In which I am stupid

If you’ve never read the Persistence Pays Parasites entry of Cory Doctrow’s Locus column then I heartily recommend dropping over and taking a look. The short-version, for those without the time or attention span, runs something like this: Doctrow is a smart and internet savvy guy, but he got himself phished despite his high awareness of such scams ’cause they hit him when there was a short-lived crack in his defenses. Actually, let me quote the key message of the column, ’cause it’s worth repeating:

Phishing isn’t (just) about finding a person who is technically naive. It’s about attacking the seemingly impregnable defenses of the technically sophisticated until you find a single, incredibly unlikely, short-lived crack in the wall.

‘Course, I still recommend going over and checking out the whole thing. It’s interesting stuff and it’ll make you rethink the way spam e-mail works (at least, if will if you’re like me and you assumed Spam merchanters were going after net-surfing grandma’s who really thought that nice gentlemen in Nigeria needed some help).

And now, let me tell you about my morning. I wasn’t phished, but I was a damn sight closer to it than I’m really comfortable with. You see, around 9 o’clock this morning I get this phone, and given a variety of factors I’m half-asleep when I stumble out of bed to answer the phone with this dreadful feeling that it’s going be my parents relating some new calamity that’s happened on their trip. Instead its someone with a really strong accent rattling through some script about banks and refunds and the Australian government and would I please confirm some details for them.

I don’t really understand most of it because it’s early and the accent is nigh impenetrable and after asking for things to be repeated three times I’ve given up and just gone with things to get the call over with. My something fishy antenna is up, but at the same time I haven’t understood about two-thirds of the people I talk to since outsourcing became popular. I confirm my name. I confirm my address. When they have me listed as P rather than Peter, I give them the name. When they have my street number, but not my apartment number, I fill that in too. I stare longingly at my coffee pot. I get them to explain the whole thing to me again, ’cause in my world people don’t just ring and say “hey, we need to give you money,” but I’m mostly just filling in time until I work out what’s going on.

“Would I like my refund sent through as a cheque or deposited into my bank account?” the voice on the end says. I have to get them to repeat this three times before I understand what they asking, and even half-asleep I’m not stupid enough to give anyone my bank account details over the phone. “Cheque is fine,” I tell them.

“Okay,” the voice says. “You’re in the system. Please call my manager on this phone number with this code, and she’ll talk you through the rest of the process.”

And so I call despite the fact that there’s a voice in the back of my head telling me it’s stupid, and the manager has a far less impenetrable accent so I get her to explain what’s going on, and lo-and-behold they outline a scheme that sounds remarkably similar to this. They explain what they’ve done. They tell me they’re preparing to send out over four thousand dollars. I feel very stupid and politely excuse myself from the rest of the conversation, then do my research to confirm that the entire conversation really was as stupid as I thought it was. I call my bank and say “this is what I’ve revealed – do I need to do anything” on the off chance that I did reveal something I shouldn’t have and they confirm that I’m probably being paranoid. I report the entire thing to the appropriate place, but a few hours later I’m still left feeling inexcusably dumb for going as far as I did.

I suspect there will be several paranoid checkings of my bank-account over the next week or so (even though, lets face it, anyone breaking into my bank account is bound to be dissapointed by what they find there).

Today I was a stupid, stupid man, but at least I wasn’t as stupid as I could have been.

People Must Die For This

Over the weekend I spotted a billboard that delivered some very bad news: Hey, Hey It’s Saturday is coming back. Online research reveals they’ve been given a run of twenty episode based on the strength of last year’s revival shows, and that they’ll be aired on Wednesday nights in an act of true cognitive dissonance. Darryl Summers is still going to be at the helm, although there’s no news as to which female co-host he’s planning on denigrating this time around.

I’ve only got three words in response to this: What. The. Fuck?

I’m not entirely sure there’s a good way to explain the lurking evil of Hey, Hey It’s Saturday to non-Australians, but suffice to say that it’s got a fine history of being hosted by a malignant, misogynist gnome who simply refuses to die no matter how many fucking gaffs he makes over the course of his career. It’s a show that routinely built its humor out of the humiliation of others and the othered, and I actually celebrated the first time it got cancelled (and wailed in despair when they announced Summers as the host of whatever Celebrity dancing show he hosted a few years back, for in that moment I saw Hey Hey’s return and trembled). Worse, it’s evil is kind of insidious, because it cloaks itself in a defense of nostalgic Australiana and normalises its behaviour. When Harry Connick Junior protested the inclusions of a blackface skit of the Jackson Five during last years nostalgia showcase the tide of public opinion quickly turned towards some bullshit defence of the skit under patriotic grounds.

It’s rare that I get seriously mad, but come on: fuck that shit. Hey Hey It’s Saturday is fucking evil and it deserves to die without it’s passing being lamented.

I’m quietly hoping that this return is a temporary abnormality, or that they’ll fuck-up early on and get their slot pulled. If that doesn’t happen I’m going to swear a lot and try and genetically engineer a deadly virus that only attacks people based on their AC Neilson figures. ‘Cause I swear to god, if there’s anything that’d convince me to sink the next ten years into unrealistic micro-biological research despite my complete lack of aptitude for the sciences, it’s the continued existence of this fucking show.

A short review of Avatar in 10 parts

1) I’m going to find every mother-fucker who tried to convince me I’d like this film and I’m going to punch them in the arm. If they trotted out the “you just have to turn your brain off” logic, I’m going to punch them twice. I turned my brain off, as advised. It was still too stupid for me to actually like it.

2) To be fair, there were some good bits. Many of them recycled from Aliens, the last film James Cameron made that I actually liked. I liked Giovanni Ribbisi’s evil corporate guy far more than I liked Paul Reiser’s evil corporate guy. And Michelle Rodriguez in an ornithopter makes up for a variety of ills.

3) At the end of the first hour, I hoped that this might not be an utter disappointment. The opening is solid, the characters get onstage pretty quickly, the set-up is full of bad naming conventions but otherwise okay. Conflict is established: the marine among the field researchers; the humans against the world; Ripley versus Paul Rieser; that second Avatar pilot getting jealous of Jake’s success with the Navi. Sure, most of that conflict disappears once Sully is inside the Avatar, but maybe it’ll come back.

4) At the end of the second hour, I decided there really should be some Disney song about A Whole New World playing over the top of the long sequences where we learn that the world is magical and interconnected for the ninth or tenth time. Said sequences do a great job of showing of the technology and creating spectacle, but also eliminates every character arc but one. Most of the more interesting arcs are blatantly written out via voice-over.

4b) I’ll be honest here – Avatar is primarily about spectacle. I don’t do spectacle. My first response to the Grand Canyon was “It’s a hole in the ground; lets go do something else.” Couple this with being an SF fan from way back and most of Avatar is really just well-rendered vistas of standard SF/Fantasy landscapes. If they wanted to do that, they should have just made a computer game.

5) At the end of the third hour, the movie had tried to perk me up by saying “Dragon’s versus Ornithopter’s, dude. Come on, this is cool.” For the most part, it was too late – I was bored and irritable and just wanted the fucking film over. Still, it was a cool fight scene. It lured me in. Then things got really stupid. Deus ex Machina stupid. And it tacked on a hand-to-hand fight scene it didn’t need, and tried to play out the character arc I would have been interested in if they’d actually bothered to build it at some point.

5b) The worst line in this film – and there are some contenders among the rather generic dialogue – comes in the finale twenty minutes when the hard-arsed marine captain squares off against our hero Sully and asks “how does it feel to betray your own race?” and you’re left thinking “you know what, it’d be nice if someone actually put some thought into that before this point in the script.”

6) Okay, the turning off my brain thing mentioned in point one? I can do it. Honestly, I can. I own copies of The Chronicles of Riddick. And Desperado. Heck, I own a copy of the Core. And I really, really liked Aliens. The thing is, most films where I turn off my brain basically say “look, if we have subtext it’s primarily accidental. We’re just chasing after the next cool thing.” They know that Subtext is a two-way street – you can’t promise it and walk away just because you have pretty visuals and nice action sequences. Avatar promised subtext and meaning. I paid attention. It decided I wasn’t getting it, despite the fact that the subtext is relatively shallow, and proceeded to beat me around the head with said subtext for the final hour of the film.

7) Seriously, the best thing in this film is Michelle Rodriguez flying a gunship.

8) Pandora? Sully? Grace? UNOB-FRICKEN-TANIUM? Worst naming conventions since the Chronicles of Riddick. And at least the Chronicles of Riddick knew it was an unrelenting sequence of cheese and action-sequences with all the depth of a wading pool.

9) 3D movies give me a headache.

10) Good things about this movie: Michelle Rodriguez; Sam Worthington; Paul Reiser Giovanni Ribisi; Ripley; the ability to endlessly snark about its failings; ornithopters. If someone would just take these elements and, say, remake Dune or put out a new Alien movie (without Predators), I’d be a happy man. ‘Cause there’s potential there for something awesome, especially now that Avatar’s gotten the obligatory “new film technology’s endlessly wanky film that’s really about how awesome said new film technology is” out of the way.

End Note: All of this leaves off the original objection to the film I posted on facebook a while back – that it’s going to be the same tired replay of white post-colonial guilt we’ve seen in shit like the The Power of One and Dances with Wolves and every other story where a white block from the conquering nation saves the tribe by becoming one of them. Needless to say, that objection remains, but I’m saddened to discover that there’s really no attempt to complicate the the narrative beyond that. Here’s one of those hints to take home – you can write a gritty story about the evils of corporations, or you can write a fairy tale. It’s fucking hard to do both in the same story, and Avatar falls apart about the point that it tries.