Yesterday, I sat down to read Zoe York’s Romancing Your Brand: Building a Marketable Genre Fiction Series, and she impressed me immensely with one of the most incisive opening salvos ever included in a writing book. To whit: The truth is, writing is hard, and publishing is a brutal business—and not always a meritocracy. To […]
It’s May, 2009. Approximately four years after the release of A Feast of Crows, the fourth book in George R.R. Martin’s Song of Fire and Ice. Readers are getting antsy about Martin’s insistence on doing other things: editing books in his Wild Carda universe; writing stories that are not A Dance of Dragons; consulting on […]
On her Wednesday blog post, The Trainwreck, Kristine Kathryn Rusch laid out her vision for just how bad COVID will get for traditional publishing and the next steps she recommends for authors working with that business model. Her prognosis is fairly dire: traditional publishing is in grave danger, and likely won’t really understand how grave […]
There’s an augment to be made that comic books are a disposable medium, but that’s talking about the history of the form more than its present. Comic books on newsprint paper, printed in four colour. Cheap to produce, cheap to buy, and easily disposed of, which is half the reason old comics gained value as […]
Eleven years ago, Warren Ellis released Shivering Sands: a print on demand collection of essays, columns, and other content he’d produced over the years. No real distribution, no real stock on hand, just a book set up and ready to print if a reader wanted a copy. A few days later, they included a PDF […]
The poetics of comic book narratives are indelibly bound to the page. Each issue of a 24 page comic will contain twenty-four pages of narrative, give or take a few spaces for advertising. Which means a smart comic book writer is always thinking about layout and using pages to generate effect–pitch this sequence across two […]
One question I keep coming back to right now is “what does it mean to approach the pandemic in a calm way, as an artist? How do we play it smart?” Because calm is going to be a valuable commodity for the next few months, as writers and artists of every stripe pivot and adapt. […]
I’d like to talk a little about writing (and, really, just surviving) in the age of contagion we find ourselves in. This is a tricky subject because I loathe the impetus that capitalism puts on being productive at all costs, especially when you’re sick or stressed out. It’s the same impetus that makes COVID-19 so […]
A few months back, I went to see Garth Nix and John Birmingham in conversation at the local library, and Birmingham busted out a little bon mot that’s stuck with me: If we write something, and we do our jobs right, it’s going to get published. It’ll go to our publishers, and if they don’t […]
Two years ago, when I kicked off Brain Jar Press, I dropped a bunch of cash on tools designed to streamline my processes. It started with a shiny new MacBook Air, breaking years of I-don’t-use-Macs ideology so I could run the mac-only Vellum software. That was something like two grand of expenses right there, coupled […]
For the past few years, I’ve largely left my Facebook Author Page as a secondary concern. It was a place to re-post links to blog posts after Facebook ceased allowing these to go to a personal feed, and occasionally served as the site for announcements of new covers or books. This was partially a function […]
When talking about the writing business with folks, one of my recurring refrains is that we don’t really sell stories to people–we sell a token of identity. It may be an aspirational identity, or one that the reader already identifies with, but even the use of the word reader in this context underlies my point. […]
