Writing Advice - Craft & Process

What Writers Ought to Know About Die Hard (Part One)

Normally, when I sit down to write a Trashy Tuesday Writing School post, it’s because I’m trying to redeem some element of sitting down and watching a terrible movie. Films like the Josh Kirby series, which started badly and ended badly and reached a high water mark around number 3, or Speed Racer, which is a triumph of style but a massive failure as a script, or Robot Jox with…well, you get the picture. I should not that trashy isn’t applied to these films as a statement of quality – I adore the Speed Racer film for its ambition, and loathe Josh Kirby for…well, reasons that will require a blog post of their own. Trashy is instead used as an aesthetic judgement, a way of categorizing films that are unified by a sense of pop-cultural kitsch and the ability to seep into the popular consciousness. True, not all trashy films are good. In fact, most of them are pretty terrible;

Journal

Pints

The text message hits after ten PM, but I answer it ’cause I’m still awake and ’cause that’s what I do. It says, pub?, and I’m all, hell yes, but instead I text back about putting on clothes, ’cause I’m in bed, in my pajamas, just futzing around on the internet, and the possibility of hitting the pub at this hour seems more attractive than continuing to write emails I don’t feel like writing anymore. The pub isn’t really a pub at this hour of the evening. They’ve shut down the public bar, the outside areas. Reduced the venue down to the gambling lounge full of pokies, open ’til late for the folks who can’t stay away, but we ignore the rows of brightly coloured machines and make our beeline for the bar, ordering pints and taking them outside so you can smoke and I can sit there, watching the empty car-park that’s only really empty when we show up

Madcap Adventures and Distracting Hijinx

How Are You Rocking the Casbah This Week?

I’m going to be a bit scarce around the online world this week. We’re launching the all-new AWMonline next Monday (fingers crossed) and there’s a few projects I need to catch up on after focusing all my attention webwards for a few weeks, otherwise the deadlines will sneak up on me and kick my arse. In my absence, I leave you in the Spokesbear’s capable, if adorably fuzzy, paws. He’ll be here all week, being all intently interested in what you’ve got to say, and we’re both really interested in hearing what’s new in your world. Tell us about your hi-jinx and adventures, peeps. Let us live vicariously through your lives. Show me there’s a rainbow at the far end of the journey. What have you been doing that rocks the Casbah lately?

Adventures in Lifestyle Hacking

Big Focus: The Calendar Trick That’s Saving My Bacon This Year

I have to write 750 words a day between now and October 24th, otherwise bad things will happen. The kind of bad things where you end up emailing an editor and sounding like a heel, on account of the fact that you aren’t getting done the things you said you’d get done, and really that’s not the kind of email that any writer wants to send ’cause editors do neat stuff like pay us to write things and we’d prefer to seem reliable enough that they keep asking us to be involved in their projects. Now 750 words doesn’t seem like much, but it quickly gets kinda hard to attain. ‘Cause at the same time as I’m doing this, I’ve got a bunch of full-day workshops that need writing. I’ve got at least three Writer’s Festivals/Conferences that I’m going too, which will involve chairing panels or similar activities that have associated prep-work that come with them. I’ve got that pesky GenreCon

Journal

Window

There’s this window in my office that looks out over the breezeway, and every day I come in and stare at it and wonder how hard it’d be to break the big panes of glass with an office chair tossed from the vicinity of my desk. I know how this sounds, ’cause I mentioned it once at an office meeting, and people have already given me the look even if they’ve come to understand what’s really behind the impulse. I mean, I don’t want to throw a chair ’cause I’m feeling violent or because I particularly want to engage in a little wholesale destruction, or because I go to work and find myself in a state of uncontrolled rage. I just want to do it ’cause the window is there, and I don’t know for sure if I could break it, and I’d like to know, maybe. To do it for science, as it where, and know what breaking the

Adventures in Lifestyle Hacking

How Do You Give Up Being Busy?

If you asked me how I’m doing for the last six months, there’s pretty good odds I told you I was either busy, really busy, or completely fucking manic depending on how well we know each other. It’s the default answer to the question for me and a lot of other people in my office (and, lets be honest, worldwide). Thing is, I don’t really want to be busy. I want to be getting a lot of shit done, which means I’m okay with loading up on a whole heap of projects, but I dislike the idea of busy being my default state. So I’ve decided to stop using it, particularly in light of this post from 99u, which points out the inherent problem in talking about the amount of stuff you’ve got on: Saying, “Busy!” has become the automatic non-answer when somebody asks, “How are you?” It immediately shuts down an interaction and any opportunity for constructive conversation is

Smart Advice from Smart People

A Shift in the Creative Paradigm

From the latest installment of the Lefsetz Letter, tracing the changes that have occurred in our lifetime. As always, Bob Lefsetz is writing about the music industry, but if you’re a writer and you’re not reading this and mentally inserting “book” instead of “album”, it may be time to start paying a little more attention to what’s going on in the industry: CREATION Used to be expensive and we felt anybody who’d made a record deserved attention. Now anyone can record, even on their iPad, and we need a reason to pay attention. As usual, the entire post is pure gold, but I find myself re-posting this fragment because I keep speaking to aspiring writers through work who mistake The Book as an end-goal. They’re all excited by the possibility of epub and self-publishing because it makes getting published achievable, but they haven’t figured out the counter-point of that. What they want isn’t having the book out there, what they

Journal

Winter

All my friends keep moving to Melbourne and I do not. I find this kinda tiring, ’cause I’m not the kind of guy who makes new friends easily. I make new acquaintances. I’m good at new acquaintances. Making friends is harder. I don’t like to impose on people, especially now we’re in our thirties. I need clear signs that acquaintances would like to take things further. I assume, for the most part, that people have their shit down and don’t want me to show up and mess with it. I don’t bother ’cause I don’t want to be a bother. Besides, making new friends is all kinds of awkward. There are friends who skip Melbourne and just go overseas. I cant even imagine how to migrate like that. It’s not in my DNA to relocate that far. There are days when moving to Melbourne seems all kinds of daunting. I keep saying I’m going to do it, and keep failing

Journal

Unicorns, on my Feet

So I showed up for write-club today and these were waiting for me: And now I am home and wearing them and, really, the world should beware, for there is nothing more terrifying than a chap wearing unicorns on his feet (because I am classy, I haven’t yet taken off my socks). They do feel, rather oddly, like you’d expect shoving your feet into a pair of unicorns to feel (by which I mean rather soft and cloud-like in their fluffiness, rather than a gross congealed mass of blood, sinew, and dead flesh) They’re a gift from the inimitable Angela Slatter, and yet another in a recent string of reminders that I have much better friends than I deserve.  

Writing Advice - Business & the Writing Life

Exercise, Writing, Momentum, and Control

I’m often fascinated by the psychology behind the way we do things, usually because there are all sorts of parallels between other things and writing. Case in point: I was recently pointed towards Gretchen Reynold’s article about exercise while perusing  Lifehacker, and was immediately struck by the similarities between the way she talked about regular exercise routines and the way I think about submitting short stories. Endurance…fades if you skip exercising for too many days in a row. The same is true, sadly, with motivation. In study after study, researchers have found that one of the primary reasons people continue exercising is that they enjoyed yesterday’s exercise or the exertions of the day before; they felt healthier and more physically masterful afterward and wish to relive that sensation. Longer periods between exercise sessions potentially could dull that enthusiasm. Ask Well: How Often to Exercise, The New York Times Now one look at my somewhat portly figure should tell you everything

Writing Advice - Craft & Process

Four Things Writers Can Learn From The Josh Kirby Films

So we spent a couple of weeks making our way through the first few films in the Josh Kirby, Time Warrior series for the #TrashyTuesdayMovie. After the first week I more-or-less swore I wouldn’t do a Trashy Tuesday Writing School post about this series until we hit the end, but the contrast between the first film (which was dull and awful) and the second film (which was an batshit crazy and awful) was marked enough that I kinda changed my mind. The first Josh Kirby film, Planet of the Dino-Knights, probably ranks among the most god-awful films we’ve watched on a Tuesday night thus far. It’s not quite bad enough to slip into my bottom five, but it’d certainly earn its spot in the bottom ten. The second film, The Human Pets, is better, but it’s greatest strength is being not-quite-as-poorly-made as its predecessor. In this respect, they’re actually an interesting duology in terms of the lessons they hold for

News & Upcoming Events

Man Versus Bear

You may notice some changes going on with the website this week. I’ve added a new title – Man Versus Bear – and finally changed the subtitle away from the description of writer, gamer, and angry nerd that’s been sitting at the top of the page for a long stretch. Partially this is a response to the way my life’s evolved over the last two years. The majority of the old subtitle is still true: I’m less angry than I used to be, but there’s still plenty of writing and gaming happening. I still rant about creative practice at the drop of a hat, read far less than I’d really like to be reading, and generally spend a lot of time watching bad films and wrestling. On the other hand, I’ve also got a job unlike any other that I’ve ever had, and I frequently find my attention split by the demands of work, writing, and having fun. The things