ECLECTIC PROJECTS BLOG

Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? The holiday season is upon us and fitting work around the other commitments is getting harder and harder. I’ve got a metric butt-ton of thesis drafting that needs to be done this week, including some catch-up for work that didn’t get done in the last seven days, but I’ll mostly be working to keep to good writing habits as best I can during the season of catch-ups and feasting. What’s inspiring me this week? This week has been spent on a deep dive through various Marvel comics storylines over the last decade, courtesy of a

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’m a third of the way through the wordcount on my thesis chapter and barely feel like I’ve gotten started. This week will involve tracing my way through part of structuralist genre theory, and really diving into the research on the role of ellipsis in constructing narrative ahead of the X-mas-to-New Year period where texts will be harder to track down. What’s inspiring me this week? I’ve watched and read a bunch of great stuff this week, but The Marvellous Mrs Maisell on Amazon Prime has probably been the thing that really captured my attention. It’s

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’ve just hit the period where everything else gets sidelined in favour of the thesis, which means I’m expanding out my plan and filling in the gaps. This week I’m transforming my original lit review draft, which lacked a lot of focus, into the first half of a review that will actually fit the topic I’m pitching. On the plus side, I’m starting this week ahead of my word-count benchmarks for the first time, so I’m hopefully that I’ll have the chapter drafted by my Dec 30 deadline (even with all the holiday chaos about

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Writing Advice - Business & the Writing Life

Patreon, Tools, Tactics, and Strategy

Patreon announced a change in its fee structure this morning, which has prompted an outpouring of tweets from a number of writers I follow who have been using the platform and want to process the implications. The change is being framed as a good thing for creators, ensuring they will take home exactly 95% of every pledge, but it does so by pushing the processing fee onto the donator and this has subtle knock-on effects for the assumptions surrounding the service. Passing the fee on to the pledger means a series of $1 pledges every month actually ends up costing a buck thirty-seven or so. Multiply that out over a year, and you’re looking at an extra $4.44 a year to kick a little change to the creators you patronise. This might not seem like a lot, but for a platform that is built itself on the concept of huge numbers of people making micro-transactions, that’s a pretty big shift. There’s a couple of general themes and concerns running through the discussions online. First, that this is a move to drive away the small, consistent donors and make supporting creators at higher rates more appealing; the second is how the fee will be applied to people who are supporting multiple creators, which Patreon has traditionally bundled into a single change; the third is what are the other options, with a recurring theme of people setting up paypal buttons in response to the news. I’m intrigued by Patreon, but I have no real

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News & Upcoming Events

Horn & Bleed on sale at Twelfth Planet Press

So I’d ordinarily show up here and talk up The Birdcage Heart and Other Strange Tales, given that it’s the new kid on the block right now, but we’re heading into the holiday season and ebooks aren’t particularly good presents to give people. On the other hand, I have written some print books and right now the publisher who backed Horn and Bleed is having a sale where you can pick up both novellas for $15 dollarydoos. If your’e still after a copy (or just want to traumatize your loved ones this Christmas), head on over to the Twelfth Planet Press website

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Journal

Things I Was Thinking About at 3:30 AM This Morning

It’s 3:30 AM and the insomnia has set in, creeping in behind a mild anxiety moment that hit about six hours ago. It’s 3:30 AM and the night sky is a dark, luscious shade of indigo that sits above the darker silhouettes of trees and houses and hills. It’s 3:30 AM and I wish the camera on my phone wasn’t broken, so I could distract myself with the attempt to photograph the darkness. It’s 3:30 AM and everyone on social media is recommending Safia Samatar’s essay about Why You Left Social Media, but it’s not 3:30 AM when you read this and if you were asleep then it’s possible you missed it, and so I’m going to link it here because it is quite extraordinary and maybe you missed it while you slumbered. It’s 3:30 AM and the guinea pigs are rummaging through their hay, unbothered by my presence on the couch with a clicking laptop. It’s 3:30 AM and the apartment is cool and pleasant, courtesy of the the air conditioners stripping the muggy heat out of the humid air. It’s 3:30 AM and I’ve been reading James Patterson books. It’s 3:30 AM and I need to urinate, but the bathroom is next to the bedroom where my partner sleeps, and I do not want to wake here unless I have no other choice, and I do not need to pee so bad. Not yet. I’m happy for her to keep slumbering. It’s 3:30 AM and the world is magic,

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? Still working on my thesis chapter, and putting some serious work into the draft for the second Brain Jar book, You Do’t Want to Be Published, which is a collection of blog posts and articles about writing. The main task this week is going through and making sure everything in the collection makes sense once removed from the original context, then doing some ‘directors commentary’ around each. What’s inspiring me this week? Georgette Heyer’s The Reluctant Widow is one of the more light-hearted Heyer novels that we’ve read for book club, but it’s also delightful and a

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News & Upcoming Events

5 Reasons to Go Buy The Birdcage Heart & Other Strange Tales This Week

So this book I’ve been banging on about is finally out in all it’s digital glory. For those who have just arrived on this blog, or keep losing to goldfish when challenging them to memory games, I’m referring to this book: “Only Peter M. Ball’s fiction makes falling down the rabbit hole feel like flying. Funny and surprising, with moments of extraordinary grace.” Angela Slatter, Author of the World Fantasy Award-winning The Bitterwood Bible and Other Recountings Click Here To Purchase From Your Preferred Digital Retailer It contains twelve short stories, all in the slipstream/magic realism/fantasy line, all of them written by me. If that’s enough to convince you that it’s a must-have item, you can go ahead and click on the link above to acquire your copy. If you’re still up in the air, I’m going to dedicate the rest of this post to convincing you that The Birdcage Heart & Other Strange Tales is worth parting with your hard-earned bucks. Without further ado: Five Reasons You Should Go Buy The Birdcage Heart & Other Strange Tales This Week ONE: TWO NEW STORIES THAT NO-ONE HAS EVER SEEN (AND ONE THAT IS ALMOST IMPOSSIBLE TO TRACK DOWN) Ten of the stories in this collection have been previously published. A large chunk of those were published online, and thus remain available for reading if you are willing to spend some quality time Googling my name and hunting down the stories one-by-one. This is the nature of short story collections, which is

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Writing Advice - Business & the Writing Life

What’s Really Going On At A Successful Book Launch Event

Tonight I’m off to the Brisbane launch of The Silver Well, a short story collection by Kim Wilkins and Kate Forsyth. There will be wine, readings, finger food, book signings, and an evening spent celebrating two awesome writers who have done something new. Some time tomorrow, depending on the timezone the various sales sites are using, my short story collection The Birdcage Heart & Other Strange Tales will be available for sale.  The launch will consist of a blog post, a handful of tweets spaced out over the last few weeks, and me going back to work on my next project for Brain Jar Press. Today I’m going to talk about why. WHAT NEW WRITERS THINK BOOK LAUNCHES ARE ALL ABOUT New writers look forward to their book launch, but they don’t always understand how they fit into the publishing ecosystem. In the five years I spent answering phones at Queensland Writers Centre, the calls where people asked “how can I get people/the media to come to my book launch and sell books?” were among the most frustrating and difficult to answer because the disconnect between what people expected from their launch and what launches actually do were incredibly wide. The misconception largely comes about because writers see their book as a big event, a milestone on par with getting married or having a baby or turning twenty-one. The book is the culmination of years spent toiling away at their craft, navigating the publishing landscape (whether traditional or indie), and

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Stuff

On Taking Processes of Autopilot

A lot of the advice for newer writers involves hacking the basal ganglia in order to make writing easier. All the old favourites about setting a regular schedule, picking a specific place and time where you invite the writing process in, is really about setting up triggers and associated habit loops that help you to overcome the initial resistance to writing (particularly when you know what you’re doing isn’t up to the standard you want). It’s one of the reasons I recommend Charles Duhigg’s The Power of Habits as a foundational how-to-write book, even though it has nothing at all specific to the writing process. The thing about setting up new routines, though, is that they’re often the solution to a very particular problem. Those early time/space triggers are great when you’re starting out and desperately trying to carve time out of your busy life to get work done, but they can be far less effective when your career starts to scale up and you find yourself trying to process more mail, or suddenly have to find editing time for your first draft while still attempting to write a new thing. Context matters, when it comes to habit, and automatic activities are sensitive to changes in context. The writing habits that served me well when I went to an office regularly no longer work for me when I’m working from home, because the triggers that made them effective (going to work, coming home) are now absent. It’s why so many writers

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? Top of the list this week is getting about 1250 words on my thesis chapter written, walking people through the concepts I’ll need them to be aware of before I get into the really meaty bits of talking about the differences between writing series and writing closed narratives. I’m hoping that the relatively low pace (approximately 250 words a day on my designated writing days) will be enough to keep me focused and contained, rather than freaking out. My secondary projects are getting back to work on Hell Track and kicking around the novelette that

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Writing Advice - Business & the Writing Life

Fuck it, Let’s Talk About Profanity and Blogging

Every now and then I write something that gets linked to a whole bunch and a whole bunch of people hit the site for the first time. Most of them read, nod, and move on about their day. Some of them… Well, they object to the profanity. Some even go so far as to email me about it. I understand this, to a certain extent. I know a lot of people who object to profanity – my mother is definitely not a fan – but I’m a much bigger fan of using it for emphasis. More importantly, I’m a fan of using it here on the blog because all those shits, fucks, goddamns, and mother-fuckers do two very important things. SWEARING FILTERS THE AUDIENCE Less than 1% of the blog posts people respond to tend to be actually profanity, and even then it largely depends on your stance on words like goddamn and screwed. It’s not a lot by reasonable standards, but they stand out because certain words are less polite than others. That’s as it should be. That’s why I use them. Think of those words as a shark’s fin, cutting through the surf, warning you that danger is on its way. Because, if you object to those words, you’re going to object to everything I’ve got published in longer forms. I once worked out that something like 5% of the word count in the Flotsam series is devoted to swearing. Contextually, its an important thing: the characters in those

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