ECLECTIC PROJECTS BLOG

Journal

Thursday I’ve Got Friday On My Mind

So, on the plus side, I had a really good writing day today. Got up and did some early morning writing, then followed it up by joining Angela Slatter for our regular Write Club. Net result: about 2,000 words. A whole chapter of the novella done, plus half of the second one finished. On the downside, I lost my USB drive on the way home. I spent a couple of hours looking for it, went back to the grocery store where it most likely slipped free of my pocket, but I didn’t have any luck tracking it down. Which means it’s time to buy a new USB and restore things from back-up. This is the second time I’ve lost a USB in 2014 – the first time happened back in March, right on the deadline for the first Flotsam novella, when I dropped Shifty Silas the laptop USB first and snapped it in two. I’m pretty good about back-ups, so I only lost about a week and a half’s work. Unfortunately, that week and a half was time I’d taken off of work, which meant I’d spent a lot more time writing than normal, so it took me almost a month to make up what I’d lost. This time the damage isn’t quite so bad. My last back-up was Monday morning – would have been more recent, but for a hiccup with the back-up system I intended to fix this afternoon – so the only information I’ve lost is…well, the work done on

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Journal

Is Thumbalina Size 10 on a Wednesday?

Two hours at the keyboard this morning; 784 words written on Frost. Not quite the level of productivity I’m hoping for from this routine, but there’s a level of exponential growth happening as I settle in. If I can jam out a thousand words on Friday (aka my only remaining day this week that gets shared with the day-job), I’ll dub the changes to my work schedule a success. Unpacking goes well, at the new place. It’s slowed down a little now, ’cause I’ve been here long enough that all the boxes containing books have been emptied and placed on shelves, which means there’s an awful lot of oh, right, that. I really wanted to read that six months back and couldn’t find it. And then I’ll find myself on the couch, book in hand, until I’m lost in story and my alarm goes off to alert me that it’s time to go to bed. The biggest find thus far has been a copy of Caitlin Kiernan’s Confessions of a Five-Chambered Heart, which I’d totally forgotten about buying. Judging by the release date, it’s probably been sitting in boxes since it first arrived, which is somewhat criminal on my part. On the other hand, it’s exquisite, as Kiernan’s short fiction collections tend to be, and there’s something to be said for delayed gratification. Finally, for those who don’t recognise the song that I lifted today’s title from:

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Smart Advice from Smart People

Tuesday, I don’t care about you

Two hours of writing time this morning. In my head, this usually equates to about 1,000 words of writing. In practice, it resulted in 498 new words on Frost, which is not a rate that will get things done by the time they need to be done. Only 29,232 words left to write. # Weird day at the day-job today. One of the things you don’t expect about running a site like the Australian Writer’s Marketplace is the dead market factor. Sometimes it manifests in the form of irate users writing to complain about the fact that they’ve found a dead market in the database. More often, people write to complain that Market X isn’t included in the database, when Market X has been closed for a number of years. ‘Course, if I can’t remember said market closing, I’m obligated to go and see if it’s still around, just in case we do have a gap in the listings. Today I spend a good half-hour looking into the death of Ralph magazine, confirming it really was dead before emailing the chap who insisted we had a gap. It’d be easy to get irritated at these people. It’s usually my first response, ’cause the complaints inevitably come back in when I’m doing things that are both a) more complex, and b) more important. But I force myself to sit and take them seriously regardless. I’ve got this quote from a Seth Godin post attached to the wall by my phone, which is basically my philosophy

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Works in Progress

Tell Me Why I Don’t Like Mondays

I worked on the first chapter of Frost this morning. Managed to drag 270 new words out of my brain over the course of two and a bit writing hours. Not the most auspicious start to my new writing routine, especially since it was followed with missing my train in to work. This means I shall have to do some drafting work this evening, which is okay. That’s the whole point of front-loading my writing into a morning shift, rather than scrabbling for time in the evenings. Also…new story. A new story that’s a sequel, and the middle of a trilogy. These things are always slow to start for me, ’cause you’ve got to strike the balance between something that works as an ongoing story and something that’ll engage a brand new reader. Six weeks to go before the book is due. 29,730 words left to write.  

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Works in Progress

Everything I Know About Writing Is Wrong

I turned in the rewrites on Exile yesterday. And Apocalypse Ink has the novella listed as Forthcoming on their website, along with the cover image. The cover image is kinda shiny: I’m behind on getting this back to the folks at A.I., for a variety of reasons. Partially it’s ’cause I overestimated how much I can do while moving into a new house; partially it’s ’cause I’m a numpty who struggles to get his shit together; partially, it’s cause… Well, it’s because everything I know about writing is wrong at the moment. I look at a task – writing a new draft; going through editors notes; writing a blog post – and my instincts tell me well, it’ll take about this long to complete. So I allot that kind of time to the task, and discover that it actually takes much, much longer than I think. For example, I gave myself five days to process the Exile rewrite. This seemed reasonable, given that it’s how long it took me to revise projects of comparable side and roughness in the past. What I failed to take into account is this: the last time I rewrote a novella, I was unemployed; the time before that, I was doing contract work two days a week and had an abundance of writing time. Working off those assumptions is like working with someone else’s muscle memory, and realising you’re trying to do things with the instincts of someone who stands six-one when you’re only five-foot-three. I started the first draft of the

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Journal

I Am Lord of All I Survey

So I bought an apartment. A brand-new, one-bedroom kinda thing in the inner-city of Brisbane, right next to the train line that’ll take me to work. Its…well, it’s definitely a thing. An exciting thing. A satisfying thing. A moderately, deeply terrifying thing. Take your pick, ’cause all of these things are accurate. On the list of things I expected from my life, owning property rated right up there with adopting a real life unicorn on the list of things that would never actually happen. And yet, here I am. Sitting in a lounge room that’s essentially my lounge room, looking at the piles of partially unpacked boxes. It doesn’t feel like home yet. For one thing, I don’t have my routines down yet. I keep reaching for light switches that aren’t where I expect them to be. Nothing in the space triggers certain behaviours, whether it’s cooking dinner or sitting down to write or even going to bed at a specific time. I’m still getting used to the fact that I live alone once more, which is something I wanted, but takes some getting used to after two or three years of sharing a house. I’m reworking budgets on the fly to take care of unexpected costs that come with owning your own place. I have run out of space before running out of boxes that need unpacking, which means I’m living among the clutter while I figure out what’s staying and what’s getting thrown away. Most importantly, however, is this: the local Chinese noodle place

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Works in Progress

2014 Accountability List: What Peter Plans on Writing

Back in January I sat down and wrote a plan. That plan, more or less, said this is the year when you write all of the things. Then I made myself a list, which broken down what all the things were in roughly the order I wanted to write them. It was an ambitious-as-hell list of stuff. Full of hope and shiny, happy unicorn spit, pristine in its gleaming awesomeness.Full of novellas, weirdly enough, ‘cause that’s the way my year was rolling. I had a bunch of novellas that were due, for various reasons, so I figured I’d go with the flow. Now we’re into April and the list of all the things has been beaten around a little, the schedule thrown off track by computer problems and work problems and that whole moving-into-a-new-house thing. That’s okay. I expected things to fall apart. In fact, I even built in time where I’d use the beginning of April to regroup and re-plan my year, figuring out what was still goddamn viable. Apparently my dream of being a self-employed hermit who never emerges from my bunker is not viable within the coming 9 months. On the other hand, I’m still moderately convinced that a sizable chunk of my writing wish-list is achievable. Partially this is because a certain percentage of it needs to be achievable, because of deadlines, and partially because I just feel the need to get a keyboard beneath my fingers and start pounding out stories until it feels natural

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Works in Progress

Writing Update: Exile

So last Tuesday I submitted Exile to Apocalypse Ink. It’s the first thing I’ve written and submitted in a long while, and a project that’s been plagued by interruptions and unexpected turns to boot, so it feels good to have gotten the file through more-or-less on time. Especially since the last time I was going to get the book sent off, about twelve hours ahead of deadline, I dropped my laptop and wiped out about 18,000 words of text I didn’t have backed up anywhere else. The stupidity of that still stings a little. On the other hand, the submission of Exile means I’ve officially set off the great-2014-write-a-thon-where-Peter-remembers-how-to-be-a-writer-and-things. One novella down, a little behind schedule. A whole crap-load of things to go before the year is done. For instance, after I drank Mango beer to celebrate the Exile submission, then started work on the three short stories I have to get done in April in order to meet some deadlines. I did some planning on Frost and Crusade, the novellas I’m due to be turning over to the AI folks in July and November, respectively, in order to make up the full trilogy of books they contracted me for. Then I went and signed the paperwork for my mortgage, ‘cause I finally found an apartment  that both looked spiffy enough to buy and passed through the approval processes I mentioned back in February. My world, right now, is all writing and packing boxes, preparing to move in two weeks

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Journal

And now we are thirty-seven…

As has become traditional, I’m posting the once-a-year Birthday selfie, because no birthday is complete until my parents ring me and complain about the things I put up on the internet. Except I’ve been doing this for seven years now, so I may have broken them of the habit. We’ll see. And with that, my birthday celebrations are done for the year. Most of today will be spent at work, doing worky things, and starting the price negotiation process on an apartment I’m trying to buy so I can move and unpack all my books. I forgot to mention it a few weeks back, but my story, The Seventeen Executions of Signore Don Vashta, is live over at the Daily Science Fiction website. You can go read it for free and stuff, if you’re so inclined.

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Conspicuous Acts of Cultural Consumption

Peeps Doing Cool Stuff: February 2014 Edition

Somewhere along the line, I got out of the habit of posting about peeps releasing cool stuff into the world. I’m not sure why, ’cause I got some pretty awesome peeps and they’re doing some very cool stuff, but my blogging habits are arbitrary these days despite my best intentions. With that in mind, lets rectify this oversight, and allow me to recommend the following: Review of Australian Fiction, Volume Nine, Issue Three The concept behind the RAF is actually pretty cool – they grab an established writer, get them to pick an up-and-comer to work with, then produce an issue that features (generally) novella or novelette length work that would be hard to sell elsewhere. This issue features the always impeccable prose of Angela Slatter as the established author, paired with emerging Brisbane fantasist Linda Brucesmith. The upside of Angela publishing here is that I now know that RAF has finally abandoned the god-awful Book.ish ebook platform it used in its early days, so it’s actually become something I’ll subscribe to instead of purchasing as a one-off. Everything is a Graveyard, Jason Fischer This is old news for the Australian SF fans who follow this blog, but for the gamer types who follow the blog and really liked Jason’s zombie novellas (and there are a few), I’m going to mention it: Everything is a Graveyard is Jason’s first short-story collection, brought out via Ticonderoga Publishing. I haven’t picked up a copy yet, but I know Jason’s short fiction well enough to

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Works in Progress

Everything is better with MODOK

Sometimes, when you bitch about your deadlines on twitter, you’re just an asshole bitching about your deadlines. And sometimes, people will give you a new catchphrase, ’cause everything is better with some input from a mental organism designed only for killing:   In other news, I’ve got seventeen days or so to get a workable draft of Exile ready to submit to Apocalypse Ink, and it’s still not ready, so i’d bet get back to things.

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Writing Advice - Craft & Process

Jim Butcher on Scenes and Sequels

So I’ve been doing this writing thing for a while now. Eighteen years, more or less, once you factor in the time spent working on poetry, scripts, gaming stuff, an unfinished thesis, and stories as a collective whole. I still go out and learn to do stuff. And I still read stuff where I am thoroughly fucking schooled and have the way I think about writing turned on its head. Case in point: this one-two combination from 2006 or so where Jim Butcher talks about Scenes (which is stuff I know) and Sequels to Scenes (which blew my writer-brain in no uncertain terms). The sequel stuff feels like someone just sat down and wrote a short essay that basically says, “hey, you, short story writer, this is why you struggle with novels.” Go forth and read it.  

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