Author: PeterMBall

Works in Progress

Knock Knock: an interactive sci fi serial (Part 2)

This entry is part 1 of 3 in the series Knock Knock: A Sci-Fi Serial

Part two of my sci-fi serial where readers get to choose what happens next. When we encountered the three-person team manning Remote Research Station Denki back in part 1, they were surprised by a mysterious knock on the door…and no details appearing on any scans. Readers go to vote on how they responded, and I’ve included the results below! Two readers had very specific suggestions (one bloodthirsty, one polite), but overwhelmingly, the response was opening the door and letting the visitor in. With that, it’s time to kick off part two. KNOCK KNOCK (A Serial With Reader Interaction) Part 2: Boarding Procedures Tse raised the first tentative hand, stealing a glance at the airlock door as she did so. “Not sure how long that’ll hold,” she said. “Whatever’s out there might not be hostile, but we know a breach will mess us up.” Finn squared their jaw, masking the gut-rending surge of fear beneath a veneer of command stoicism. “Luce?”

Conspicuous Acts of Cultural Consumption

Action, Reaction, Jackie Chan, & Gunpowder Milkshake

I often start workshops on story structure with the warning, “after this, you’ll never be able to go to the movies with non-writers again.” Lots of folks think I’m joking, but it’s essentially true: the three-act structure is the source code for an awful lot of TV and movies, and understanding its core beats means you can map out the bulk of a plot from a handful of details.  For me, this resulted in a different kind of enjoyment, more focused on teasing out the how-and-why of creative choices and where things go wrong, but there are plenty of folks who don’t enjoy that. Like, for example, my beloved spouse, who was so irritated by my response to the first three episodes of Star Trek: Next Gen that we’ve basically agreed to watch nothing Trek-related together for the sake of our marriage. They love the TV show unconditionally, and I…um…let’s say “sit there marveling at just how far TV storytelling

Adventures in Lifestyle Hacking

Bullet Journals Revisited, And A Defense Of Rapid Logging

A few weeks ago, I read Ryder Carroll’s book The Bullet Journal Method. I’ve been using bullet journals for years at this point. Not the pretty art-pieces that you’ll find on the internet, full of scrolling calligraphy and Washi tape, but a series of beat-up journals that are filled with messy handwriting and scribbled notes. Notebooks with no interest in being beautiful objects, but plenty of practical use as a tool. I picked it up around 2012, after being impressed by the way my friend Kate Cuthbert organised her work at Harlequin Australia. Ten years of relatively consistent bullet journaling is a long time. Over the years, I’ve gotten large chunks of my family into the habit — there’s often a family Leuchtturm shop around the end of the year. I’ve experimented with different approaches, from one dedicated bullet journal for everything to bullet journal by project to bullet journal by context (writing/work/life). I’ve researched and experimented with layouts and

Conspicuous Acts of Cultural Consumption

Disruption, White Space, and New York City in 1979

The first lines of text of Kathy Acker’s New York City in 1979 are short and succinct: SOME people say New York City is evil and they wouldn’t live there for all the money in the world.  These are the same people who elected Johnson, Nixon, Carter President and Koch Mayor of New York. But of course, rending it like this undoes the impact of that statement, because it’s divorced from the important context of the page. When viewed in the book itself — or, in my most recent re-read, the ebook file — that same collection of words is framed very differently by the white space around them.  I come back to this opening — this prologue — repeatedly to appreciate the heavy lifting it does within the text. The content of the text sets us up for the book that follows, but I’d argue the presentation of the text is equally important. The book starts with an immediate

Adventures in Lifestyle Hacking

Cortisol and Coffee

There’s been very few stretches of my adult life where I haven’t woken up and reached for a cup of coffee first thing in the morning. It’s a core part of my daily routine, as non-negotiable as urination and feeding the cat, and I’m hardly alone in the habit. One of the easiest ways to make my spouse happy is having a cup of coffee waiting for them the moment they wake up, perched on their bedside table beside the phone delivering their wake-up alarm. Fortunately, this is pretty easy for me to provide, given that we live on slightly different schedules (I get up early to write, they sleep in because they find it harder to fall asleep than I do). Unfortunately, drinking coffee first thing in the morning is actually a pretty terrible thing to do to your body. The logic here comes down to cortisol, aka “the stress hormone”. Despite it’s nom-de-plume as a stress marker, bodies

Writing Advice - Business & the Writing Life

POD, Publishing Mad Science, and White Mugs

Two years ago, when I first two my business plan for Brain Jar 2.0, one of my long-term goals was taking the philosophy we used to create books and use it to find other places for written work to exist. Webcomics and artists had been monetizing their art with merchandise for years at that point, and print-on-demand merchandising systems like Redbubble had flourished.  It’s taken me a bit to move on the idea because, frankly, the learning curve and the technology weren’t really at the place I wanted it to be for the audience size I was working with. Much as I love Redbubble and the artist friends who sell there, the lack of integration with other storefronts presented a problem for me — putting merch on Redbubble means pushing people to Redbubble, and 2020 was basically a long exercise in figuring out how important direct sales could be. Other services offered better integration, but were location-centric in a way

Writing Advice - Craft & Process

Making First Moves

This morning I’m pondering the right first move to bed into my daily routine. Right now, I have about four first moves that will kick of my day, depending on which groove I’m in:  Getting up and journaling to park ideas;  Getting up and writing directly into the computer;  Getting up and doing the day’s Worlde, then posting it to my family chat;  Getting up and brain dumping my top-of-mind thoughts into an Omnifocus inbox, then doing a project review and building my diary for the day. Of the four, Wordle is the worst option. Logging in to finish a Worlde puzzle only takes about three minutes, but it puts me in a social mindset because the next step is going into chat, and from there it’s a short skip to spending the entire morning answering email and tooling around on social media. Journaling is probably my favourite kick-off, but the chain of events that follow that meditative writing often

Writing Advice - Craft & Process

Greet The Day

My desk is a disaster zone at the moment. A jagged landscape of poorly stacked notebooks, contracts, and opened mail, with the detritus of my BWF office placed over the top. I love working at my desktop, but I can’t fathom the notion of sitting down and writing there. Our kitchen is a disaster zone at the moment, too. So is our bathroom, our living room, and my car. Our bedroom is relatively well-composed, although I’m behind on cleaning the CPAP machine and that’s taking a toll on my sleep.  Other disasters: my writing process, my publishing timeline, my PhD deadlines, my planning systems. Invisible chaos that’s largely unnoticeable unless you’re inside my head and trying to wade through the detritus in order to get things done. The great temptation of chaos is this: nothing is fixable unless everything is flexible, and if you let things slide long enough, the very notion of getting ‘caught up’ is the stuff of

Writing Advice - Business & the Writing Life

Routine Hacking and Emotional Triggers

When my life goes astray, my first port of call is always walking through my morning routines and figuring out where to make changes. Inevitably, I can track a minor thing that’s throwing my whole day off, which usually sees a flurry of experimentation as I find a work-around. Back in January, mornings were a struggle, and I slowly worked through the stuff that’s changed to find solutions. At first, I blamed the issues on new medication that left me groggy and prone to dozing off in the mornings (aided, in part, by the addition of a daily Wordle). Going to bed earlier and shifting the Wordle check-in until after 8 AM has helped, but it didn’t quite get me back into a writing frame of mind. So I started tracking where else my day was going astray and quickly realized a common point: sitting down to work on my desktop right after I drink my coffee. The desktop in

Writing Advice - Business & the Writing Life

Context Matters

I recently waxed nostalgic about the heady days of 2008 to 2009, when it felt like my fiction writing career tracked along with far more promise than it does today. I was focused on my writing career to the exclusion of everything else, a host of stories were published and opportunities offered, and things felt possible in a way they don’t right now. But a quick survey of the context in which I did all that work is pretty illuminating: I was younger, newly single, and looking for distraction. I was newly involved in the spec fic scene, and therefore a novelty. Social media was relatively new, and work gained attention because it was easier to reach one’s friends and communities with news. My father’s Parkinson’s disease was newly diagnosed, and hadn’t yet hit the point of physical and cognitive where I was increasingly conscious of both spending time with him and providing relief for my mum as his primary

Works in Progress

Knock Knock: an interactive sci fi serial (Part 1)

This entry is part 1 of 3 in the series Knock Knock: A Sci-Fi Serial

A few months back, I wrote a little vignette while experimenting with tools from Mary Robinette Kowal’s flash fiction workshop on Patreon. The end result wasn’t quite a stand-alone flash piece, and wasn’t quite a short story, but something in between—the opening scene of a longer story. Unfortunately, it wasn’t a story I was going to pursue with any real determination. In a lot of ways, I’m playing with a familiar trope, and I wrote it as a fun exercise rather than any ambition to sell it. But posting to my Patreon gave me the idea of doing a story developed in serial, writing scenes that bring things to a major decision point and giving readers the chance to vote on what happens next. Alas, voting proved hard to set up on many of my usual platforms than expected — turns out mailing out a poll to subscribers is a premium service for my newsletter provider, and cost more than

Writing Advice - Business & the Writing Life

Subscription Models and the Indie Author

There’s nothing like teaching a workshop on something to both clarify your thinking and beliefs, then inspire new insights on a topic. Here’s a little something I puzzled through while writing my workshop for RWA last year. In indie publishing circles (and a lot of other marketing), you’ll often find people talking about sales funnels. The core idea here is moving COLD readers (who don’t know anything about you) through a funnel of information that WARMS them up (gets them excited about your work) and eventually gets them HOT enough to buy. It’s the kind of thing that you’ll find in 90% of indie seminars focused on making a living selling books, so it’s not particularly awe-inspiring or original. But I was revising the slides for this portion of the workshop right before I sat down to write up my case study for a good reader funnel, then tackling the inevitable question of “do I put my books into Kindle Unlimited’s