Midweek

My problem with morning commutes is the time spent in my head. Give me forty minutes to an hour on a densely packed train, where the primary task is suppressing the mild anxiety that kicks in when surrounded by people, and there’s a good chance my internal monologue will go in all sorts of negative directions.

Like most commuters, I rely on distractions to get me through it: reading comics on my phone; flicking through a book; watching the scenery. Spend some quality time observing the other passengers, figuring out how to render the as fictional characters.

That kid with the brolgas on his three-quarter pants becomes an antagonist in whatever I end up writing next, probably showing up as something supernatural; the middle-aged couple who board the train home every day and immediately stand together, face to face, locking the rest of the world out…well, who knows what they’re going in, but they’re logged and ready. A nice little metaphor that will show up in some character’s world while they’re processing their larger conflicts and figuring out why they do what they do.

Making Do

I broke the camera lens on my phone twelve months ago. Three times I tried to get it repaired, and three times I was rebuffed or quoted a bill far larger than I wanted to pay for a working camera. The rest of the phone worked fine, and I could still take blurry close-ups of anything truly important. If I really got desperate, I could use the selfie-camera and rely on the auto-zoom.

No problem, I thought. I can do without a camera. I’ll make do with what I’ve got. I placed sticky tape over the shattered lens and got on with things. 

The first problem came a few months ago, when I needed to photograph a doctors receipt for the Australian medicare app. Getting an image clear enough required several attempts, many knock-backs, and a convoluted set-up that involved lying under a coffee table and trying to take a clear selfie of the receipt on the tabletop above me.

It was a minor thing, not enough to convince me I should change, even though I’d make occasional overtures towards getting the lens repaired.

It wasn’t until the phone refused to change that I finally moved on, accepting what needed to be done. 

So, last week, I got a new phone. Found myself in possession of a working camera once again. Just to cover the little things, like taking photographs of bills when needed. Or scanning documents and receipts, when I want a virtual record instead of the cheap, flimsy strips of paper that deteriorate and fade.

Almost immediately, I began to photograph things. Started looking at the world around me with an eye towards taking a snapshot.

Old habits, left to go dormant while the tools were broke, coming to life again. Embracing the low-pressure creativity, a thing I can do for fun instead of thinking about how it fits into my career and advances a step towards a long-term goal. 

Bees, Angela Carter’s Postcards, and Circling the End of a Tale

Yesterday, Melbourne writer David Witteveen retweeted this forty-second clip of a bee hatching that kept me amused for an half-hour, and thus went onto the list of links I’ll revisit for a future project that is rather bee-centric. You should probably follow David’s twitter feed – it’s frequently full of interesting stuff, in that way that the feeds of so many librarian/author types I know frequently tend to be (My other recommendation on this front would be Gessorly’s Tumblr, although the librarian/author friend I suspect of being behind that feed is so circumspect about their identity that I’m not 100% sure it’s who I’m thinking of, and thus I will not name them here).

The glory of the internet is not that everyone gets famous for 15 minutes, but that everyone has the opportunity to curate based upon their interests. The glory of being a writer – you’re free to stop work and contemplate bee hatchings and how you’d describe it for more time than is truly reasonable, and you can claim that it is work when it’s really just your brain doing its thing.

In totally unrelated news, I discovered the British Library has an article about Angela Carter’s Postcards which includes a number of images that are fascinating if your’e a fan of Carter’s work. I am a sucker for galleries drawing on author notebooks, giving us all these glimpses into the work in progress. I’ve also got a particular fondness for Carter’s Wise Children, which is a book about theatre and burlesque and show-business, and it gets the lion share of at least one gallery linked to in the article.

I discovered this while respond to email sent in response to my weekly newsletter, which is really as solid an argument I can think of for maintaining a newsletter habit.

I’m on the final scene of Pixie Dust, with Whisky Chaser now, and things are slowing down. I write a bit, and think about it a lot, then maybe delete a few words. Navigate the landing by feel, because I’ve never quite got the hang of planning a story and actually felt satisfied by the results. I had 162 words of ending sketched out, way back on day one, to give me something to aim for, but the journey has taken me in different directions and they’re no longer the right mood for the story I’m telling. So today I deleted a whole bunch of things and then wrote 1,055 new words.

What I thought of as a six-part story may now have a seventh part, but I’m giving myself tonight to ponder. I’d like to have this story done by Saturday evening, if I can. There is plenty more to be writing, now that I’m getting back into the swing of it.