No, Not Black Leaf!

Okay, I’ll admit it. When someone first told me there were people transforming Jack Chick’s Dark Dungeon’s screed against Dungeons and Dragons into a feature-length movie, I kinda thought there were too many people in the world with a surplus of free time on their hands.

But this? This looks like fucking genius:

Couple this with the news that Wizards of the Coast will be letting us download the PDFs of the Basic Rules for free (and, hell, the fact that there is a basic rules set, which harkens back to my boxed-set-loving gamer roots), and this may be as excited about D&D as I’ve been since 2006 or so.

Which is…kinda weird, actually. I thought me and my interest in the big RPG brand had parted ways more-or-less permanently for a while there. Seems we’re not quite done yet, even if I never quite get around to playing a session of 5th Edition.

Peeps Doing Cool Stuff: February 2014 Edition

Somewhere along the line, I got out of the habit of posting about peeps releasing cool stuff into the world. I’m not sure why, ’cause I got some pretty awesome peeps and they’re doing some very cool stuff, but my blogging habits are arbitrary these days despite my best intentions.

With that in mind, lets rectify this oversight, and allow me to recommend the following:

RAF_VOL9_ISS_3Review of Australian Fiction, Volume Nine, Issue Three

The concept behind the RAF is actually pretty cool – they grab an established writer, get them to pick an up-and-comer to work with, then produce an issue that features (generally) novella or novelette length work that would be hard to sell elsewhere.

This issue features the always impeccable prose of Angela Slatter as the established author, paired with emerging Brisbane fantasist Linda Brucesmith.

The upside of Angela publishing here is that I now know that RAF has finally abandoned the god-awful Book.ish ebook platform it used in its early days, so it’s actually become something I’ll subscribe to instead of purchasing as a one-off.

everything-is-a-graveyardEverything is a Graveyard, Jason Fischer

This is old news for the Australian SF fans who follow this blog, but for the gamer types who follow the blog and really liked Jason’s zombie novellas (and there are a few), I’m going to mention it: Everything is a Graveyard is Jason’s first short-story collection, brought out via Ticonderoga Publishing.

I haven’t picked up a copy yet, but I know Jason’s short fiction well enough to appreciate his off-beat blend of Australian themes, craziness, and off-beat world-building. Also, I’m off to Adelaide tomorrow, so I’m largely planning on picking up a copy while I’m in Jason’s home town, whereupon I shall track him down and force him to sign copies.

And badger him about the number of awful puns…

ASunsetFinish_200A Sunset Finish, Melinda Moore

I can argue that I’m fashionably late mentioning Jason’s collection, but there’s no excuses here: Melinda emailed me about her first novella getting released back in June of last year, and I’ve been meaning to offer public congratulations for…wow, eight months now.

I first got to know Melinda when we frequented the same gaming forum, way back in 2003 or so, and she frequently blew me away with short-stories she wrote for one of the semi-regular writing jams that happened there. Since then she’s been rocking it with a bunch of short story publications, and I’ve just loaded a copy of A Sunset Finish onto my kindle to read while I’m travelling over the next week.

WebThe Memory of Death: Death Works 4, Trent Jamieson

Trent Jamieson has just released the forth installment of his Death Works series, which is a very good thing. Mostly ’cause I like Trent, and it would be unfortunately if I had to kill him for leaving the series at the end of the third book, which was one of the most HOLY-SHIT-YOU-DID-NOT-JUST-FUCKING-DO-THAT-YOU-BASTARD-FUCK-FUCK-FUCK cliffhangers I’ve ever seen.

I would have killed him, too. I’m not a guy who takes things well when good narratives are left half-finished, and there was a very definite sense that Steven de Selby’s journey wasn’t done yet. Out now via Momentum Books, who are doing gorgeous stuff in the digital realm these days (I mean, hell, I love the cover of this book; I have mad cover envy), and worth picking up.

Hot for Teacher

If you looked at my buying habits, as a kid, you’d be fooled into thinking I was a huge fan of Van Halen. I owned a copy of 1984 on cassette by the age of twelve, acquired primarily ’cause I thought the smoking cherub on the cover was kinda awesome.

My first CD – acquired, begrudgingly, when cassettes ceased being available – was a copy of the Van Halen. We were deep into the nineties by this point, long past the age where the distorted guitar of Nirvana had put hair metal to death, and there was something deeply uncool about liking Van Halen at that point. And, if I’m honest, Van Halen, as an album, did nothing for me. I’d picked it up ’cause I was collecting guitar magazines at the time, and kept coming across references to Eruption and the rest of Eddie Van Halen’s solos.

I learned something really important from that CD: don’t front load your album.The three best tracks on Van Halen are the first three, which meant I’d pretty much go from Running with the Devil to the cover of You Really Got Me, then stop.

Also, I learned that I really, really hate guitar solos.

Maybe, if I’d been better at guitar, I would have appreciated them more. Unfortunately I was destined to be one of those guys who learned a handful of chords, the opening to Stairway to Heaven, and an off-key version of Tomorrow, Wendy before giving up on the guitar for good. Listening to Van Halen fell by the wayside as I practiced less and less, and these days I couldn’t even begin to tell you where my CD went.

But 1984 stuck with me.Every now and then I’d find it among my cassette collection, kept around ’cause there was still a tape-deck in my car, and I’d spend a week or two playing Jump, Panama, and the rest of the album as I drove between Brisbane and the Gold Coast. Sometimes I’d tell myself I was going it ironically. Most of the times, I wasn’t. Hair metal may have stopped being cool somewhere along the line, but of the albums Van Halen produced, I’d argue that it’s the one that holds up best in a modern context.

Plus, it’s got Hot for Teacher on it, which isn’t a classy song by any stretch of the imagination and is thoroughly about the male gaze in a way that only 80s film clips can be, but there’s something about the drum intro that digs into my skull and sits there.

I’m going to be listening to this song a whole lot over the next couple of months, since it’s going to be sitting at the core of one of my upcoming writing projects.This and a whole bunch of 80’s hair metal besides, which is why I’m posting about it tonight: if you were (or still are) a fan of the poodle-rock phenomena of the 80s and early 90s, I’m eager to hear about your favourite clips and albums. I am, officially, in research mode now, so if you’ve got any recommendations, fire away in the comments.