ECLECTIC PROJECTS BLOG

Journal

Redrafting, Melbourne, Something Forgotten

This is my set-up for the day: I will not leave the bed until I have finished some short stories and polished them up, all ready to submit. This shouldn’t be too hard – there’s at least a half-dozen story drafts on my hard drive that are finished and critiqued and basically waiting for me to give them the time to day, but for various reasons I haven’t been doing that and that’s gotta stop. I constantly try to fight it, but the bed is pretty much my natural working place. I like being horizontal when I work. I like having room to spread out. I like being able to snuggle under blankets during winter and find a nice breeze in summer, and I like being close to my books (the vast majority of which live in my bedroom and always have). Further, there’s something indolent about working from the bed. As if the work you do there isn’t really work, not the way it is when you actually get up and get out of your jammies and go somewhere else to get things done. I like studies too, don’t get me wrong. There are months when I acknowledge that a desk and a regular place and a schedule are utterly necessary, but today is not one of those days and February is not one of those months. March, I expect, will find me back in the office chair rather than lazing on the bed. March is always like that.

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Conspicuous Acts of Cultural Consumption

Bright Star

I re-watched Jane Campion’s Bright Star today. Once again I am filled with a powerful need to track down people who claim Avatar was visually interesting and punch them in the stomach. Avatar, at best, managed to put together a cinematic spectacle (and even then, I’ll argue); Bright Star, which was released at the same time, is put together by folks who understand how to speak in the visual language of film and create images that are meaningful in and of themselves. It’s been four years and this still pisses me off. Avatar remains a constant disappointment, a reminder that occasionally I hope too much. Bright Star remains a delight , a film rather than a movie, and one that over-delivers on every expectation. I don’t often watch movies that qualify as art these days. I’m not entirely sure you see that many out there, in the wild. Bright Star qualifies as art. It’s worth seeing. It’s also a very measured film, approaching its subject matter with a kind of stately pace that unfolds like a blooming flower. In this respect it’s done a great deal of violence by the trailer, which attempts to compress the films qualities into two minutes:  

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Conspicuous Acts of Cultural Consumption

I’m Hot and I’m Sticky Sweet…

Some days need a bit of Def Leppard. Some days do not. Today, well, it’s one of the former. Weirdly, I missed the period when Def Leppard was actually a big deal. Hysteria came out in 1987, which means I was both 9 years old and living in the middle of nowhere, far from the pop cultural embrace of TV and cinema and popular radio. I was far more likely to be reading books back in those days, getting exposed to music through my dad’s LP collection (although I wasn’t yet allowed to play records on my own) or the soundtracks to the handful of movies we saw when we came to Brisbane for the holidays. Basically, I didn’t even really process that Def Leppard was a big deal until they became a lyrical riff in Bloodhound Gang’s Why is everyone picking on me in the mid-nineties. They weren’t a band by then, not really; they were a pop cultural reference that you either got or you didn’t. I didn’t. I’m not a child of the eighties, although I can play one on TV. Most of the parts of 80s music that I like, I came to much later, figuring out the parts I like via references in other media. All art acquires baggage that affects its meaning. Music is always an interesting resource for considering this, since the presence of music videos and subsequent musical movements always effects the way a particular song is read. Take one look at a video

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News & Upcoming Events

GenreCon 2013 is live

So yesterday, at the day job, we announced this: I was going to post it here this morning and give you the spiel about the limited number of early bird tickets and the crazy discounted prices they represent, but since going on sale at 4:00 PM yesterday we’ve blown through about 70% of the early bird tickets in twelve hours. So instead the spiel is this: if you want to come to GenreCon for less than $200, go book now, ’cause I fully expect the early bird rate to be gone by the end of the day. We’ve already revealed  the first two guests – Chuck Wendig and Anita Heiss – with the ever popular more to come still yet to be announced. It’s going to be crazy. It’s going to be awesome. And I’m getting the impression I should be really happy we asked for the big auditorium in the state library, ’cause we’re now at the point it took us two months to achieve last year, which suggests we might get a slightly larger crowd in Brisbane than we did in Sydney. This is, as they say, fucking brilliant. Terrifying, but fucking brilliant. And we haven’t even begun to roll out the full, awesome power of our guest list yet (although, I have to admit, the comment thread in Chuck Wendig’s post about coming to Australia is one of my favourite things ever) In other news, I had one of those performance review type things at the day-job yesterday,

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Journal

Not in Melbourne

So I’m not in Melbourne anymore and that makes me kinda sad. For the last four days I’ve been aimlessly wandering the city, catching up with friends I don’t get to see too often, eating good food and exercising my low-key superpower of being the only person in the world who goes to Melbourne and drinks bad coffee. I’ve returned to Brisbane fatter and happier than I left. Now I’m warming up for the pre-work writing shift and a day that’s looking…well, kind of crazy, to be honest. There’s going to be a lot packed into the next three days of day-jobbery, from opening the next iteration of GenreCon through to shepherding a complete redesign of the website I’m managing. More importantly, I shaved this morning. I don’t know what it is without me and Melbourne and not-shaving, but it always seems to happen and it never drives me crazy until I’m halfway home and sporting the kind of bum-fluff three day growth that represents my darnedest attempt to grow a beard. It was good to shave. And Brisbane, well, Brisbane has welcomed me home with a pretty fucking spectacular morning. Just the right mixture of cool air and sunlight and…well, Brisbane stuff. I am not terribly eloquent this morning. I flew home last night and suffered from my usual air travel karma, which means there were delays and malfunctions and some arriving home far later than I expected to arrive home, and thus I am operating on less sleep

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Journal

If you need me today, I’ll be (quietly) freaking the fuck out

7:20 on a Thursday morning and I’m set up in the cafe at the State Library, killing time before I head upstairs to go and kick the dayjob into gear. It’s a dreary kind of morning with drizzling rain and grey skies and people clutching at umbrellas, although some people choose to job bare-chested through it all and some people forgot their umbrellas. I know you can’t actually see the rain in the photograph, but trust me, it’s there. A gentlemen who just walked past who is the very definition of dapper. I have no idea who he is, but he’s easily on the far side of fifty and he’s totally rocking his chosen look. I haven’t had much sleep. There’s nothing particular unusual about this. Not having much sleep is something of my natural state, although this time around the sleep debt is entirely intentional. I went to bed after midnight last night, I woke up around 5:00, which is part of my cunning ploy to ensure I get to bed at an early hour tonight (hah) in order to rack up some Zzzs prior to flying down to Melbourne at 5 o’clock tomorrow morning. Today is going to be crazy. Oh god, today is going to be crazy. There were a half-dozen deadlines that absolutely, positively needed to be done for the dayjob this week and none of them were easy. Worse, none of them were really all that well-ranked in terms of this is the one you

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Works in Progress

Coming Up

From what I’m hearing, my story for Eclipse Online is going to go live in February some time. I’ll post a link here when that happens, but right now I’m just looking at that sentence and thinking, yeah, motherfuckers, I can still do this. I can still write stories that get published. My interior monologue has a particular foul mouth. I’m usually all man of steel about my stories when in public. They get written, they get sent out, they get published and I get paid. In my ideal world that’s the way things happen and I’m already chasing the next thing by the time you’re reading. It’s easy to be like that once the story is out there, when it’s going to be read whether you like it or not. It’s the waiting before the story comes out that gets to me. The moments when you know a publication date is coming and you can pretend there’s still the option of backing the hell out. The moment when you listen to the tiny, insignificant voice that says this is the one when you fuck it up. This is the last time you publish anything. You are, officially, done. I know writers who agonise about rejection letters, but rejection is easy. It’s publication that’s hard, the moments before people read and discuss your work. Or worse, before they read and dismiss it, setting aside your work as unworthy of their time. George Orwell presented a theory suggesting that once you

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Journal

Rain

It’s a bit wet in Brisbane right now. There are parts of the city where that’s proving to be a problem, prompting flood warnings and a twitter feed full of alerts notifying folks of their local sandbag locations. We’re still a bit twitchy about rain around these parts, given the big floods of a few years back, and I’ve had a couple of conversations with people from other states who were understandably concerned by the news. Fortunately, all is well. I’ve spent the better part of the weekend away from the computer, so I wasn’t really aware there was flooding going on until the text messages started coming through and I started logging onto twitter. In contrast to some other parts of the city, my weekend has been very idle. I’ve watched a bunch of movies and read a bunch of books and occasionally sat down at the computer and written things, be they fiction or non-fiction or the occasional rant. It’s cooled down enough that I finally dragged a blanket over my bed, which also means I’ve decamped from the study and dragged the Shifty Silas the Laptop into bed with me. I’d forgotten how much I liked writing in bed. I gave it up last year, since I couldn’t really afford the time it took as a habit; these days I’ve got a lot more time on my hands, so I’m embracing the act of typing while horizontal again. It’s kinda pleasant, lying under a blanket, getting some

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Conspicuous Acts of Cultural Consumption

Unicorns from Hell

Once upon a time I was obligated to know all things unicorn the moment they appeared on the internet. These days, not so much, but occasionally the world points me towards things that are truly deserving of being shared. Like this. Oh, dear god, like this. BEST UNICORN THING EVER IN THE HISTORY OF UNICORN THINGS.

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Journal

Sunday in Brisbane

My weekend, lo, it’s been a lazy one. Today I try and redeem that a little, through the virtue of writing lots of things prior to 7:00 PM, when I shall gather with The Flatmate and the Downstairs Neighbor and we shall watch John Carter (which, it must be said, I didn’t see at the cinemas purely because I always want to add “Of Mars” to the end of the title). The Flatmate claims John Carter is a good, watchable movie. On one hand, he was entirely correct when he used that claim to lure me into watching Battleship last weekend, which is a perfectly watchable big dumb movie. On the other hand, he’s also the man who talked me into watching Starcrash, Zardoz, and Ice Planet, all of which are not perfectly watchable big, dumb movies. Either way, I’ll report back on the morrow. Before that happens, though, I’ve got an article to write and some page-proofs to finish and at some point I’m going to write some new words on the novel and the short story I’m working on. Forward progress and all that. I’ve got some Rage Against the Machine playing (who knew they did a covers album?); I’ve got Shift Silas the Laptop set up and ready. I’ve got my coffee at my side. Lets go.

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Conspicuous Acts of Cultural Consumption

Wuthering Heights

Sometimes, my brain, I tell you. No, wait, none of that actually makes sense when it’s written as a sentence. Let me try that again. So on the way out of the house this morning, I passed my CD rack and thought to myself, you know what I feel like listening to right now? Fucking Bombtrack. It’s been ages. So I pulled the first Rage Against the Machine disc out of my collection and took it out to the car and rocked the fuck out on my entire drive to work. It was awesome. I mean, even the pub with its motorized esky races and its double-exclamation points on pretty much anything they’re trying to advertise didn’t bother me today. I was listening to some old school RatM and I was at peace with the fucking world. Then I got to work and I parked the car and I started whistling as I walked upstairs to the QWC office where I’d spend the hour and a half before work writing thigns, as I’ve done every day-job morning this year. ‘Cause apparently I’ve become someone who whistles this year, I whistled the entire way up. Not well, you understand, ’cause I’m not really built for whistling, but there was a tune inside my head and it wanted to get out. And what came out was the chorus for Kate Bush’s Wuthering Heights. I don’t even want to know how my brain made that connection.

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Works in Progress

Process Notes

ONE I am, slowly but surely, learning how to write again. TWO 2012 was the year I set myself the task of learning to write while working a day-job. It took me the better part of the year to figure that out, but I got there. Get up early, write a handful of words, let all the big goals and word-counts I used to set myself when writing was a more significant part of my yearly income disappear into the background. In 2012 I wasn’t a writer, I was just a guy who wrote. I reset all my expectations and rebuilt up my process from scratch. I didn’t push myself to build a career, I just focused on getting something done. It’s the first time I’d done that since I was…shit, twenty? Maybe twenty-one? I don’t regret it, not being a writer for a stretch. 2012 was a pretty fucking awesome year and the novelty of regular paycheque that was more than I needed to live off was actually kind of awesome. But I don’t regret that I’m done with it, either. And that’s saying something. THREE 2013 is a new beast, although it feels familiar enough. Four days a week away from the dayjob, which is when I get the lions share of my work done. Three days a week at the day-job, in which I get to do awesome stuff. It’s the best of both worlds, but I worry about the split. The way my process has to shift from

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