan Naylor.

14) Novel Draft

As in: I finished one. The first I’ve actually finished since I was twenty, which means there was a good period of thirteen-odd years where I wandered around living in fear of the novel (of course, to be fair, I also lived in fear of the short story and a variety of other forms). And once I’ve cleared the bulk of lasts weeks job off my desk this afternoon I’m going to get back to work on the redraft and finish the damn book.

15) Writing

I spent seven or eight years being a PhD student who wanted to be a writer. Somewhere in the middle of 2009 I managed to invert that – writing felt like a tangible enough activity that it kind of succeeded the thesis in terms of how I thought about my process and structuring my day.

Net result: A multitude of things went wrong this year – I spent most of it broke and angry and managed to fuck-up my thesis in a moderately mundane manner – but I wrote a lot and submitted and things seemed to keep coming togehter. Stuff got published. Stuff got reviewed. Horn came very close to selling out (last word before Christmas – four copies left). People invited me to write stuff for their projects, which is one of those experiences that still bewilders me beyond all belief.  Heck, the fact that people actually read things I write still catches me by surprise.

Given that I’d expected 2009 to be a wasteland as far as writing went (2008 sucked – we do not speak of it – and very little new work got done), this year has been awesome .

Which leads me to my resolution for 2010: Don’t fuck it up, dumb-ass.

Awesome Things about 2009 (9/15): Amanda Palmer, Live

Once or twice a year I get out to see a live gig that reminds me why I like going and seeing live music. It happens far less often these days than it did in the past, but as a Dresden Doll’s fan it was kind of inevitable that I’d sell internal organs in order to go see the Amanda-Fucking-Palmer solo tour when it passed through Brisbane.

Short version: Awesome
Long version: totally worth living without a spleen until I can buy mine back from the pawn broker.

Awesome Things About 2009: Hail to the Peeps edition

Among the many things to be thankful about in 2009 is the fact that it’s been a very good year to a lot of my friends who also toil in the wordmines. There’s nothing quite so awesome as being part of a community full of folks doing cool stuff, and it seems like virtually everyone I know has spent the last twelve months firing on all cylinders. Among the highlights are Ben Francisco‘s story Tio Gilberto and the Twenty-Seven Ghosts in Realms of Fantasy, seeing photographs from the set where one of Angela Slatter‘s stories being transformed into a short film, and the news that Chris Lynch will be launching his publishing company’s first anthology before the year is out.

Basically, lots of folks have done lot of cool things this year.  And given the time you can bet that I’d loudly and assertively celebrate the awesomeness of every single one of them until you too became a fan of what they’re doing. Sadly, I still have a novella to rewrite, which means I’m going to pick two of the folks who have had a particularly big year and declaim their awesomeness as a kind of representational stand-in for my writer-peeps as a whole.

Jason Fischer (7/15) 

A few months back I got a text message from Jason saying “I just won the WotF.” This was a good thing – Jason’s been chasing the elusive top-spot in WotFfor three years now and had more close shaves than anyone would really care for. It also means the world is either a) doomed; b) about to get its mind blown; or c) both of the above. I say this because Jason Fischer is one of the mad scientists of Australian SF, and now that he’s cracked WotF it’s time for him to direct his deranged fancies in other directions.

Jason’s complete list of publications for the year runs something like this:

After The World: Gravesend, Black House Comics (A zombie novella due to hit Australian newsagents in the next couple of months, featuring many of the Fisch’s trademark craziness).
Busking, Midnight Echo #3
Inventory, Brain Harvest
for want of a jesusman, Aurealis #42
Houndkin, Eclecticism #9
A Rose for Becca, Borderlands #11
The Imogen Effect, Farrago’s Wainscot
The Patchwork Palace, “Masques” edited by CSFG

Better yet, it looks like Jason has finally started writing his novel, which means we should all be both very afraid and, once he’s removed the puns, very thankful.

Chris Green (8/15)Okay, lets start with the list of stuff Chris has achieved this year:

 

My Rough Cut – The Edge of Propinquity (2009)
Father’s Kill – Beneath Ceaseless Skies (2009)
– Shortlisted for Best Fantasy Story (Aurealis Awards)
Reservations – Expanded Horizons (2009)
A Crazy Kind of Love – Nossa Morte (2009)
A Hundredth Name – Abyss & Apex (2009) – Shortlisted for Best Science Fiction Story (Aurealis Awards)
Having Faith – Nossa Morte (2009) – Shortlisted for Best Horror Story (Aurealis Awards)

Secondly, allow me to note that while I’m psyched to be nominated for an Aurealis Award or two myself, I’m way happier to see Chris’s name up there three times because he’s one of those guys who has a tendency to be too damn self-effacing for his own good. I met Chris at Clarion South in 2007 and after a quiet couple of years he hit the ground running in 2009 with a slew of publications and his somewhat hardcore drive to try and achieve 100 rejections before the year was out (the theory being: you can’t control acceptances, but you *can* make sure you keep sending the stories out and the acceptances are things that might happen along the way). So far, I think he’s made it to 75. Given how good Chris is as a writer, and how many stories people said “yes” too along the way, I think we can agree that this is a crazy-awesome kind of number to have reached.

I wrote the following speil about Chris back in July when he published a story in Abyss and Apex, and I think it bears repeating here:

You should go read Chris Green’s story at Abyss and Apex because the man is freakin’ talented and understands things like brevity and leaving empty spaces for the story to breathe. I’ve critted Chris a bunch of times and it’s a bloody hard thing to do, because he crams more story into two thousand words than there should actually be allowed and he fits the damn things together so tight that pulling one segment out causes the whole damn thing to unravel in your hands.

You should read his story because he’s one of the few people I know who manages to give the impression of being genuinely, fearlessly interested in everything and somehow manages to filter that down into his fiction, even though his bailiwick seems to be horror rather than any of the forms of SF where being fearlessly interested in everything would be a useful trait in an author (not a slight on horror authors, but you guys need to understand fear and I’m not sure Chris does). You should read it because he can usually nail one image that makes you cringe, or cry, or wince with pain, and yet there’s still something beautiful in the stories he writes. You should read him because he’s one of my favourite-writers-who-doesn’t-get-published-enough (a distinction he shares with Ben Francisco), primarily because he seems to spend too much time at his day job and not enough time producing fiction. And despite this, he seems to believe that every time he gets published it’s a fluke, despite the fact that it isn’t.

You should also read it because Chris owns cooler footwear than you ever will. Yes, you included, even though I’m sure your shoes are fairly damn cool. I’ve seen Chris step out in boots that’d make a gothic shoe fetishist cry with envy. Come to think of it, his beard is cooler than yours too. And he owns a t-shirt featuring my favourite Buffy quote ever.

To put it simple: one of the great joys of 2009 has been watching Chris kick arase. May he continue the trend next year.