ECLECTIC PROJECTS BLOG

Adventures in Lifestyle Hacking

Total Microsleeps While Writing This Post: 5

I don’t sleep well, not anymore. I first wrote that in the opening paragraph of Horn back in 2007, when a kind of restless sleeplessness was one of the first things I knew about Miriam Aster. It was a trait we shared, to some degree, if only ‘cause I’m the kind of person who resists sleep like the plague. I enjoy being up late. I prefer being a night owl. I’m used to living with a kind of self-inflicted exhaustion when I found myself having to engage with other people’s daylight-focused schedules. These were the stories I told myself, and for the most part they were true, but they ignored stuff: the weeks where I’d wake up repeatedly throughout the night, desperately needing to urinate; the nights when I’d wake myself up ‘cause I snored so loudly; the times when I’d go to bed and get a full eight hours sleep, but still wake up feeling exhausted as hell. They were just bad nights, I told myself. The problems never stuck around long enough to be noticeable. Besides, I was a freelancer and I lived alone. I could make up the sleep debt with an afternoon nap if I wanted too. Then, somewhere between 2011 and 2013, I developed this habit I jokingly referred to as stress-based narcolepsy whenever I started working long hours or hit particularly stressful periods. I’d drive home from the office, settle down to watch a movie or TV show, and be asleep on the couch

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Journal

The Last Trip Home

PART ONE: THE DEAR OLD HOUSE THAT I GREW UP IN My parents are in the process of selling their house, so over Easter I went down to the Gold Coast to help move around some furniture, pick up the boxes of spare books I had stored there, and make some executive decisions about stuff like old books/games/toys that were shoved into the wardrobe of my old bedroom and never really looked at after I left. When we were done, my mother mentioned that it may well be the last time I ever visit them there. At the time, I didn’t think that was a big deal. We moved into the house when I was twelve. I’d moved out by the time I was twenty-two. I’ve spent two thirds of my life living in places that were not that house. For the last third of my life, it’s actually been in a city I like, as opposed to my thoroughly problematic relationship with the Gold Coast. I packed my books into the car, had dinner with my parents, and headed home, feeling pretty good about avoiding the potential nostalgia and angst inherent in the situation. Then Amanda Palmer’s Dear Old House That I Grew Up In came on the stereo while I was driving and I ended up pulling the car over to the side of the road and bawling for a couple of minutes. ‘Cause, really, yes. All of that. Let’s be realistic – I’m a hoarder of memories.

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Writing Advice - Craft & Process

Writing Advice: David Farland on Tone

Sometimes you don’t have the language you need to adequately discuss a story’s flaws. For instance, I used to dread the “pretty good” stories when I was a creative writing tutor. And by pretty good, I mean the stories that were technically pretty solid: they didn’t have any major flaws in characterisation or plot, nor did they have any egregious errors in language or formatting. You’d read them and immediately know that something was missing, but there wasn’t anything mechanical to point at and explain “you need to fix this.” One of my colleagues used to refer to them as BP stories. Shorthand for “Make this Better, Please,” which appeared all to frequently in their notes. I’m sure it used to frustrate the students who got that response. Hell, I know it frustrated me – one of my lecturers wrote the comment good, but not great on one of my poems in undergraduate, and I spent the next two weeks bugging the hell out of them trying to figure out what I needed to do in order to improve my mark. Make it better, please is horribly uninformative to an aspiring writer, but at the time we didn’t have the terminology for articulating what was going wrong with the stories in a meaningful way. This is one of the reasons I love the internet – given time and enough people posting about the writing process, eventually you’re going to get the language you need. Today, I’ve got some particular love for David Farland, largely thanks to his recent post

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Conspicuous Acts of Cultural Consumption

Watch This: Wrestling Isn’t Wrestling

I watch a fair bit of pro-wrestling. Partially because I’m a fan and partially because it’s an extraordinarily complex sequential narrative with decades of continuity, and I like figuring out what I can learn from it as a writer. If you’ve got twenty minutes to spare, Max Landis does a phenomenal job of explaining the appeal of wrestling – and why it’s narratives are so complex – by parodying two decades of the career of pro-wrestler HHH. I’m not the greatest fan of Landis – Chronicle bored the pants of me – but he gets this one thousand percent right. Wrestling fans should watch it for the parody elements. Non-wrestling fans should watch it ’cause it says something powerful about character, evolution, and story.

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Writing Advice - Business & the Writing Life

You Do Not Need To Consumed By art

We like the idea of an artist destroyed by their talent. It’s part of the cultural myth we build up around art and writing, designed to move the conversation away from it being work one expects to be compensated for, much like conversations about muses and inspiration and creativity as a powerful force. It leads too all sorts of bad habits. The biggest of which is the decision that a artists needs to be a artists twenty-four-seven. To stop producing, for whatever reason, is a sign that you’re not truly talented and instead just engaging in hack work. This is why the YOU MUST WRITE EVERY DAY crowd are so loud and so prevalent among writing advice. I’m thinking about this today, after reading Laura Vanderkam’s post about the writing life and playing the long game (two topics pretty near and dear to my heart): As for making money while writing books, I have never believed that book writing needs to be all-consuming. It wasn’t for Toni Morrison, writing The Bluest Eye at night after her kids went to bed, and let’s face it, we’re not likely to produce anything like The Bluest Eye no matter how much time we spend writing. Books are projects like any other. You can carve out time to seek out high-paying but not-terribly-demanding work to pay the bills while you work on the book. Many writers do things like writing website copy for businesses, press releases, etc.. Incidentally, you can make time for the rest of your

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Conspicuous Acts of Cultural Consumption

This May Be the Dumbest Thing I’ve Ever Seen Someone Write About Writing On the Internet

As someone who has taught in my fair share of university creative writing programs, I read Ryan Boudinot’s Things I Can Say About MFA Programs Now I No Longer Teach In One with a certain amount of recognition. You see, I, too, have experienced the disappointment that is students asking for books that don’t require as much though. Similarly, I’ve felt that pang of irritation when students complain they don’t have time to write. I have dispaired when students read great books and dismissed them. Pissed me off then, pisses me off now. It doesn’t stop me from recognizing that Ryan Boudinot is a goddamn condescending motherfucker who is talking a big ol’ pile of shit, though. ‘Cause he is. His article may actually be the dumbest collection of things I’ve ever seen someone write about writing on the internet. Which is saying something, really.  

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Writing Advice - Craft & Process

The End of the Streak

I broke my writing streak last week. After 171 consecutive days of writing – including a five days where I held onto to streak by the skin of my teeth while on Holidays at the Adelaide Fringe Festival – it was eventually killed off on the final day of holidays by Cyclone Marcia, writing a two-day workshop, and the uncertainty of knowing whether or not we’d be able to fly home. Of course, February was a pretty rough month for writing even before I lost my thread. February always is. I’m going to finish the month well short of the 50k I need to reach my 600k goal for the year, but I’ve planned for that, and March will be a month of catching up and getting stuff finished. So what did 171 days of writing get me? More than I thought. Since I started tracking the writing streak, I’ve achieved the following: Finished Crusade (aka Flotsam #3), a novella of about 40k words in first draft. Finished Valiant, the first novella in a werewolf PI series, at about 32k Put together about 20,000 words of short fiction drafts I need to go back and finish Produced 10,000 words on the two novellas that will follow Valiant in my werewolf PI series. Produced 17,000 words on a Space Opera novella Produced 10,000 words of what I’m hoping will be a serialized novel in 2016 Produced 36,000 words on an urban fantasy novel draft Not a bad innings, really. That total is ten times the number of words I

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Conspicuous Acts of Cultural Consumption

Lest We Forget That John Cleese is Awesome

Some friends were posting John Cleese quotes to my twitter feed this morning, which put me in mind of my trip to the UK at the end of 2013. One of the things I was really excited about was going to see the Globe theater – not the original, but a pretty awesome remake – ’cause I’m a moderately enthusiastic Shakespeare nerd and ’cause I knew, from family members gong there previously, that they made a pretty awesome range of Shakespeare related shirts. My favourite part of the tour, however, had nothing to do with the Bard and everything to do with Monty Python. To whit: When the Globe Theatre was rebuilt in London, a service was offered whereby you could have your name on a tile in the courtyard, for a donation to the project. Cleese and fellow python Michael Palin both signed up for tiles, but Palin’s was spelled wrong. Cleese paid extra to ensure it would be spelled “Pallin. via IMDB Really, there are some things you have no choice but to salute.

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Writing Advice - Craft & Process

The Problems with Word Count

Since starting the 600K Year, I’ve been aiming to write an average of 1,800 words per day. I managed it pretty consistently through the chaos of November, failed pretty consistently during the chaos of December, and carried my December habits through to the first two weeks of January. Which means that I’m now trying to write an average of 2,750 words a day. I’m not quite hitting it – yet – but I’m getting within a hundred words or so. I’ve always been fond of word count as a productivity metric, but I’m conscious that it’s not without it’s problems. The first, somewhat related to Parkinson’s Law which suggests that work expands to fit the time available to complete it, is that your process expands to meet the word count expected of it. Once I know how to reach 1,800 words regularly, I let the cracks start to appear in my process. I’ll stop writing to check a fact on wikipedia, or I’ll duck into twitter for a minute just to see what’s happening. An hour that could have been spent writing 900 words is suddenly spent writing 800, then 700, then 600. Which is fine, ’cause I’m hitting my writing goal comfortably, but it ignores the fact that I could be writing more. The one thing I’m noticing, as a result of the 600k Year, is that I like writing more. I want to push myself and get more done, ’cause I love this gig and I love being read and, dear

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Writing Advice - Craft & Process

What Can Get Done in Twenty Minutes

I’m always astonished by the patently untrue things I’ll internalise about writing, given half a chance. For me, the big one is the myth of time, which manifests in the belief that it’s not worth sitting down to write anything unless I’ve got a significant chunk of time to devote to the effort. It leads to some pretty weird decision making. Give me a two hour gap in my schedule, and I’ll consider filling it with writing. Give me a fifteen minute gap in my schedule, and I’ll consider filling it with Facebook on my cell phone. In my head, writing requires an long stretch of time and energy to make it worth while. Which is odd, ’cause I know that’s bullshit. I even have the data to back it up, courtesy of the novella diary I kept back in May of 2013, which largely constructed a draft out of ten and fifteen minute writing bursts of a couple of hundred words. It was a month where I’d be all, “eleven minutes spare at the end of my half-hour lunch break? That’s two hundred words mother-fucker,” and then I’d sit and write the two hundred words. I can get way more done in ten minutes than I expect too. I also get way less done during a one-hour block than I expect too, largely cause I spend a chunk of that time staring into space or, these days, nodding off in a fit of unexplained narcoleptic sleep for a few minutes with my finger pressed don

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Smart Advice from Smart People

Recommended Reading for Writer-Types

Odds are, if you’re interested in writing, you’re already reading Chuck Wendig’s blog regularly. If you’re not…well, fuck, I don’t know, start. In fact, start today, ’cause his most recent guest-post by Delilah S. Dawson is brilliant and includes a point that could be a personal mantra at the day-job and my writing life in general: DO NOT FEEL GUILTY FOR PURSUING YOUR PASSION. Now, that being said, you have to keep up your bargains with the world. You can’t just quit your day job and spend your family’s savings to rent a writer’s bungalow in Bali. You have to pay your bills and taxes, keep your kids healthy, and pay attention to that person you promised to love and cherish. As with all things, there’s a balance. But if you’re doing all the things you’re supposed to be doing, you have every right as a living creature to pursue your bliss in your spare time. Anyone who says otherwise is a dreamkiller, and fuck dreamkillers right in the ear. If someone tries to make you feel bad for writing, consider why they’re being a toxic douchebag and why you need them in your life. Also of note: You don’t have to call them “guilty pleasures.” There’s no reason to be ashamed of the things that bring you pleasure. Just own it. Make anyone who calls you on it feel horribly awkward. From Delilah S. Sawson: 25 Writing Hacks from a Hack Writer The rest of the advice is equally spiffy.

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Conspicuous Acts of Cultural Consumption

“I Had a Monkey With Talent”

Taylor Negron died earlier this week. Odds are, if you’re aware of his work, it’s in the form of recognising him as one of those “hey, it’s that guy” actors who appeared in iconic bit parts. You never really learn their name, you just recognise them when they appear on screen and, occasionally, fire up IMDB on your phone so you can figure out where you know them from. You learn interesting things when people pass away. In Negron’s case, I learned that he spent a lot of time as a storyteller in addition to being an actor, and the man is kinda spectacular in that role. Case in point, this piece done for The Moth, a live story-telling event devoted to true stories. If you’ve got fifteen minutes free, give it a listen. I swear to god, you won’t regret it:

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