Category: Works in Progress

Works in Progress

One last outburst before we go to radio silence

My attempt to roll out the productivity and conquer The Fear hit a road-block yesterday – what seemed to be a minor computer problem (power jack coming loose from the laptop casing) has rolled out into a terrifying ordeal which will culminate in the absence of a computer in the house for 5-to-1o working days while the problem’s corrected. The computer goes in this morning, so…well, basically I’m quietly screwed after that. No word-processor, no e-mail, no basic tools of research. I can work with a pad and pen, but these are only good for the drafting rather than the actual finishing and submitting of work. This…complicates…that whole submit lots of things in February plan. Meanwhile, in more positive parts of internetland, the Locus Recommended Reading List for 2009 has just been released. Horn got recommended in the novella section and my Strange Horizon’s story On the Destruction of Copenhagen by the War-Machines of the Merfolk is mentioned in the Short Story

Works in Progress

And lo, I could not think of a title

Mornin’ peeps. The laptop’s on battery power* at the moment so I’m racing against time to get a blog-post written before the computer yawns and says “sleepy now, going away.” Yesterday I wrote 381 words on a story, poked at another to see where it fell over**, cleared out 50-odd e-mails had been waiting for me to answer them since the beginning of January***, ate half a loaf of bread, took out the rubbish, pondered tactics for tonight’s Bloodbowl game****, and learned that one of my stories from last-year has been picked-up-for-a-reprint-that-I’m-not-sure-I-can-talk-about-yet-so-we’ll-leave-that-there. Among the various e-mails was a note from Andrew C Porter that basically went along the lines of linked you on my blog, and you might want to go check out the nice things Apex Submission’s Editor Maggie Jamison said in her interview. And so I went, and nice things were said, and Andrew’s blog proved to be fun and vaguely maddening with his insistence on posting Advanced Dungeon’s

Works in Progress

Lists and Planning

1000 words of redraftage on Black Candy last night. It appears that the “hours per day” writing metric I’ve been used to get the Cold Cases draft in is going to be replaced by the more familiar “wordcount needed before I can sleep” metric. I suspect my process may be seasonal – Brisbane is too damn hot in summer to do regular work-hours in my flat and I find myself drifting towards writing at night when the temperature and humidity is down. Either way, I’m back work after taking the first ten days of January off for the purposes of taking a break from writing, celebrating my mother’s birthday, and writing my somewhat over-detailed yearly plan (sixteen pages and counting) of what needs to done on the writing front. My T0-Do List for January and February: 1) Redraft Black Candy 2) Write 3 short-stories I owe people after saying “yes” when they asked if I’d be interested in submitting 3) Write

Works in Progress

Goal-Setting

Things I’m going to do this week: 1) Write a short story 2) Re-establish my writing routines after letting them fall by the wayside during the march towards the deadline 3) Write some blog posts that don’t involve the word “novella” 4) Work out a series of goals for December that are flexible enough to suddenly transition into “fixing Cold Cases” when needed Things I am not going to do this week: 1) Write five thousand words a day in a desperate binge to complete NaNoWriMo with a 50k manuscript. I thought about this one for a long time over the weekend, because in the back of my head there’s the awareness that five thousand words a day isn’t beyond the realms of possibility. Up until Sunday evening I really thought it was going to happen – what was another week of being a work-obsesses shut-in after three weeks of working on Cold Cases – but in the end common

Works in Progress

This is what I do in the absence of cats

Still off putting the finishing touches on the Cold Cases draft before I hand it over to Twelfth Planet Press. I should be back on Friday, being my usual blathering self, but until then have a picture of the Spokesbear doing his part: And now I’m back to the manuscript, for the spokesbear is a harsh taskmaster.

Works in Progress

Watch out for the Deadlines, they move when you’re not looking

Had an e-mail conversation with the publisher which basically amounted to “I’m going to be busy this week, so you might as well take a few extra days if you want them.” To which I replied “well, yeah, okay,” and promptly fell asleep for much of Sunday instead of rushing to get the edits finalised. On the plus side, I woke up after all that and said “Oh, yeah, that’s why that scene isn’t working.” Space from a manuscript is a wonderful thing. Apart from that, it looks like there’s another couple of days between me and sanity, and I’m about to abscond to the Gold Coast for a few days where I can cajole my parents into proofreading the manuscript for me 🙂 See you on the other side 🙂

Works in Progress

IAF Auctions/Interfictions 2

Alongside the release of Interfictions II comes the Interstatial Arts Foundation Auction featuring art pieces, jewelry and other works based upon the stories in the two Interfiction’s anthologies. A full list of the pieces is being rolled out on the IAF Auctions blog over the coming month, but allow me to call attention to Item 4 on the list, Mia Nutick’s Black Dog Forever, which is based on my story in IF2: http://iafauctions.com/interfictions-2-auction-4/… I don’t know about you, but I file this under “cool.” Go forth and peruse the other awesomeness on offer, for all sales go towards the IAF. Hell, let me just quote for this bit: “The Interfictions auctions have become a major aspect of the Interstitial Arts Foundation’s fundraising efforts, allowing the organization to fund other interstitial arts projects, including future Interfictions anthologies. Please join us in celebrating the anthology and support the Interstitial Arts Foundation by bidding and spreading the word.” Interfictions II has also racked

Works in Progress

Words, words, words (With bonus Angela Slatter Interview)

Before I begin, let me direct you to this: Marshal Payne’s Super-Sekrit Clubhouse has a new interview with my Write Club peep Angela Slatter, which should give you a pretty good insight into why I usually use words like “awesome” and “inimitable” when discussing both her and her writing. Angela remains one of those folks who fuses talent, hardworking dilligance and bucket-loads of smarts in her approach to writing (although she’ll refute the latter with Simpson’s referenes, giving half a chance). She speaks wisdom and her writing is good – so go read about her now, while she’s still an ’emerging writer’, and then  you can join me in the nodding and looking smug when people start talking about how this awesome new ’emerged’ writer in the years to come. And if you don’t, well, I’ll mock you -with a very mocking mock – because that’s the kind of guy I am. Okay, back to the entry. Or, to put it

News & Upcoming Events

Interfictions Two is out…now

‘Tis true, the Interfictions Two anthology has been released like a releasy thing (sorry, hard morning at the keyboard and I’m all out of simile). You can pick it up in hardcopy or DRM free PDF depending on your preferences. You can read the story by me, should you really want to, but personally I’m diving straight for the contributions by folks like Jeffrey Ford, Ray Vukcevich, Lavie Tidhar, Theadora Goss, and Brian Francis Slattery*. The anthology’s alreadybeen named as one of Amazon ‘s Top Ten Fantasy and Science Fiction books of 2009. And if you’re still left scratching your heads as to what an interfiction actually is, head over to the Interfictions Annex and peruse some of the awesome free fiction on offer as a warm-up. *And then, just quietly, I’m going to go have a cup of tea and a quiet lie down while I recover. My inner reader is a little geeked out after perusing the TOC.

Works in Progress

16 Days

On Friday night, during the Write Club recently documented over on Angela Slatter’s website, I finished the first draft of Cold Cases. Afterwards, I looked at the messy first draft state that’s so familiar after years of first draft, and immediately started fretting. There were sixteen days until the deadline. My usual rewriting process, particularly for something this long, winds out over the course of a year or more. I do a little rewriting, let it sit for a while, then do a little more. I tinker with scenes, do little bits here and there. I show it to a critique group, get some feedback, then show the revision to a different writer-buddy or two in order to see if it works yet.  I sort through what other people think works, what I think works, and I fine-tune. I can’t replicate that process in sixteen days, especially with a work that’s sitting at 24,000 words. So I spent most of

Works in Progress

This weekend: the Writefest

First, a little pimping: The Queensland Writer’s Centre has announced the November Writing Frenzy, a month-long initiative to get people writing whether they’re engaging in the month-long madness that is NaNoWriMo or just looking to get a project done. Part of the program consists of several Writing Races held on the Australian Writers Marketplace Online Forums, including one this Sunday between 3 pm and 4 pm where I’ll be floating around and answering as the guest racer between the frantic attempt to kick off the NaNoWriMo project. Drop by, say hi, and get some words down if you’re a AWMO subscriber. Unlike the puntastic Jason Fischer, who’ll be following up as a guest/race captain for the 10th of November Writing Race, I don’t promise to wear a tricorne hat while executing my duties (which seem to consist of “talk about writing” and “write,” which are pretty cool as duties go). I may have a bear on my head though. It’s been

Works in Progress

Project Update: Cold Cases

There’s usually a point in a project where I stumble over it’s identity. Not a theme or a plot or a character conflict, but a moment where I can suddenly look at the piece and realise why I’m writing. Sometimes it’s easy – Horn got defined as as the book about unicorns for people who hate books about unicorns right from the very beginning, before I even came up with the characters. Most of the time it isn’t, and it takes a good deal of noodling around before I have moment of realisation and everything falls into place. The noodling is actually kind of painful and aimless, because even if I’ve got a plot in mind and the story is travelling okay, it always feels a bit listless without getting to know the reason for the book. Cold Cases spent a really long time without that sense of identity. That thing that makes it a specific book I want to write,