Vale, Terry Ball

Last Monday, I turned forty-two and my father went into palliative care. On Tuesday night, he passed away.

I stayed offline for a bit after it happened — no blogging, no real posting to social media beyond reading all the condolence messages, no checking my email unless there was something funeral-related coming through. I felt very out-of-phase with the world, and the grief felt very raw and new.

It would be wrong to say that we didn’t see this coming — my father had Parkinsons, growing dementia, and issues with his blood. He’d survived a heart attack, back in 2011, and a few trips to the hospital for illnesses that disrupted treatment for his ongoing issues. A few years back, I wrote an entire essay about my father and what he meant to me and the inevitability of this day.

It still caught us by surprise, when it finally happened. He went to the emergency room with a broken hip — it happened the same week my sister was diagnosed with cancer, and it seemed like the lesser concern until his doctor started listing risk factors prior to the surgery to put a pin and plate in.

He was surrounded by people in the hospital — friends and family who gathered to be there with him. And the nice thing about his final week — the one where it looked increasingly like palliative care was coming — was sharing memories with people. They gave us back parts of my father we’d forgotten as the dementia and Parkinsons got worse.

He was a brilliant man: smarter than me, and kinder, dedicated to the people and the things that mattered to him. A teacher whose final years were punctuated by former students getting in touch, letting him know the kind of impact he’d had on their lives. A principal who sought to change the way people taught, to improve the schools he worked at and support the people who worked alongside him.

He loved books and music and surfing, and when I first started publishing novellas he went out of his way to buy as many copies as he could to give away. A few years back he found a book of mine on display in his local library, and his joy upon its discovery meant more to me than any other feedback I’ve ever gotten about something that I’ve written.

It was my dad who introduced me to fantasy and sci fi — he often read The Hobbit to his classes as a teacher, and tricked me into reading Lord of the Rings when I was eight years old. He took me to see Star Wars and introduced me to Dune at a young age, first through colouring books and then through the novels.

He loved language and he loved books, and I would not be the writer I am without his influences, but that’s beside the point.

He was, more importantly, a remarkable father: always there when I needed him, always willing to let go and let me figure things out for myself when it was necessary. The first person I wanted to talk to when I was figuring out a big change or plan, and the person whose approval meant the most when a job was done.

His funeral is Thursday morning, and we’ll gather and remember him and celebrate his life.

I miss him immensely, and that is unlikely to change once Thursday is over.

New Writing Space

For the last month or so we’ve been re-arranging our apartment, looking for more efficient ways of using the limited amount of space. Part of this has been setting up a work nook for me to write at–a place where there’s a clear signal that I’m doing focused work rather than just tooling around on the internet or tinkering with book covers. 

This particular nook of the apartment used to be our linen closet, although the closet was an old TV cabinet. That’s now out in the lounge room, housing the TV (which used to sit on top of the book case to the left, while the DVD player and associated tech sat on the current laptop desk).

This isn’t the work nook’s final form–long-term there will probably be a smaller desk so I don’t hunch over quite so much while typing and enough space for a mouse–but a lot of this week will be devoted to bedding in the habits related to this space. 

On the other hand, I’m working in the shadow of Castle Greyskull, which feels…appropriate….for the current work in progress. 

Don’t Look Down

I finally had a chance to clear my RSS feed over the weekend, and uncovered a fascinating profile on Janelle Monáe and the productivity tools/corporate structure she uses over on Fast Company, and the things she’s picked up from businesses like Pixar. 

Interesting reading. But I’m still not the biggest fan of Slack.

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Speaking of business models: once you decide on something, especially in the early days, it can be easy to second guess yourself. In a lot of ways, building a writing career is a lot like walking a tightrope between two buildings–if you look down and pay attention to what the fuck it is you’re doing, then you’re immediately going to make things a hell of a lot harder.

Instead, your main job once the destination is set is focusing on the little things you are meant to be doing in that moment–the little flexes of muscle that maintain your balance, adjusting your grip on the balance pole. Inching your foot forward, taking the next step, not looking down at all.

Trusting the slow accumulation of steps to get you to the far side.

It’s tempting to spend today–the tail end of the Winged, With Sharp Teeth giveaway–plugged into the computer checking numbers, fretting about whether they’re good enough to pay off down the line. To look down, in other words, and think about what I’m doing instead of focusing on the next step.

Here is what I should be doing today: putting the third Short Fiction Lab story through its paces; redrafting a scene in Warhol Sleeping; doing some PhD reading; drafting a section of my conference presentation.

Who has time to look down? There’s writing to be done.