Dresden Dolls

The Writer in a Silly Hat

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I was given a particularly silly hat for Christmas, and the first thing my mother said was oh god, it’ll be up on his blog by tomorrow morning. My mother is a wise woman, but she failed to take into account the delays inevitably caused by moving house and cleaning and the other minutia of the last few weeks. Not that she’s wrong about me posting a picture here, just the time frame:

Best. Present. Ever.

The hat came about because my sister buggered off to Nepal a few months back, planning on walking to the base camp of Everest, and asked if there was anything I wanted. Usually when my sister goes places I shrug and mumble something non-committal and end up with a motley array of t-shirts when she returns, but Tibet proved to be a special case. “You know what?” I said, “I’d really dig a sherpa hat.”

The fact that she found one with its own woolly Mohawk is really just a bonus, even if she spent the entire trip with people asking her if she actually liked her brother. Now I just need winter to roll around so everyone shall know me by my resplendent blue-green headware of awesomeness. 

Until Winter, I shall content myself with writing and admiring said headware on the noggin of the Spokesbear.

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I am, officially, relocated to a new domicile and deadline free.

The new place features somewhat tighter quarters than I’m used to, what with cramming pretty much everything I own into the one room. I’m somewhat amazed that *exactly the same bookcase* appears in the background of webcam shots despite the relocation, because apparently it’s that bookcase’s destiny to be set up opposite my computer in every place I live.

It’s also, coincidently enough, a brand new year. I don’t do resolutions and such, but I do have some plans for 2012. Not big plans, admittedly, but there’s a fairly well-sketched plan of things I’d like to write and things I’d like to read and a single credo – no damn deadlines for the first six months – dominating my approach. The first thing I’m working on are a handful of stories – mostly so I can kick the writer-brain into shape again – after which I’m disappearing back into novella land for a while.

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I caught up with the inimitable Angela Slatter at a friends birthday party recently, and she mentioned that the Lair of the Doctor’s Brain project she’d been working on with her co-brain, L.L. Hannett, was ready to launch. I’ve been eagerly waiting for this series to hit the blogosphere for months now and it doesn’t disappoint – they’ve started big with an interview with China Miéville and a series of illustrations from Kathleen Jennings.

I’m also pretty sure that every aspiring writer in the known universe has linked to this by now, but I’m nothing if I’m not a joiner: Chuck Wendig’s 25 Things Writers Should Stop Doing (Right Fucking Now) is pretty damn spiffy. And, you know, full of smart advice in amid the swearing, as is so often the case with Wendig’s work.

And since I’m feeling a bit grumpy that the Dresden Dolls are touring and I’m not going to their Brisbane concert tomorrow night, I’ll going to link to their cover of War Pigs and say, well, fuck, go listen. It’s pretty damn rare that I actually want to go to concerts these days, what with the crowds and the young people and the drinks you have to take out a mortgage to afford, but dammit, I really wanted to go to this one and that clip is one of the reasons why.

-sigh-

Ah well, I should probably be writing things anyway.

6 Cover Versions Worth Tracking Down

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I love a good cover version, especially when the artist finds a new spin. You could say it feeds directly into my own impulses to mash genres together and see what results, but musicians tend to be somewhat cooler in their experimentation. To whit, 6 cover versions I think everyone should listen to at least once:

If you’d prefer not to listen to the youtube playlist, I’ve broken ’em down one-by-one below.

1) Drive, the Paradise Motel

There’s a strong possibility that the pang of pure melancholy I feel when I hear the opening guitar notes to the Paradise Motel’s Flight Paths album is a pure Pavlovian response to one of those albums that served as a soundtrack for three or four straight years of my life, and the real centerpiece of the album is the cover of the Car’s Drive. The Paradise Motel take what was a minor pop hit, slow it the fuck down, and imbue it with the kind of sorrow that’d have a small passel of emo kids huddled in a corner wondering why one needs guitars and black hair in order to appear miserable. No youtube clip for this one (correction; there’s now one linked above), but if you listen real carefully you can hear in the soundtrack of the He Died With a Felafel in His Hand movie (speaking of which, why don’t I own a copy of that film yet? Seriously?) or get lucky if you spend enough time poking around Last FM.

2) Crazy in Love, Antony and the Johnsons

There is some crazy kind of power in taking hideously poppy songs and slowing them down, discovering the sadness in them. The Paradise Motel does it above, the oft-mentioned Mad World cover from Donnie Darko does it as well, but none of it takes something quite as crazy as Beyonce and achieves the same affect as Antony on the Johnstons.

3) Pierre, The Dresden Dolls

I’m a sucker for the Dresden Dolls and they have a wide variety of very mighty covers out there, including Black Sabbath (War Pigs) and their version of Pretty In Pink, but their live DVD made me a huge fan of this Carol King cover. Largely, for once, thanks to the awesomeness that is Brian Viglione. Much as I love the Amanda-Fucking-Palmer solo stuff,  I find myself missing the male half of the Dresden Dolls more and more. I think it’s the facial expression that make this song.

4) I was Only Nineteen, The Herd

Somewhere along the line I became a Herd fan, and they’d become the band I’ve seen more often than any other. I’m not sure when that happened. I’m pretty sure this one will be lost on people who aren’t Australian and therefore missed the Red Gum original, and I know plenty of people who are all “ooo, sacrilege” that a hip-hop group has covered what is essentially one of the best-known Aussie protest songs, but when you see this being performed it starts making total sense that it needed to be covered and the Herd needed to do it.

5) Flame Trees, Sarah Blasco

Let me make something clear: I don’t like Cold Chisel. Not ironically, not unironically, not even a little. I have sung along to Khe Sanh only once in my lifetime (this is, in the eyes of many people I know, as un-Australian as you can get), and that was when I saw someone doing it as a cover. It’s not that Cold Chisel can’t write an okay song (Don Walker teamed with Tex Perkin’s is a musical combination that’s truly droolworthy), it’s just that Jimmy Barnes’ voice gives me the shits. Then Sarah Blasco comes along and does a nice, gentle cover of Flame Trees and I’m hooked.

6) Straight Outta Compton, Nina Gordon

A few years back Tori Amos put together a covers album called Strange Little Girls, built up around the concept of singing songs traditionally associated with men and seeing what happened when a woman sang it. It’s an impressive album, one of my favorites, but I think Nina Gordon’s cover of NWA’s Straight Outta Compton takes the cake when it comes to recontextualizing songs by the gender of the performer.

Honorable Mentions: Smells Like Teen Spirit, Tori Amos (good, but slipped out of contention due to much repetition and too many Tori Amos covers); Come As You Are, The Charlie Hunter Trio (Someone, somewhere, is spinning in their grave); Crazy Mary, Pearl Jam (woulda made the list, but so close to the original Victoria Williams Song); Ziggy Stardust, Bauhaus (see above, plus one day a bunch of goths will argue about who is sexier while performing this song – Bowie or Peter Murphy – and it will result in the end of the world); Love Will Tear Us Apart, Nouvelle Vague ( actually, they should be on the list above, but I ended up listing their entire catalogue of covers and couldn’t pick a favourite); actually, even now I need two spots for Nouvelle Vague, cause Too Drunk to Fuck has to be on the lists somewhere (really, French women channeling Jello Biafra to bossa nova? Sign me up – it’s the stuff of awesome).

Feel free to feed my cover-version addiction and tell me what I missed 🙂

Friday Youtubery

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I’d kinda made a promise to myself that I’d stop posting Amanda Palmer/Dresden Dolls clips on Fridays, since I’m aware that I do it quite a bit. It isn’t really intentional so much as a reflection of my tendency to be very focused on one band for a few years – there’s a period in my late teens where I had the same kind of thing going with REM and the Cure, a time in my early twenties where there was ungodly amounts of Primus and Korn*, and now I seem to have caught the Dresden Doll’s bug (although it may yet turn into a long-term obsession, in much the same way that I never quite lost my obsessive fanboyishness of Nick Cave).

Anyway, yes, I keep telling myself to hold back on the Amanda Palmer clips. I think, by now, you’ve all more-or-less caught onto the fact that I regard the band as awesome wrapped in greatness and delivered with a side of awesomesauce. That said, I picked up the Live at the Paradise DVD this week and stumbled over this cover and lets face it, Amanda Palmer + Black Sabbath Covers = Full of Squee and Win!

*And yes, you can laugh at me for obsessive Korn fan, but I promise it made much more sense when I was twenty-one.