Doin’ Stuff

Yesterday I shaved off the scraggly neck-beard I’ve been sporting since Conjecture, cracked my knuckles, and proceeded to write like a furious writerly-thing until I hit the 30k mark on the Black Candy draft. Then I discovered – joy of joys – that I’d written myself up to the point where the narrative reconnected with the middle of the novella-length draft/outline I’d written last year, allowing me to cut/paste/edit the next 10,000 words without too much difficulty. Net result:

‘Tis a horrid, splotchy, unreadable mess, this draft of mine, but it is halfway done and actually feels halfway done in terms of narrative. Which is something of an evolution for me, because the last time I hit this point in a novel draft I was still trying to figure out exactly where the story was going. Maybe I will get the hang of this novel-writing thing one of these days.

Of course, being a horrid over-achiever, I then wandered off and spent two hours revising Claw in which I resolved my issues with the structure of the novella’s first chapter.

I can have more days like that one, I think. It’s kinda nice to be doing stuff again.

Horn Review

It appears we have the first review of Horn live on the internets, courtesy of awritergoesonajourney.com.

Meanwhile I’m peeling myself off the couch after three straight days of Veronica Mars DVDs and trying to figure out how to get back to work. My current to-do list: Black Candy draft, Clawredraft, third Miriam Aster novella draft (since I now have a plot for it), short story redrafting, marking of student assignments. I suspect what I really need to do is the latter, since it’s going to have the most psychic drag associated with it, but I do so hate the marking process…

Ah, yeah, that’s right, writing…

I’m having one of those “rebuild your process” kind of weeks where I remember how this writing thing actually works. That includes some long-delayed redrafting of Claw in an effort to produce an “other people can actually read this one” kind of draft. I’m back to remembering my issues with the first scene: so much back story, so little desire to explain it in one long dump. Things would be easier if I wasn’t dead-set on starting the story with a fight between the detective and the talking cat, but I like that opening a lot and it does something different to the opening pages of Horn.

There’s a taste of the current (re-written) opening behind the cut, warts and all, for those who are curious:

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