I just walked up these stairs and, man, I’m buggered…

Once upon a time I didn’t own a car and I lived in a city with a laughable idea of public transport. Since I was also young and broke and generally wanted to go to places buses didn’t really go, I ended up walking everywhere and got quite good at it. It became a big part of my identity. My name was Peter and I walked places; any trek that required less than an hour or two meant I didn’t really bother with public transport.

Naturally, the walking went away after I acquired my first car, even if the mental image of myself as a guy who walked didn’t. And about a year after driving everywhere I walked fifteen minutes to the shops down the street and it utterly wiped me out. I found myself huffing and puffing my way home, two liters of milk tucked under my arm, wondering what the fuck, exactly, had happened.

Because I am not terribly smart, this kind of thing happened a couple of dozen times before I made the connection. I no longer walked, and thus I was no longer a walker. Being surprised that walking now took considerable effort was kind of idiotic.

I write five thousand words over the weekend. I was utterly exhausted when I finally hit the end of the story on Sunday night. This isn’t the first time this has happened, but it seems it’s this time where I’ve finally made the connection. Two and a half thousand words a day used to be an average, not something to strive for.

So I’m no longer a guy who writes a lot either. Which shouldn’t been a surprise, because there’s been many excuses not to write over the last year, and I’ve taken almost all of them, but it still came as a surprise.

Writing a lot, incidentally, means far more to me than walking ever did.

So it appears my creative muscles have atrophied considerably. If you need me, I’ll be over here, having a startling revelation that shocks me to the core of my sense of self. After that I’ll be planning the writing equivalent of going to the gym.

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According to SF Signal my short story, Say Zucchini, and Mean It, should be sent out to DailySF subscribers  on May 17th. I mention this because subscription is free and gets you all sorts of interesting stories sent to you via email every weekday, which seems a far better way of procrastinating at work than spending yet another hour on facebook.

I’m also pretty sure that Say Zucchini, and Mean It will be my last non-Flotsam story for a while. There’s nothing else waiting to be published, nothing else doing the rounds of submission, and I’m not writing any new short fiction until Flotsam is done with.

And, sure, every time I said something like this in the past, I immediately go into a mad panic and write a bunch of stories to try and correct the situation, but it’s entirely possible that this time I mean it. I have a dayjob now. More than one. I can eat without selling short fiction, and so it’s entirely possible I’m slowing down 🙂

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Lest this be entirely bogged down in mournful observation, allow me to say this: we played our weekly session of Deadlands early this weekend, and it was awesome. I make no secret of the fact that I adore my Deadland’s peeps and the campaign we’re currently playing has been a cracker, so much so that it’s successfully transitioned the regular Sunday night game into Deadland’s night rather than C’thulhu night when I put it into my calendar.

Finally, after many months, we hit the scenes I’d identified as the mid-point of the campaign, which is probably best identified as “Aliens in the Old West, if the Xenomorphs wore cow skins as a disguise.”

Afterwards we feasted on roasted pork, courtesy of our hosts.

And really, when your weekend includes good company and good food and a horror-western filled with cattle mutilation, life is pretty good.

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This is my four hundred and eighteenth post to this blog, which I guess means we’re on the downhill slope towards five hundred blog entries (whereupon I probably turn into a pumpkin).

The last few days have settled into a comfortable kind of routine – I get home from the dayjob, I don’t turn on the internet, I read a book until five o’clock or so, then I eat dinner and force myself to write 1000 words before I go to sleep. My brain’s resisting the latter – last night I wrote the first five hundred words with ease, then scrambled for the last four hundred or so for hours before admitting defeat and collapsing into bed.

Tonight there is teaching, which means I’ll have to forgo the reading, and the 1000 words will be an even bigger challenge. It needs to be done, because at this point 1000 words a day is pretty much the line between me and wholesale insanity, and I’d prefer not to be going into guilt-induced craziness as the year progresses. I am far too fond of drama, after all, and I really need to get over that.

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In my spare time, at the dayjob, I’m trying to figure out how to sculpt a horse out of paperclips. Not a terribly good horse, for I’m not that artistically inclined, but something that’s satisfyingly horse-like. I’m currently struggling with the tail.

So if anyone knows any good sculpting-horses-out-of-paperclip type tips, I’d be happy to learn them.

And now that I typed that, man, I really miss working from home. At least there my time-filling exercises were things like cleaning the bathroom or baking cupcakes.

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I did make chili last night, and it was quite good. Unfortunately, I left out the bacon. Fortunately, this means I’ll be eating bacon and eggs for lunch today, which is one of those side-effects that make me happy.

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I’m listening to the Prodigy a lot this week, which is kinda weird. It’s been years since I last plot-danced to Voodoo People. We’re talkin’ the fricken’ nineties.

I would imbed the video, but apparently that doesn’t work for this site anymore (which means, I suppose, there’s a redesign in the works somewhere in the future). I guess you’ll just have to make do do-do do doo, do do-do do-do sounds yourself, then whisper the words magic-people-voodoo-people yourself to get the right effect. Or you can follow a link.

Bookshelves, Write Club, and Interesting Things Said About Cities

I wasn’t going to spam you with dodgy phone-camera records of the Great Bookshelf Reorganisation of 2011, but I got a phone-call from my dad and at some point he asked for an update, and I like my dad enough that I’m going to oblige him.

The photograph above contains the first seven shelves of the reorganisation – top left is the brag shelf, the first two on the right are the selected nonfiction shelves, and the rest are just books by writers that remind me why I wanted to be a writer in the first place. The vast majority of books on those shelves were written by about a dozen authors, and in a year I’ll have to reorganise the whole thing because many of them are still releasing books.

I’m still not entirely sure what to do with the bottom shelves, though. I tend to fill bookcases based on a theme, but bottom shelves ruin that by being the place where no-one (well, me) goes looking for things. It’s usually where I hide folders and old RPG  books and other stuff that doesn’t get used terribly often.

That isn’t going to work this time around.

I suspect the bottom right will  be given over to art-books and comics and really big hardcovers, although I’m not entirely sure I have enough of them to make an entire shelve work because it’s a deceptively large amount of space that’s also very narrow. The bottom left may remain a haven for folders, should I figure out a way to keep them looking neat.

Tonight I start work on the noir and pulp bookshelf, then figure out where I’m planning on putting the rapidly growing pile of YA novels and short story anthologies in my collection.

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Last night there was write-club with Angela Slatter, who is normally there, and Kathleen Jennings, who is one of the new write-club recruits that we keep forgetting to talk about. As befits the write-club tradition ate chilli and drank coffee and put  a dent in the chocolate supply while nattering about writing.

Not a large dent, since more people means more chocolate, and the uneaten candy will now sit around the house tempting me until the next write club.

Somewhere amid all that we admired Kathleen’s home-made paper doll that can be eaten by butterflies (she’s giving away prints to those who donate to the various natural disaster recover funds), Angela found her books sitting next to my Kim Newman collection on the bookshelves and was summarily pleased by the location, and we sat down and wrote a couple of thousand words apiece.

All in all, it was a pleasant kind of evening, and a short story that’s been plaguing me for the last month finally snapped into focus and became writable.

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There’s a fascinating and brilliant interview with China Miéville over at the BLDGBlog that covers the use of cities in his work and the way inhabiting a space changes it. There’s something endlessly fascinating about the intensity with which Miéville approaches things like this; the way he thinks about genre and narrative, drawing inspiration from academic theory without being bogged down with it, is phenomenal. If he’d been around back when I was an undergraduate, it’s entirely possible I would have paid more attention in University.