Poem
It’s 1994 and I’m sitting in a cinema with tears on my cheeks. Gareth has just died and Matthew is at the pulpit, reading W.H. Auden’s Funeral Blues as the eulogy for his friend. It wrecks me as few things have wrecked me, in my young life. John Hannah delivers a performance that makes me a fan for life. A fan that will follow him through the third Mummy film and Sliding Doors, professing an affection for both. Three years later I see Auden’s poem on the page. I’m twenty years old, studying poetry, getting ready to spend two years writing an honours thesis about poetics and space and the city I live in. I’ve been published, as a poet. Performed my work at festivals. I wander the streets with notebooks in my backpack, writing draft after draft, hundreds of poems every year. I embrace the idea of quantity as a means of learning craft. It turns out, that’s not a bad way
