Looking at MicroStructure in Mary Robinette Kowal’s “Evil Robot Monkey”
EVIL ROBOT MONKEY is a short story by Mary Robinette Kowal, available for free on her website (in html, PDF, and audio) and included in her short collection, Word Puppets. It’s a little over 900 words long (or 6 minutes of audio); a complete story in a single scene, and it’s one of the best pieces of fiction I’ve ever come across for explain the way story beats works. The premise of this story is simple: uplifted monkey wants to sculpt clay as a escape from his not-so-pleasant existence; circumstances conspire to keep him from doing this. That’s the guiding macro-structure, but it’s the individual beats that give the piece an incredible amount of nuance for its word-count. FOUR BEAT PATTERN There’s a lot of argument about what gets classified as a beat in a story, but for my purposes I’m looking at a specific pattern: we get a clash when two characters wants are in conflict, they each deploy a
