My copy of Caitlin Kiernan’s latest short story collection arrived in the mail last week. It’s a beautiful book full of beautiful, terrible stories in the old-school definition of terrible, meaning they are causing or likely to cause terror. The kind of stories that make Kant’s description of the sublime comprehensible, which is more than Kant manages to do when he writes on the subject.
There are very few writers who are on my yes-I-will-by-everything-you-release list. Even fewer on the list where I will buy everything in fancy, beautifully produced hardcovers and special editions. Basically, there is one name on that list, and it’s largely because Caitlin Kiernan is the best short-story writer working today, doing things with language and story that most writers can barely dream of doing.
I’ve ended up taking a short, unscheduled break from writing newsletters over the last fourteen days. Regular GenrePunk Ninja transmissions will resume
Like many of you, I have good weeks and bad weeks on the writing front. This week has been rocky, and if
Welcome to GenrePunk Ninja supplemental, where I occasionally post foundational essays written before I launched the GenrePunk Ninja newsletter, especially if they’re
