ECLECTIC PROJECTS BLOG

Smart Advice from Smart People

“There is always more work to do, you know?”

I’m 90 words off hitting my fiction target for the day, and getting to tick the left-hand box on my monthly streak tracker. It’s occurring late today, but my partner is asleep and there’s an evening of work before me…and I’ll be stopping once those 90 words are written. As I mentioned in my last post, the upper limit is as important to me as the minimum I need to get done. I bang on about having hard edges on your creative practice because I’ve seen the results of not having limits on my work–to whit, I spend all my time trying to get things done and end up doing less. So it was interesting to see Austin Kleon talking about the same thing on his blog today, courtesy of a question he was asked about always feeling like you can and should be doing more creative work: “Yeah, always. If you get into that productivity trap, there’s always going to be more work to do, you know?” Working with Time, AustinKleon.com He goes on to talk about his own practice, which largely involves working regular hours like he’s a banker, showing up at the office and checking in. I’ve always been a time-based worker. You know, like, ‘did I sit here for 3 hours and try?’ I don’t have a word count when I sit down to write. It’s all about sitting down and trying to make something happen in that time period — and letting those hours stack

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’m two weeks and 20,000 words into Project Rad at the moment, and narrative has just coalesced as a bunch of scenes turned into a structure where all the narrative beats line up. I know roughly what the story is doing and how it pulls together, which means the writing process gets a little easier from this point on. Also a little slower, as I’m no long just writing a scene and trusting it’ll have a home in the final work–things actually have an ongoing intent.  What’s inspiring me this week? After mainlining five and

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Writing Advice - Craft & Process

Searching for the Sweet Spot in Daily Word Count

My favourite function in Scrivener isn’t any of the fancy layout options, the scratch-pad that exists for eery scene, nor the ability to set up a useful list of metadata attached to any particular slice of a story. I make use of many of those things, but the thing that keeps me coming back to the program is the function that tracks the daily word count needed to reach a particular deadline (and automatically re-calculates it, when a day goes better or worse than expected). Which means, most mornings, I boot up my computer and load two trackers: one for my thesis, and one for the current creative project. Generally, speaking, whatever number is on the session target is what needs to get written in order to tick off my “have written” log on a given day. My actual target is usually slightly higher, because I crave consistency in the hard-edges to my process: generally speaking, the first time I look up from my thesis and I’ve written over a hundred words, it’s time to stop working on it for the day. The same is true on a fiction project once my progress has cleared 1,666 words. Both numbers are largely arbitrary, although they occupy a sweet spot between “easy to get” and “needing to push myself” that’s useful to me. Low enough that i don’t fret about hitting the word count, high enough that I need to allocate work hours in order to stand a chance. They give me

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Writing Advice - Business & the Writing Life

Simply Designed, and In Great Quantity

There are books that I keep on my bookshelf because they are pleasurable artefacts to have around, even if I’m no great fan of the text that exists inside them. Occasionally, these objects are what you’d expect: leather-bound tomes and special editions, books that look like something out of a movie. More often, they’re smaller books. Paperback novellas or chapbooks whose slim page-count is wrapped in a beautiful, simple design, turning what should be a weakness in the marketplace with regards to page count and paper quality into a strength: I may care very little for Freud’s work, but I love this book. It’s a compact hundred pages long, four essays bundled together in a very pleasing package. Maybe 25,000 words in total, and part of the Great Loves series from Penguin that shares the same design aesthetic while being recognisably related to the longer Penguin Classics line. It’s not designed to take up much room on a shelf as a single volume, but when you line up all twenty books in the series, the aesthetic and packaging quickly combine with the series theme to occupy physical and intellectual space. When I think about my long-term planning for Brain Jar Press, it’s books like this that sit in the back of my mind. I could quite happily spend the rest of my life writing short, sharp novellas and thin novels designed for a few hours of dedicated reading. Weird little stories and off-kilter pulp of thirty or forty thousand words,

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? The current project has been dubbed “Project Rad,” and it’s been progressing at a steady clip since I kicked it off back on Tuesday. The past week has involved weapons deals in comic book stores and desperate fights in stairwells, and I’m currently heading into the chapters where mentor figures appear and significant events teach the hero what will happen if things go wrong.  What’s inspiring me this week? I’ve started reading MMA biographies ahead of the Cerberus Station Rumble redraft, and it’s been interesting to see the default narratives at work in the genre.

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Smart Advice from Smart People

Open Tabs Left After Reading Austin Kleon’s Blog Archive

I’ve been exploring the archive’s of Austin Kleon’s blog recently, and spend a lot of time falling down rabbit holes as one interesting post expands out into multiple links and thematic obsessions carrying on over time. For the first time in years, I’m leaving a series of open tabs on my computer, waiting for things to be read and processed and talked about. Earlier this week I curated a list of some of my favourite posts/links Kleon had written about notebooks and included it in my newsletter, and it’s proven to be one of the most popular things I’ve mailed out in the last few months. Today, I find myself poking at two of the open tabs that didn’t fit into that list thematically, but are definitely just as interesting if you enjoy thinking about process and art. Don’t Discard, Keep All Your Pieces In Play talks about the gap between being interested in things and feeling like you should be doing a single thing (a tension that every creative person I know has felt on the regular, and never seems to be resolved) The Agony of List-making takes an idea that seems so overplayed in the internet age, where everything is list posts and top tens and constant connection, then unpacks a potential reason to keep embracing the format despite all of that.

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Works in Progress

Celebrate the Little Victories

There’s a writing-based group I track where folks are encouraged to post celebratory screenshots when they finish a draft. It’s a nice little ritual, and so I’m borrowing it to celebrate a moment here: Yesterday, after twenty days and thirty-six thousand words of drafting, I typed <<the end>> on the first draft of a new novella. For those who have been following along, this means it took about four days and six thousand words to flesh out the skeleton draft and get this into a state where every scene actually reads like a scene. It’s not done yet–the books is rough as hell, and names changed halfway through when it inherited a title I’d been planning to use for another story featuring this character. More importantly, the story may be finished to the point of coherence, but that isn’t the same thing as being good. The next step: let it lie fallow for a week or so. Nail down some of the packaging elements, such as the blurb and the cover, so I’ve got the story I’m promising readers in my head before I go back for a redraft. Make a list of major character changes based things that came up in the last 10% of the drafting process. Double check that I’ve hit all the genre expectations, and create a research list for story elements that will need to be given a little more realism than a quick wikipedia search will reveal. Then I bust out my copy of

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’m thinking this will be my final week on the novella draft–there’s six scenes left that need to be fleshed out, maybe three days work at the current pace. Another two scenes that will need big rewrites due to choices made elsewhere in the story. Depending on how things go, I may start the next project on the list–an urban fantasy thriller–while letting the finished draft lie fallow before the fine-tuning edit.  What’s inspiring me this week? I could refer you back to my post about Damon Suede’s Hothead from Tuesday on the fiction front

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Conspicuous Acts of Cultural Consumption

Damon Suede’s Hot Head, Verbs, and Jane Austen

I was lured into reading Damon Suede’s Verbalize after hearing him do interviews with Kobo Writing Life and Joanna Penn’s podcast. In both, he laid out his approach to writing by focusing in on character strategy and tactics rather than psychology and background, with a particular focus on how this dynamic plays out in Jane Austen’s Pride and Prejudice. The moment I heard him lay out the idea that Darcy’s strategy is preserving, while Lizzy Bennett seeks to provoke, I was sold on the potential of his approach. That he continued this analysis in both Verbalize–in more detail, and spreading the focus to the minor characters–was one of the delights of his book. Naturally, after reading his non-fiction books on writing, I got curious about his fiction work and how he deployed his advice there. I picked up his first novel, Hot Head, about a pair of firefighters who develop feelings for one another and try to hide it for the sake of their friendship. It’s an incredibly robust book, both in the language and the plotting, and I devoured it in the space of the day. Admittedly, a day where I stayed up until 2:00 AM just to finish the book and find out what happens, but that’s still a day. It’s that damn good. But the delight, when reflecting upon Hot Head in light of Suede’s theories, was seeing the way he’d inverted the dynamic of Pride and Prejudice in order to drive the story. The protagonist, Griff,

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Works in Progress

On Skeleton Drafts and Pantsing

This morning, around 10:00 AM, I finished the skeleton draft of a new novella about phantom punches, MMA, and a sailor who desperately wants to impress…well, pretty much everyone, including the reader. It started out as a project that drew inspiration from Robert Howard’s Sailor Steve Costigan stories, but quickly became its own thing. If nothing else, there’s less overt racism and sexism than Howard’s Costigan stories. Also, more starships and space stations. The skeleton draft is the phase of the project where the story is more-or-less done, but only in my head. In practice, there are scenes where I’ve locked down the major beats and narrative pivots, but haven’t yet locked them down. Or scenes where a secondary character appears for the first time, but doesn’t yet behave like they need to because I don’t know their role in the story until I push towards the final chapter and see their impact. Right now, the biggest unfinished scene is an MMA fight in the front half of the book, where I want to set up things that will play into the climactic moments. All of which makes it sound like the draft is sparse, but it’s not. It’s sitting around 30,000 words long, and will probably only increase another couple of thousand as I connect things up. The heavy lifting on this one is pretty much done–all the major decisions and plot twists are in place, and all the characters are largely embedded in my skull with a purpose,

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Conspicuous Acts of Cultural Consumption

Notes from Recent Reading: Ruined by Design, Mike Monteiro

Just prior to my dad going into hospital last month, I wrote an entire blog post about choosing who gets to monetise your attention as an artist working in the early 21st century. If you got something out of that post, I recommend that you set aside an afternoon to read Mike Monteiro’s Ruined By Design: How Designers Ruined the World, and What We Can Do To Fix it. Specifically, the list on page 115, where he runs through the ways in which various online institutions make their money, culminating with a a statement that is both incredibly glib and still nails a particular discomfort I’d been feeling for a few years in social media: “Twitter makes money by getting you to fight with Nazis.” Mike Monteiro, Destroyed By Design Of course, given that it occurs 115 pages in, Monteiro’s built a lot of scaffolding around that statement. He’s talked about the ways in which engagement is monetised and how various platforms have sought to maximise it, the problems with having user interfaces designed by teams of white blokes, and the way in which seemingly innocuous design choices get corrupted by the arrival of venture capitalists (which, frankly, is interesting to me because it explains the underpinning problems Patreon has had in recent years). He’s vented his spleen about twitter and CEO Jack Dorsey (who used to operate out of an office next to Monteiro’s Mule Creative) multiple times, and goes on to illustrate his point by drawing an analogy

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’m on the tail end of a novella draft at the moment–there’s three chapters left to right, then the “go through and fill in all the gaps” sweep where I’ll start tinkering with everything that needs to be done. Very much the tricky stage, because it’s wrapping up all the things that have been set-up in earlier chapters (I prefer set-up to conclusions. It’s more fun) I’m also fleshing out some details for the project that will follow this novella, henceforth going under the working title Project Adelaide. At this stage, that largely means continuing

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