I was at work today, innocently doing my job, when one of my co-workers turned around asked “have you ever come across a transgender zombie story?”
At which point I allowed that a) I had not, b) google wasn’t inclined to find me one, and c) I adore my new dayjob more than any other dayjob I’ve ever had.
Still, it’s a vexing kind of question to be unable to answer in the affirmative. I fired off the question to a couple of friends in the hopes that they’ve heard something, then figured I’d ask the question here just in case someone had come across such a thing. Transgender zombies and/or protagonists appear to be fair game, so far as such things go, so if you’ve come across such a thing in your readings please drop by the comments and let me know. In short: help me, Obi-net-kenobi, you’re my only hope.
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I’d be linking you to Catherynne Valentes not-quite-review of Woody Allen’s Midnight in Paris, but it’s on livejournal and LJ has been buggy for the last few days, so I’m not entirely sure the link is going to take you where it’s supposed to take you. Should it work, I really recommend taking a gander at the review-slash-essay posted there, for it immediately makes the movie one that I absolutely must see and, I think, articulates something quite important about the reason people wander off to become artists and writers, that kind of long-term chasing down of a tribe that’s smart and passionate and engaged with the world in a very particular kind of way.
And I, as ever, want a book of Catherynne Valente essays, for they are frequently phenomenal when she posts them online and they deserve to be a book one day. I would be deeply grateful if someone would pay her to write one.
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So, of the six killer copyediting tips delivered in this blog post, I’ve managed to internalize…two. Unfortunately, the ones I still get wrong are generally the more embarrassing options on the list. I should probably work on that, since it seems like a perfectly reasonable list of things that it’d be a good idea to learn, and my problems with apostrophes are getting quite out of control.
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Every second Wednesday has become the bane of my writing routine. There simply isn’t time for sustained writing, just little bursts of wordage that are fit into a spare half-hour or so. I try not to begrudge Wednesdays this – I work and I go out, doing that thing where I see other people, which is presumably important for my continued status as a sane human being – but I am not built to take breaks from work. I live in fear of my own sloth, where I give in to the temptation to not-write because it’s easier, rather than force myself to put down new words.
Thursdays are meant to make up for it: a day off, a writing day, free of distractions. Yet I’m four weeks into the day job and it’s never quite become that, always winnowed away by odd jobs and far too brief a time spent writing.
Still, I’m getting better at carving out writing time. Not as good as I used to be, but better than I’ve been for much of the last twelve months, and I plan on getting quite a bit done on the morrow. I just wish I could come up with a solution for tonight that made me felt like I’d done enough to warrant going to bed at a reasonable hour tonight. I mean, I’ve written something on the Flotsam draft, which is almost certainly better than nothing, but somehow I can’t quite talk myself into believing that 250 words is a reasonable day’s work and no amount of but tomorrow I’ll finish the draft of the next story and be able to start editing seems to satisfy the spokesbear and my inner taskmaster.
This, I suspect, is because they know me too well. One good week of getting things done doesn’t mitigate of year of saying such things and not quite getting around to doing them.
I suspect it’s time to aim for five hundred words and try again. Which means I’d best get on with things, I suppose.
