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Journal

Apnea Update: CPAP Ho!

So when I mentioned the sleep apnea thing back at the start of April, a whole bunch of folks were like “Get thee to a CPAP Machine.” To which I nodded sagely and said, well, yes, that’s on the list, we’re just waiting to see how bad things really are.  Last week, I took twenty-four hours off work and did my first official sleep test to see how things were. I spent a couple of hours hooked up to electrodes and other stuff while I slept. It gathered data. Turns out, things were pretty fucking bad. The diagnoses for chronic sleep apnea kicks in at around 30+ interruptions in sleep per hour. I was averaging 60-70 interruptions an hour, with a couple of periods where I’d stop breathing for up to a minute and a half at a time. When I start doing the math on that, my ongoing feeling of utter lethargy starts making all kinds of sense. “We should probably get you on a CPAP trial, ASAP,” the nice lady from the sleep clinic said. Then we made an appointment Monday to start a one-month trial. I’m not sure I remember what it feels like to be a fully-rested human being, but I’m hopeful I’ll get a reminder sometime in the next few weeks. Thanks, everyone, who weighted in with their advice and experiences.

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Smart Advice from Smart People

Dave Farland on Stories and Stables

Many years ago, I heard a renowned magazine editor Gardner Dozois remark, “I don’t want just a great story in my magazine, I want a great writer in my stable.” He was talking of course about why he didn’t pick up new writers on their very first stories. He had a policy: if a new writer sent him a great story, he’d wait and see if the author sent two more fine stories, and then he would start buying. His logic was simple. He wanted authors who wrote frequently and to the very highest quality. He didn’t want people who were just playing in the field, or trying to write one story and then use it as a vehicle to launch a career as a novelist, never to write him another story again. David Farland, Editors Fill their “Stables” with Stories, Not Authors I’ve been hitting Netflix pretty hard over the last month, which means I’ve blown through my broadband allowance with two days remaining before I tick over into May. With that in mind, I’m suggesting those of you with an interest in writing head over and check out DAve Farland’s writing tip for today – it’s well worth reading.

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News & Upcoming Events

Sean Williams at the AWM Writing Race

At work, we run this regular feature called the Wednesday Night Writing Race. The theory behind it is simple: every Wednesday, around 8:00 PM, we get a bunch of writers together on Facebook, fire the starter’s gun, and let them write like there’s no tomorrow for 60 minutes. Essentially, it’s like a mini write-club for people who don’t have the advantage of being friends with Angela Slatter. . Occasionally, to spice things up (and, honestly, as a cool perk for the intern, who gets to program the guests), we bring in Guest Racers – writers who can show up and talk about writing and publishing in detail. This week, our current intern has scheduled Sean Williams as the guest, which is one of those rare occasions where we’ve got a guest that I’m well-and-truly psyched about. If you’re interested in writing – and, odds are, you are if you’re heading here regularly – then this Wednesday Night from 7:45 PM is a great time to head along to the Writing Race and ask Sean some questions (if you sign up for the event, Facebook will handily convert things to your local time zone). The writing races are always a great opportunity to pick the brain of a pro, and in terms of Aussie writers who sustained long-term careers, there are very few writers who can match Sean Williams. Basically, on the list of writers I wouldn’t mind being when I grow up, Sean is pretty high on the list. The man is enormously prolific –

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News & Upcoming Events

If You Need Me, I’ll Be In My Bunk (Typing Words)

So, I’m hanging out the Gone Fishing shingle again. I set out to write 25,000 words on my five days off last week. My total was closer to 20,000, which means there’s still a ways to go if I want to snatch victory from the jaws of defeat this month and hit my 50k total. I have to write 3,750 words a day for the last four days of April and I’m golden. This is not impossible. Not easy, but not impossible, especially if I put my head down and refuse to look at the internet/go see the Avengers/get distracted by wrestling between now and Thursday. To this end, I will probably listen to my favourite hit the fucking deadline song on repeat: I’ll see you all next week. Peace out.

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News & Upcoming Events

Book Update: Flotsam

I woke up this morning to find the publisher’s notes for Crusade in my email. I’ve got a week to go through things and get it back to the fine folks at Apocalypse Ink, then they go and do their arcane voodoo that transform it from a word file to a books. The e-book for Crusade comes out in June. (Out of curiosity, I went over to cover artist Mark Ferarri‘s site this morning. There’s previews of the Crusade cover and the cover for the print edition of Flotsam in his online gallery, for those who are curious, and allow me to say, well, holy shit I’m looking forward to seeing that print compilation. It’s so fucking pretty.) Coincidently, starting tomorrow, I also have five-straight days off from work. My goal – gods and sleep apnea willing – is to get about twenty-thousand words down on the next novella on my list, which is all about ghosts and werewolves and boxing and some particularly unpleasant underworld types.

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Journal

Nostalgia

To borrow a line from L.P. Hartley: “The past is foreign country; they do things differently there.” This line has been haunting me for most of the weekend, since I was down on the Gold Coast to man a booth at Supanova and it involved seeing parts of the Gold Coast I don’t often go to. While I frequently went down there to visit my parents over the last few years, it was relatively easy to ignore the vast bulk of the city while doing that – I barely had to get off the highway to reach their house, and there was never any call to go toward the beach where the bulk of the Gold Coast lives. The Gold Coast Supanova, on the other hand, takes place in Broadbeach – right next to the Casino and Pacific Fair shopping mall, right across the road from the Broadbeach mall where I spent a lot of Friday and Saturday nights in my late teens and early twenties. It’s where one of the handful of game-stores on the Coast existed, so I went there a lot to buy copies of D&D and Vampire and, if I’m remembering correctly, one of the first attempts to create a Babylon 5 RPG. Basically, it’s a part of the Gold Coast that’s loaded with memories, which is why it shows up in the Flotsam series so much. It’s also a reminder that I don’t remember the past well. I don’t forget things that happened, necessarily, but I’ll

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Journal

Random Updates: Apnea, Supanova, Angela Slatter Kicking Ass

ONE: WRITING WHILE SLEEPY So I missed a blog post yesterday, but in my defence I was squirrelled away writing a little over 4,000 words on various creative projects. That represents nearly a third of my wordcount for April thus far, so I’m feeling pretty happy about that. Yesterday was also the point where I added the words “FUCK THE APNEA” to the top of my spreadsheet where I’m tracking my yearly wordcount. One of the reasons I feared admitting there was something wrong was the self-knowledge that I am a lazy, lazy writer. Give me a good reason to not write, and I’ll take it. I’ll happily prioritize other things ahead of writing goals. (For all the people who mentioned CPAP machines when I first posted about the Apnea – after consulting with my doctor and talking over how serious things have gotten, I’ve been booked into a sleep clinic later this month to begin a home assessment. That should be the beginning of my doctor offering non-diet-and-exercise type solutions to help with the process. Thanks for the prod folks – I would have left that process a lot longer without our advice) TWO: COME VISIT QWC AT SUPANOVA If you’re at the Gold Coast Supanova this weekend, I’ll be working the Queensland Writers Centre’ booth in the publishers area for most of the day on Saturday. Feel free to drop by, say hello, and talk writing for a bit. Ask me questions about the upcoming GenreCon and how

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Conspicuous Acts of Cultural Consumption

Recommendations Wanted: Web Comics

One of my favourite webcomics, Girls with Slingshots, finished up its run a few weeks ago. Some of the others that make up my regular weekly reading have announced their conclusion is coming up in the near future. This means I’ve got some gaps in my weekly reading schedule that I kinda want to fill in, since I’m a fan of the webcomic format and interested in seeing what people do with it. And since I am old and set in my ways, I don’t really go searching for new comics all that often. So I’m turning to you, dear peeps – recommend me some of your favourite webcomics in the comments and I’ll go check ’em out. To save some time, I’ve already got a regular reading list that I hit pretty consistently: PVP, Something Positive, Questionable Content and XKCD are habitually daily reads; Dumbing of Age, Girl Genius, Least I Could Do, Weregeek and a handful of others get a weekly read-through when I’ve got the time. Strips that do awesome T-shirts in addition to being consistently entertaining get bonus points.

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Writing Advice - Craft & Process

Three Things Writers Can Learn About Villains from Daredevil’s Wilson Fisk

It’s been a long time since I watched a TV show at the same time it entered into the cultural Zeitgeist, but the combination of Netflix coming to Australia and the recent release of Daredevil, Season 1, means that I’ve inhaled thirteen episodes of comic-book awesomeness at the same time as everyone else is watching it. For those who are wondering: Daredevil is good. Very good. Very dark, at times, but Daredevil was always the character to do that with. For all that Batman has a reputation for being grimdark these days, largely courtesy of the Nolan films, Daredevil is the original hard-luck film-noir superhero. Nothing good happens to him in the comics. Like, seriously, nothing. You need both hands just to count the dead girlfriends, you know? Or the times he’s been driven crazy and started to think of himself as an actual devil. Or the times he’s actually been possessed and turned into a devil. Well, you get the picture. Good as the series is – and it’s very good – my favourite part has been Vincent D’Onofrio’s performance as the antagonist, Wilson Fisk. D’Onofrio’s one of those actors who is excellent with the right director and script, and Daredevil gives him both. He’s over-the-top violent and crazy, but highly empathetic, to the point where even though Daredevil is basically rehashing the same grand master-villain plot as Arrow’s first season, Daredevil’s comes off feeling fresh. What makes Fisk such an effective bad guy? Let’s take a look. ONE: NO-ONE

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Stuff

25/25/25 at Queensland Writers Centre

So let’s be clear: I work for Queensland Writers Centre. I’ve been there since mid-2011. I’m also a member of Queensland Writers Centre, and have been since some time in the mid-nineties. I think it’s an important support mechanism for Queensland writers, but I can, understandably, be accused of bias. To mark the 25th Anniversary of QWC, the organisation is launching a Scholarship and Access fund to help provide funding and travel support to writers who wouldn’t ordinarily get a chance to access QWC programs. We’re inviting members and non-members alike to get involved and help foster the future of Queensland writing with the 25/25/25 crowdfunding campaign, which includes a diverse range of awards (including some that are highly GenreCon focused). If you’ve got a few bucks to spare and you care about writing or reading, please donate.

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Conspicuous Acts of Cultural Consumption

Follow Friday: The Tardis Guy

So my friend Allan makes some extraordinarily cool, highly-geeky shit in his alter-ego of The Tardis Guy. Case in point, check out this picture of one of his replica Thor hammers: @sldixonphoto doing his thing in my workshop. His thing is taking amazing photographs, by the way. #Mjolnir #photography #comicbooks #comics #hammer #thor #MARVEL A photo posted by Allan (@thetardisguy) on Apr 7, 2015 at 11:05pm PDT And his holy shit, I really want one of those Captain America shields: Today was a good day and soon it will be #shieldday. No words left, just a rack of shiny stuff #canteven #captainanerica #captainamericashield #veryhappy A photo posted by Allan (@thetardisguy) on Mar 17, 2015 at 10:54pm PDT Al’s recently launched his official TARDIS GUY website, which is still a work in progress, but the real fun is watching his facebook or instagram feeds, where you can track his works in progress and see the new projects as they come to life. Even if you’re only mildly geeky, the props he makes are truly beautiful bits of work, ranging from full-sized TARDIS’s through to customised Captain America Shields or Bat-Signals.His work is loved by a bunch of cosplayers, has been exhibited in galleries and exhibitions, and is basically coveted by any nerdy person who comes across it and feels a sudden pang of oh, hell yeah, I’d love to own one of those. Trust me on this. I am the least let’s decorate my house with geeky stuff geek you’re ever likely to meet, and my first

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Writing Advice - Business & the Writing Life

5 Reasons Rejection Letters are Actually Awesome

Okay, so I’m aware that I’ve been a serious downer for the last two days. ‘Tis the curse of not blogging for a time – all the serious, angsty things bounce around my head and come out in a burst, instead of getting nicely spaced out between more palatable topics. Today we’re going to talk about something fun: REJECTION. It’s been on my mind a bit this week, ‘cause I’ve been finishing short stories and sending them out blind for the first time in…well, shit, about four years. As part of this process, I’m getting back into the swing of checking markets, putting together submission lists, tracking submission details, and all that shit. That means, in the very near future, I’m going to start getting all kinds of rejection letters, and I am fucking PSYCHED. And,yeah, yeah, I know, writers aren’t supposed to be excited by rejection. A lot of writer-types love the Sturm und Drang that comes when a rejection letter rolls in. They talk about how much it hurts or stings or how disappointed they are that an editor said no. They like to mourn the lost opportunity. They like to…shit, I don’t know, it never made much sense to me. I’m a writer. I get rejected. It’s part of the job. So instead let’s talk about the reasons having a short story rejected is actually TOTALLY FUCKING AWESOME. ONE: A MARKET THAT WAS OTHERWISE CLOSED TO YOU IS NOW OPEN Most short-story markets that are worth getting your

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