Friday Status Post: Brain Jar Turns 1

I released The Birdcage Heart and Other Strange Tales on November 30th last year, which makes this the official first birthday of Brain Jar Press. Over the last twelve months I’ve put out two short story collections, one essay collection, and a pair of short stories in the new Short Fiction Lab series.

For those who would like to catch up on everything we’ve done real fast, I’ve put together a discounted mega-volume of everything Brain Jar released over the last twelve months: The Brain Jar Press Year One Box Set (Amazon US | Amazon Australia | Amazon UK). 

It’s an Amazon-only release for the moment, courtesy of the fact that some of the content is enrolled in Kindle Unlimited and can’t be uploaded elsewhere until the exclusivity period is done. I’d overlooked that while putting it together, and I’m kicking myself a little.

Still, one year in, and it’s the first really irritating mis-step in my process, which isn’t bad.

This first year was all about the learning curve, getting used to the tools and techniques I’ll be using as we roll into year two. I achieved about 80% of what I’d hoped for, largely because I’m bringing the print editions online a little later than intended and one book I intended to get out didn’t make it. That’s still a pretty good hit rate, given some of the distractions that hit throughout the year. 

This week has seen me bear down on the redraft of Warhol Sleeping, and I’m now into the final quarter of the book. I’m learning not to think about release dates until a book is well into the marketing and proofing stage, but this one is developing into a short novel as I type.

I’ve done a lot of shuffling in the final quarter–the laws of narrative says that when you put a huge cyberpunk ziggurat into a your book, it’s probably a good idea to send the protagonist there at some point and shoot at them. 

The next Short Fiction Lab projects I’m drafting are a pair of ghost stories, both of which have been kicking around my to-do list for years. There’s a really interesting post that Kristine Rusch where she talks about writers becoming reactive in their thinking, editing their ideas into something marketable due to experience with the industry.

These two ghost stories are both projects that I’d written and loved and set aside, convinced they were unlikely to find a home without pushing them in different directions. 

They won’t, however, be the next Short Fiction Lab release–it finally dawned on me that while the bulk of my work is fiction, the free book I offer my newsletter subscribers is primarily non-fiction. There’s a disconnect there, so I’m putting together a mini-collection of stories that will join You Don’t Want To Be Published as part of the download pack when people subscribe to Notes from the Brain Jar.

The early proofing sweep is currently in progress.

CURRENT LISTENING: Alanis Morisette, You Oughta Know
CURRENT READING: The Clock Strikes, Sean Cunningham
EMAIL INBOX STATUS:
24
INTERESTING THINGS ON THE TO-DO LIST: Expanding the free offerings for Brain Jar Press and re-blurbing a bunch of earlier books. 

New Stories

Well, then.

This weekend did not go to plan in any way. My dad went into hospital on Friday, courtesy of a fall where he bumped his head in the kitchen. He’s okay, but it made for an anxious few days given his other health issues, and I ended up focused on learning new skills and long-ignored admin instead of writing.

Initially, that meant doing updates of old Clockwork Golem products, preparing to get the backlist on sale. Lots of transferring of files and getting up to speed with the new version of Photoshop and InDesign.

Useful busy-work for keeping me occupied, but I also wanted to put something new into the world. And I had a few weird, off-kilter stories kicking around that I’d drafted with the half-hearted idea of doing a Patreon (set aside when I realised I’m unlikely to maintain a regular pace long-term).

And I had a few weird, off-kilter stories kicking around that I’d drafted with the half-hearted idea of doing a Patreon (set aside when I realised I’m unlikely to maintain a regular pace long-term).

Which is why this came out this morning:

And why this will become a thing next Tuesday:

Both will be available from Amazon exclusively for the next few months, as they’ve been enrolled in Kindle Unlimited and are free to read for subscribers.

I’m not normally inclined to put Brain Jar books in a narrow release like this, but since I’d already earmarked these for a Patreon-based project, I wasn’t so worried about the limitations of the system. I will be setting up a window where folks without KU subscriptions can download Winged, With Sharp Teeth for free–details will go out via social media, the newsletter, and here once that’s in place. 

That said, if you’re feeling really extravagant, you can pick up a print chapbook of the first story.

Save Money on The Birdcage Heart This Weekend (& some project updates)

The Birdcage Heart and Other Strange Tales is on sale over at Kobo.com this weekend, ostensibly part of their US based November Price Drop sale but the discount is extended to all other territories. It usually sells for $4.99, but Australians can pick it up for half that until Sunday.

With the money you save, you could nip out and pick up a copy of Alan Baxter’s new horror novel, Devouring Dark, which is not on sale but is newly released into the world and seems likely to scare me shitless by the time I finish it. We snuck off to the book’s Brisbane launch this week, where Alan and Angela Slatter were in conversation, and snapped a few shots of Al in full raconteur mode.

Meanwhile, I’ve spent most of my waking hours this week doing redrafts on Warhol Sleeping. About 30% of this involves updating old scenes that were part of the original draft, written back in 2001, and eliminating references to things that would seem incredibly dated now like television ratings and a reliance of telephone conversations in order to convey information.

The remaining 70% involves looking at the new scenes, which are sketchy and plot-focused, and adding in the world-building and little details that make the world feel like a place where people actually live.

It seems likely the book will get much larger when I’m done with this. It’s definitely moving past the phase where I squint at it, hedging my bets about whether it’ll work, and into the phase where I’m confident it’s the book I want it to be, even if it’s not going to please every reader.