ECLECTIC PROJECTS BLOG

Works in Progress

The Gulf Between Conception and Execution

Back in my teenage years, as a young comic book fan, I copied a quote from Neil Gaiman’s Sandman and stuck it on my wall. I wasn’t a kid given to this kind of behaviour, but this fragment where Gaiman’s protagonist, Dream, describes the creation of the first Corinthian spoke to me even then: Imagine that you woke in the night and rose, and seemed to see before you another person, whom you slowly perceived to be yourself. Someone had entered in the night and placed a mirror in your sleeping place, made from black metal. You had been frightened only of your reflection. But then the reflection slowly raised one hand, while your own hand stayed still… A dark mirror… That was always the intention… But the gulf between conception and execution is wide and many things can happen along the way. Sandman #57, Neil Gaiman My admiration for this passage came in two parts. The first, unsurprisingly, lay in my youthful terror of exactly that kind of experience. Even at an age when I should have known better, I harboured a lingering fear of empty spaces and the uncanny moment when something familiar became strange and dangerous. But the part that really resonated was always the last line. Even at fifteen or sixteen years old, where my narrative focus was RPG games rather than fiction, I knew, acutely, that the conception of a project rarely matched the final outcome. Intentions changed, signals were misread, and paths could get

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Status

Status: Friday, 3 September, 2021

LOCATION: Windsor, Brisbane, Australia. THE QUICK-AND-DIRTY NEWS Just launched the print editions of Not Quite The End Of The World Just Yet. Preparing to launch pre-orders for a chapbook collection of microfiction from Sean Williams — stay tuned for details next week CURRENT INBOX: 38 (Gah!) WORKING ON Finishing Median Survival Time, a science fiction novella produced for my PhD thesis. Two chapters left to go on the current draft, and it’s an emotional project to finish. It was first derailed by my father’s death in March 2019, and there hasn’t been much “normal” time to get back on track since then. Final page proofs of the Exile print release, scheduled for the end of this month. Working the title development process for a series of fairy tale retellings Brian Jar Press will be releasing in 2022. Covers exist in rough form and rough layouts are progressing, which means I’m up to writing the cover synopsis for each. Catching up on the structural editorial of a horror novella we’ve picked up. Drafting contracts for a series of fantasy novellas I’m really excited about. THINKING ABOUT Sites of online engagement and how to play by your own rules, rather than the expectations of a platform. I did some early thinking and experimenting with this back in March of 2019, logged in the post Who Gets To Monetize Your Spare Minutes Of Attention. The impending pivot when my small business grant ends and decisions need to be made about Brain Jar, the PhD,

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News & Upcoming Events

Now Shipping: Not Quite The End Of The World Just Yet

Brain Jar Press is now shipping print editions of my short story collection, Not Quite The End Of The World Just Yet. The book contains twelve science fiction stories, including my sci-fi dragon western Dying Young and the Aurealis Award winning cyberpunk fairytale Clockwork, Patchwork, and Raven. It also features two stories, 52 Pick-Up and and Inside An Egg, Inside A Duck, that are original to the collection. Customers who pre-ordered already have their books. Copies have been showing up on Twitter. This wonder arrived this afternoon. Thank you @BrainJarPress snd @Petermball pic.twitter.com/Q08xzSgEJj — Trent Jamieson (@trentonomicon) August 25, 2021 Some books are events — launched and celebrated, pushed hard to find their readership — but increasingly I fall back on the default of making books available. The launch is a product of an older sales environment, where you needed all the attention on a book right now, before the sales window closed and a mass of new releases swept yours off the shelf. Launches are fun, and they celebrate the author, but increasingly a writer’s career will be built out a deep backlist of releases that can sell over time. Very few of my books sell a huge number on the week they’re released, but most of them sell steadily over a number of years. Not Quite The End Of the World Just Yet has been ticking along in ebook since 2018, quietly becoming one of Brain Jar’s best-selling titles in the handful of formats it was available. The

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Journal

Reasons to be a luddite

Right, a quick one. I set myself three books to read this week, then promptly read two of them in the space of twenty-four hours. So I added another two books and promptly read one of those in the space of a few hours. I started August by doing a Patreon post about the relative dearth of reading as I hit the mid-year, but it seems I’m trying to solve that in a single weekend. Then there was an upset stomach and the discovery of Episodes, a 2011 sitcom featuring Tamsin Grieg and Matt LeBlanc, which makes a great job of utilizing the strength of both actors. And yet, oddly weird, because it feels like it should be a BBC comedy, but it’s…not. … I spent the start of Brisbane’s lockdown rescheduling a small stack of meetings. Now I’ve spent the end of lockdown rescheduling a small stack of meetings, because my stomach was iffy enough that sitting for an hour felt like a risk. Did some submission reading for Brian Jar, scanned a bunch of contracts to mail out to the authors, and worked on some stuff for the Patreon and the current novella. Then the proof copies of Not Quite The End Of The World Just Yet arrived. I was worried how this one would look, the whole way through putting the files together. Things that look good on screen always lose a bit of their vibrancy during the printing process, and it’s a book that relies on

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Journal

A Saturday Spent Reading (with a little TV)

It’s been an odd kind of Saturday. I woke up at 5:30 — a terrifyingly regular occurance these days — and stumbled out to spend a few hours reading on the couch. The cat decided to hang out with me, so I spent a few hours devouring books at a terrifying rate of knots. The last book on the pile was Daniel Coyle’s The Talent Code, all about the role the myelin sheaths forming over nerves play in the acquisition and refinement of skills, and the factors that contribute to certain schools, towns, or movements spawning an astonishing number of world-class talents, whether it’s in the field of art, sport, or science. Fascinating, fascinating book that’s going to have me thinking incredibly hard about my practice, and about the logistics of writing careers. Many old, well-worn bits of writing advice — write every day! If you want to write, you must read! — can be contemplated in a new light after reading Coyle’s book. It’s also contribubing to this weird idea that’s bubbling away in the back of my head, pondering whether all the rhetoric we absorb about writing being a terrible career choice is really all that accurate. For all that we like to joke that there’s no money in writing, and warn new writers not to quit their day job, I’m not actually sure it’s as terrible a career choice as it initially seems. Stressful, yes, and unlikely to earn you a stalbe income, but writing is oddly

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Journal

Brain Jar 2.0: One Year On

A cold morning here in locked down Brisbane. The heater is definitely on and the cat has taken up residence in a conveninent patch of sunlight. The writing brain is protesting the return to work like a reluctant starter mower on the last dregs of fuel; it’s a “40% of optimal” day here, first thing in the AM. I’ll get things up and running, but it’s not going to be terribly smooth. … Many moons ago, at the 2016 Brisbane Natcon, I was on a panel with Cat Sparks and someone whose name eludes that turned to the character of Jack Reacher. Cat noted she didn’t think Jack Reacher would work as a woman — a thought that stuck in my head for a long while, and slowly evolved into a novella I’m working on for my thesis. I’ve got the big beats of the story more-or-less locked down at this point, so I’m into the interstitial scenes: negotiations; investigation; the occasional stare-down with a henchmen. Procuedral beats where the character of Reacher really lives, far more than the action scenes, because Reacher’s appeal is that he’s got a knack for hypervigilance without any of the PTSD or Anxiety symptoms that usually accompany it. I wasn’t meant to working on this at the moment, nor the rough draft of a non-fiction book that I’m scribbling for the folks over on my Patreon. This week was meant to be spent finalizing a conference workshop I was going to present a little

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News & Upcoming Events

Lockdown Projects

Over the weekend Brisbane became the third Australian state capital to lock down because of a Delta-variation outbreak of Covid-19, and we’ve already hit our first extension because the contact tracing did not go well. Some folks are cheerfully making plans for after the current deadline expires, while others are merrily settling in for a much longer wait before things open up again. Not that a lockdown means much when you’re running a publishing company from your couch. I’ve rescheduled a bunch of important-but-not-urgent meetings, and tried to think of ways I could turn the lockdown into an opportunity. Weeks like this are typically bad times to be announcing and releasing new books — any time attention is on the news, I’ve struggled to move the needle on sales — but that means it’s a great time to be working on some “when I get time for it” projects. Such as, for example, the print release of Not Quite The End Of The World Just Yet. The USA has technically had a print version of this for a year or two now, albeit one that was only available through Amazon’s print on demand service. That print version has — inexplicably — outsold the ebook edition by considerable quantity, and was probably the profitable book I’ve ever done until Brain Jar 2.0 unleashed a bunch of new Angela Slatter titles unto the world. This is a new edition, though. I’ve cleaned up a few things, re-done the layout, and played with

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News & Upcoming Events

Some Updates From the Brain Jar

Greetings, Lost and Lonely Blog Readers. It has, as they say, been a while. It’s the curse of having a lingering affection for an older, largely superceded form of online communication, plus the sheer pant-shitting terror of trying to launch a successful publishing company in the midst of global chaos. A good deal of the stuff that I used to blog about now finds its way into the weekly newsletter, which is itself supported by the Eclectic Projects Patreon where a lot of the conversations about what I’m posting tend to take place. I’m also trying some new forms of online presence at the moment, which is a little terrifying in and of itself. I’ve fired up the ringlight and the webcam to start doing a little more video over on Facebook (itself a response to going offline for a week, and realising that a phone would still allow me to talk books and writing if people were used to seeing me on-screen as a face and voice instead of a stream of words). Here’s the first attempt, talking about the recently launched chapbook edition of Angela Slatter’s No Good Deed. There’s some slightly meatier vids coming about writing and publishing, which wil likely get crossposted here for folks who miss hearing me bang on about such things. Stay tuned, etcetera and so forth. More good things are coming. In other Brain Jar news, we recently opened pre-orders on Kaaron Warren’s entry in the writer chaps series. “Don’t write merely

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News & Upcoming Events

And Now We Are 44

Today I turn 44, and I’m returning to one of my most enduring birthday traditions: posting god-awful birthday selfies designed to worry my Mother about the kinds of content that gets put up on the internet. It’s the first of these that I’ve done in a log while, largely because 2019 and 2020 where incredibly shit years for birthday celebrations. In 2019, I spent the day sitting vigil while my father passed away and my sister prepared for cancer surgery. I had plans to try and reclaim the day with happier memories in 2020, just so I didn’t spend the run-up to each birthday getting lost in memories and grief, but 2020 delivered us a global pandemic and the first wave of Australian lockdowns in March, so it proved to be the exact opposite of what I was hoping for. Still, it’s another year, eh? And this year I’m going in with a plan. While I normally avoid having any expectations or desires around my birthday, this year I’ve given myself a present. More specifically, I’ve started a Patreon to fun the creation of non-fiction content here, in my newsletter, and in a suite of other spaces. Once upon a time, I would devote about eight to ten hours a week to producing free stuff about writing, publishing, pop culture, and more. It wasn’t always the most efficient form of self-promotion as an author, but I enjoyed it and people found a lot of useful stuff amid my weekly burble.But

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Journal

Sunday Is Weird

Our not-so-beloved downstairs neighbours are moving out today, in the midst of the Brisbane lockdown. It’s a bizarre riot of sound compared to a very quiet Saturday, during which the cat slept on the laptop table for several hours and I engaged in a prolonged doomscroll following Australia’s current virus news, American post-election fall-out, and the rest of the world just basically figuring 2021 will roll on just like 2020. Brain Jar Press has new books to announce, but I held off figuring that last week was a bit too busy to compete for attention. This proved a smart choice, given the way our book sales (rightly) tanked as all eyes turned towards the news. But it’s also an inauspicious way to start my first week as a full-time publisher. There’s no real possibility of hitting the ground running this week, no easy tasks that could move the needle on sales and inch towards the kind of benchmarks I need to start hitting for the next eight months. Time to construct a new to-do list, methinks, ’cause it’s all going to be hard stuff for the next little while.

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Adventures in Lifestyle Hacking

The Egg-Splat of Screen Time in 2020

I’ve used RescueTime to track my computer and phone usage for a few years now, and it continues to be a surprisingly underrated tool in my kit. Today they sent in my year in review for 2020, showing me how I spent my screen time throughout last year, and it was really interesting to note some of the ways the data is different to previous years. Case in point, the little egg-splat they produce that visually represents your time by month and category. I’m used to these being an irregular shape, but the April-through-May bulge is one of those aberrations that tells me just how different 2020 was to a regular year. There’s a massive blow-out in “general utilities” time, which proves to be the endless hours spent learning to use Zoon and teaching online when the university closed the campus. It’s accompanied by a bulge in my purple “research” hours, which is basically how RescueTime logs “hours spent reading blogs and ebooks.” At the same time, I also find myself looking at the big block of “design & composition” green in late May, trying to figure out why I’ve logged so much productive time without having anything to show for it. The answer, digging into those months, is a combination of a freelance gig that would not die and a massive surge in PhD writing as I tried to put half-finished parts to bed before taking a leave of absence in July. Both were huge jobs that basically dropped

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Adventures in Lifestyle Hacking

Small

I spent the dying days of 2020 making lists of habits I’d like to establish (or, in most cases, re-establish in the wake of 2020’s unpredictable daily routines). Stuff like I’d like to start blogging everyday, and maybe turn the blog into a monthly zine or chapbook’s worth of content or post a free short story to every month or release 52 chapbooks over the course of the year. All of them fell victim to my inability to pull the trigger on a year-long commitment, and thus risk the body-blows to my ego. Because they were all ego projects, to some extent or another. Attempts to stay in contact with my self-perception as someone who writes as my plans for 2021 looked increasingly focused on editorial tasks. 365 days is a daunting timespan, just as 100,000 words is a daunting amount of words to write if you’ve never written a novel. There’s always the danger that ambition outstrips ability, that motivation fades once the immediate need that drove you to the activity is satiated and you’re left with a whole lot of work thats’ no longer filling the same emotional void that drove you to the project in the first place. It’s easier to start small and focused: blog for seven days straight. Post a single story for free. Then stop and re-assess: has it brought me closer to the goal I was trying to achieve? Is it worth continuing in this line? A whole year is just twelve months,

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