Works in Progress

40 Day Rush

So my exceptionally ordered routine spiralled into chaos about two months back. And, being me, I did what I always do when chaos ends up visiting – I stepped back, re-evaluated my priorities, and started adjusting my schedule to meet the demands being placed on me. Eventually, I figured, things will return to normal. I will find the new equilibrium and learn to plan around that. My writing suffered, as that happened, ’cause other work impinged on writing time. Lots of other things suffered too, ’cause the last two months have been crazy in good ways and in bad ways, but when I sit down and try to figure out why I’m stressing out, the lack of writing is always a big part of it. Writing workshops and applications are not an adequate replacement for creative work, in terms of keeping me sane and focused on what matters. And, since it been two months and the chaos shows no sign of leaving,

Journal

Sick Day

Four days of a sore throat and runny nose. Four nights without using my CPAP machine to regulate my sleep apnea, which means I wake every day with a head full of cotton wool, exhaustion, and nascent craziness waiting to be given form. I slough around the house, coughing up phlegm. I sleep in fifteen minute bursts, before my own biology revolts and wakes me up to start consciously sucking down air again. I do not trust myself to react to anything, because all my reactions are basically insane: extreme; ill-formed; straight from the exhausted, primal Id. I cannot be trusted to engage with other people. I can barely be trusted with the written word. I was planning on starting a new project in June – a short, straight-rush project contained by thirty days, just to see if I could manage it. This is going to make things interesting.  

Stuff

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? Only one workshop that needs

Journal

Tyranny of the New

I have a new phone. Unfamiliar. It makes different tones to the old phone, has a range of different features. None of the notifications sound the same. Some of the notifications I had disabled have now come to life again, as the apps are downloaded, which means my attention is constantly pulled towards the device as it chirps and chimes and tings. The on-screen keyboard is different. Smaller. Harder to use. And the autocorrect still hasn’t learned my ways, so the messages I send out are frequently…weird. Riddled with typos and uncapitalised usage of the letter i as a single word. I cannot communicate in the ways I am used too, as reliably as I used too, and it is frustrating as hell. But the old phone had definitely seen better days, and it was time to make the upgrade. And for every old, familiar habit that has been frustrating, there are a whole bunch of outdated apps and habits that

Journal

I Went to College Once, But All They Found Were Rats in My Head

I am writing a two hour workshop today. I was not meant to be writing it, exactly, but things fell out the way they fell out and now that is my Wednesday and I am frustrated as hell. I have Pulp’s This Is Hardcore on the stereo, ’cause it matches my mood. Cycling back and forth between The Fear and the title track. I wasn’t really a fan of Pulp, before this album came out in 1998, but I listened to this one over and over and over. Horns, piano, anguish. Brilliant. Pulp helps, I think, but I could be wrong. I’ve written this blog post a half-dozen times already, trying to find the angle or the spin that makes it something that I can post. Something that isn’t the equivalent of me showing up here and saying, effectively: today is hard. I am fretting about things. I have The Fear. I don’t want to be writing workshops today. I want to

Journal

It Goes Up To Eleven

It may be time to move my writing process off the computer again. I went digital again a few months back, when I was working on a redraft, and I found myself lured back into the rhythm of the keyboard and the quick accumulation of words that can be counted. And then, gradually, as things got busy and allocating my time got more complex, I started to loathe the idea of opening the laptop and the writing faded into the background. On the other hand, I also need to do dishes. And change the sheets on my bed. And wander, blinking, into the sunlight without resenting the fact that I have to go to work. These are not signs of not writing, they are signs of higher-than-usual stress levels. I let the little things go when I have no power to change to big things that need changing. I start questioning long-term plans, and making crazy alternatives. I stop reading

Journal

Winged Monkeys of Death on Stand-By

I am doing things on top of my usual work schedule this week. For instance, tomorrow night I am off to Logan Library to do a seminar about some of the myths about getting published. On Wednesday, I will be giving up my weekly write club in the name of working on workshop content for next week. Then, on Thursday, I will be back at QWC talking about Hard and Soft Launches as part of the Business of Books series. Spots are still available, if you’re inclined to come hear me talk about such things. By Friday, I will be disappearing into a bunker and trying very hard not to hate the world. ‘Cause I love doing this stuff, but holy shit-balls there has been a lot of it in recent weeks, there is only so much time I can spend around people before my urge to unleash the winged monkeys of death becomes overwhelming. A photo posted by Peter M Ball

Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? Another big week of teaching

Conspicuous Acts of Cultural Consumption

John Wick

Last night I sat down and re-watched John Wick, ’cause I have this idea for a story in my head and I wanted to wrap my head around the minutia of the genre I like to call killing your way to the truth of things of which Wick is the most recent high-profile example. There are others on my list. I mainline a lot of media, in the build-up stage of writing. I’ve also been immersed in the creation of a short story course for work, where I try to pull apart the microstructure of scenes and lay out things like narrative beats and action/reaction rhythms, giving people a toolkit for pulling apart the minutia of narrative of figuring out how it does what it does. And it’s interesting, having these two things in my head, ’cause John Wick plays with narrative contrast on a scale that very few films manage. Nearly every major scene is contrasted against something else through the use of

Smart Advice from Smart People

A.S. Patric on Narrative and Novellas

Some recommended reading for you, from other places on the interwebs. A narrative will attempt to move the reader from one state to another. There’s a question of acceleration with word length: a short story must take off very quickly and land with great precision, while a novel can take its time lifting off and setting down anywhere that looks interesting along the way to a leisurely destination. It’s the difference between travelling by plane or hot air balloon. Just as the novella is not a long short story or a short novel, a novella is not a jet fighter dragging a particoloured balloon twice its size. A novella is overland travel by foot, and the length of the journey will depend on the nature of the landscape and the unique qualities of the traveller. From Kill Your Novellas, by A.S. Patric, over on the Kill Your Darlings Website.

Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? The coming week will not

Big Thoughts

Dear Culture: Please Make Up Your Fucking Mind About What You Want Art to Be

No government ever lost an election by attacking the arts. It is, after all, the part of our culture where most people assume there is some combination of high levels of entitlement and low levels of actual work. This is the legacy of centuries of magical thinking when it comes to the art, associating the creation of artworks with genius or the muse. No-one cares when the arts get less. In Australia, in particular, it’s right up there with attacking refugees, young people, and the unemployed as a safe tactic for the right and the left alike. The last few years have been bad for the Australian arts sector. Not just in terms of the visible stuff: cuts to funding, attacks on the nature of copyright, a general hostility from the sitting government towards all things creative and its creation of a discretionary slush fund that is poorly managed and generally there to buy votes; no, the invisible stuff has