Ditmar, Etc

So about six months ago I won the Best New Talent Ditmar, and I have to admit that I’m rather fond of the trophy. It’s a clean design and it’s got a nice weight to it, and it makes for a nigh-perfect book-end on the brag shelf in my living room. Plus its not made of glass like the Aurealis Award, so it’s somewhat easier to photograph with the camera in my mobile phone.

I didn’t really expect to win it, so it was rather nice when it happened, even if I was so convinced I wouldn’t win that I wandered off to have dinner with friends instead of going to the ceremony. At the time my name was announced, I was tucking into a particularly good hamburger at a nearby restaurant.

Oops.

On the plus side, at least I was surprised.

I mention this for two reasons. The first is that my dad’s health problems hit not long after Worldcon last year, which means I’m not entirely sure I got around to thanking all the people who actually put me on the ballot to begin with and then voted for me. It’s further complicated by the fact that I have no idea who they might have been, ’cause I was quietly believing that no-one actually read what I wrote at the time.

To those people, whoever you were, thank you. The trophy is both shiny and useful and it’s always rather nice when someone says “hey, good job.”

The other reason is so I can mention that the Ditmar awards are fan-run, fan-voted, and fan-nominated and the online nomination forms are over here, plus instructions for doing things the old fashioned way if you’re so inclined.

Should you be stuck on some categories, allow me to throw out some names.

  • Best New Writer: Christopher Green, L. L. Hannett, Thoraiya Dyer
  • Best Collected Work: Angela Slatter’s Sourdough and Other Stories
  • Best Fan Writer: Robert Hood for the Undead Backbrain.

There’s more, of course, but that’s a taste of where my nominations are going. Three brilliant writers, one absolutely gorgeous short fiction collection, and a blog that feeds my love of giant monsters and zombies. You are, of course, encouraged to make up your own mind. Just close your eyes, ask yourself what work you’ve read in 2010 that truly blew your mind, then put the answer in the appropriate spot. It’s actually pretty easy.

And for what it’s worth, I don’t regret the hamburger. It really was amazing.

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The latest issue of the Edge of Propinquity is out, including part 2 of the Flotsam series, Warnings. The brief goes something like this:

Keith Murphy needs information about his boss and the seer Bruce Mim is his best bet for getting it. Unfortunately Mim is one of the Other, native to the Gloom, and a deal must be struck before Keith learns what he needs to know.

Feel free to go read, or go back to the start of the series. Then send scholars who know what they’re talking about to scold me for my blatant mishandling of myth.

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Wait a second. I’m off to make coffee.

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If you haven’t been following Hark, A Vagrant lately I suggest you duck over and take a look at the Young Ada Lovelace comic and the Crazy Nancy Drew valentine’s day sketches. It remains the smartest webcomic I follow at the moment, and the most willing to make the audience work to get the joke. The Ada Lovelace wikipedia page may help, but if you’re anything like me you’re going to finish reading and wonder why no-one has yet done a steampunk story about the unrequited love between Lovelace and Babbage, their passion ultimately thwarted by her vampiric father, Lord Byron.

There’s a reason I don’t mess around with history much when I write. Leave me alone with a wiki for five minutes and I’ll have John Flamsteed prostituting himself to aliens before you know it.

And since I’m on a roll, another link – a while back I used the sneaky back-channel of email to convince my friend Laura Goodin to write a blog post about juggling in response to a post by Seth Godin about juggling. She’s also admitted I was right: A Princess of Mars is complete pants.

It’s also been pointed out that the youtube clip I put into yesterday’s post have some issues playing, so I’ll provide a directly link to the How to Be Alone video and trust you all to defy conventional netwriting wisdom and follow a link purely because I said it’s one of those beautiful pieces everyone should see. Rather than risk embedding a second non-functioning youtube clip I’m also going to post a direct link to a clip of Bad Wine and Lemon Cake, the Jane Austen Argument song that finally broke me and convinced me I could buy MP3s instead of CDs.

My neighbors, of course, have no need to follow the link. They’ve probably been hearing the song bleed through the walls for a week now.

Finally, there may be signs that I will achieve my teenage ambition to be notorious over in the final thirty seconds of the Salon Futura interview with Weird Tales editor Ann VanderMeer. My inner Oscar Wilde is greatly appeased.

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I really did make coffee, btw. I’m also really fond of this particular mug.

Coffee, Keyboard, Thumbtacks, Pizza Voucher

Blatant Self Promotion: February

Okay, since February is deveoted to the Gauntlet, I’m just going to cram a whole months worth of blatant self promotion into the one post. Strap yourselves in, ’cause it looks like February is a busy one:

– Descended from Darkness volume II is out, collecting another twelve months of short fiction originally published in Apex Magazine (including my story To Dream of Stars: An Astronomer’s Lament). For a limited time you can pick this up with the first Descended from Darkness collection (which included my story Clockwork, Patchwork, and Ravens) for only $25US.

– My story Briar Day is live over at the Moonlight Tuber site, as part of the line-up of the “Moonlight Tuber #2 – Captain Homonculous Dines with ‘That Irascible Mizzen Mast’ – Part Three” issue of the zine that’s available for online reading or as a downloadable PDF. I think this officially marks editor Ben Payne as the man whose acquired more of my short fiction than any other editor.

– The teaser page for Electric Velocipede 21/22 is live, complete with the opening teaser for my story Memories of Chalice in addition to the works of such fine writers as LL Hannett.  The issue is just $12 US and features a small horde of writers I’m excited to be sharing a table of contents with.

– There are also reports that we’re about a week away from one of my short stories making an appearance in Daily Science Fiction, a magazine that delivers short stories to your inbox every workday. This stuff keeps me sane at the day-job, giving me something to read over my mid-morning coffee, and it’s FREE TO SUBSCRIBE. There should be a web-version of the story eventaully, should you prefer to keep your inbox free of fiction, but that usually comes after the email version is out. If you’re on the fence, I recommend taking a look at the February line-up which includes folks such as Cat Rambo and Nina Kiriki Hoffman.

– The February issue of Locus is out with its recommended reading list for 2011, which named a whole host of Australian SF work including TPP’s Sprawl anthology in the best original anthologies section and stories by me, Angela Slatter (twice!), and Cat Sparks in the short-stories list.

– Bleed scored itself an 8 out of 10 stars in a review over on Scary Minds. To quote: Bleed rocks along at a fair pace, Ball doesn’t allow the narrative to lag at any stage, and you will be dragged into the shenanigans unfolding. There’s a mystery to be solved, plenty of plot twists, and the sort of conclusion that no doubt bodes well for another book in the series. Be careful here Ball’s series is habit forming and I’m already looking at getting my grubby mits on Horn sooner rather than later. And let’s keep our minds out of the gutter here okay!

Which, lets face it, is more or less what I was aiming for. The full text is available over on the Scary Minds review site, and I recommend checking out their review of Eeek! (which features work by my comrade in gauntleting, Jason Fischer) as well. Bonus sidenote: The Bleed review does mention some confusion with finding the book over at the Twelfth Planet site, which is mostly because they’re an older link (Twelthplanet.wordpress.com) that connects to an earlier edition of the site. Twelfthplanetpress.com should make your life easier, should you be, you know, inclined to go order yourself a copy.

– Back in December I did an interview with Dan Abnett for the Auscon podcast. Actually, I did two interviews, largely because the first one didn’t record properly and Dan Abnett was nice enough to come back and re-record things. Not really February pimpery, I know, but since it happened during the blog haitus of December it’d largely forgotten to mention it before now.

3 Days ’til Worldcon

And last night there was Write-club with the inimitable Angela Slatter and Ben Francisco, whereupon many words were written and we ate our body-weight in sugar. I was also mocked (albeit politely and deservedly) for my insane approach to rewriting, for I have real trouble letting go of a scene when I know that *something is dire and wrong*.

Victory was mine, however, for after five weeks of hammering my head against the brick wall I finally found the problem with the opening chapters of Black Candy. It’s involved much deleting and rewriting, but I suspect that this will be the final rewrite I do before launching into the (much easier to write) middle of the book.

In other news, I suspect updates will be scarce for the next two weeks (’cause, like, Worldcon, yo!). See everyone on the other side and all.