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GenrePunk Ninja

Bonus Essay: On Heinlein’s Habits & The Rise of the New Pulp Era

Welcome to GenrePunk Ninja supplemental, where I occasionally post foundational essays written before I launched the GenrePunk Ninja newsletter. This essay originally appeared in Eclectic Projects issue 1. Estimated Reading Time: 22 Minutes | Don’t like reading online? Get an ebook copy here. On Heinlein’s Habits & The Rise of the New Pulp Era SECRET ORIGINS I first learned Heinlein’s Rules for Writing while at Clarion South in the Australian summer of 2007, holed up in the Griffith University campus with seventeen other speculative fiction hopefuls for six weeks spent critiquing and learning our craft under the watchful eye of established SF professionals. At the time I’d written semi-professionally for over a decade, publishing poetry and RPG materials while making slow to negligent progress on my creative writing PhD. Years spent immersed in university creative writing programs taught me to string words together in a pretty row, but time spent in a post-graduate writing degree focuses on building a career

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GenrePunk Ninja

002: The Most Expensive Part of Your Book Isn’t The Price

I run into writers who think the reason their book isn’t selling is the price. The first question, when a new release isn’t working, revolves around discounting. “Should I make this ebook 99 cents?” or “Should I give this away for free to generate interest?” These are both solid strategies when used the right way, but they’re not magical. I’ve got a reader full of free ebooks I’ve picked up over the last decade, and many more deals I got for 99 cents.  I read very few of these free and low-cost books, and rarely do the ones read incite a desire to go find more work by the author.  At best, the author or publisher has made 35 cents out of my curiosity. At worst, I’m one of the masses some indie authors derisively call “freebie seekers” and deride as a plague on their business.  Here’s the thing to keep in mind: the actual cost to readers isn’t the

GenrePunk Ninja: A newsletter about writing and publishing Banner
GenrePunk Ninja

001: Is The Story You’re Telling Yourself About Writing Hurting Your Process?

What is the story of your writing right now? Not the story you are writing, but the story you’re telling yourself about who you are and how you work as a writer.  We all have a sense of who we are as writers, which shapes the projects we take and the way we approach our work. This story makes up part of our self-image, to borrow a phrase from psychology, and it’s more complicated than it seems. Actually, it’s multiple stories. Self-image is often a complicated, layered thing that involves not just our belief in who we are, but sub-beliefs around whether other people see us this way, how accurate those perceptions are, and which data from other people we take onboard and use to adjust our self‌-image or validate its accuracy. I’m not a psychologist, though. I’m a storyteller and an editor, and at the end of the day I work with stories, just like all of you. I’ve

Undead hands reaching up a concrete wall with the words July Zombie Read-a-Thon over the top
News & Upcoming Events

The July Zombie Read-A-Thon

I didn’t watch zombie movies as a kid. We lived in a small town with limited TV reception, and the nearest cinema was hundreds of kilometres away. Movies were hard to find, and horror movies were always way down the list of things to see. Particularly after a series of school camps, where my 4th grade teacher scared the bejesus out of us by describing the horror of Halloween and Friday the 13th as campfire tales. Not terribly scary for the kids who’d seen the films, but terrifying for a weird nine-year-old with an overactive imagination. I avoided horror movies for years, despite loving horror fiction. My first zombie movie was Paul W. S. Anderson Resident Evil, which a friend pitched to me as “Aliens, but with zombies”, in late 2002. I was twenty-five years old, and damn near crawled over the back of the couch as I imagined what could happen.   Still, I loved it. I wanted more. And so, my zombie education began. I’ve watched a metric

Conspicuous Acts of Cultural Consumption

Val Vega makes an epic debut 🚀

In which we celebrate the launch of Val Vega: Secret Ambassador of Earth, but Ben Fransisco…

Eclectic Projects Newsletter

Never Fall In Love With The Fey

Miriam Aster made a big mistake: she fell in love with the Queen of the Fey. All this was ten years ago, when Miriam was an up-and-coming homicide detective and fairies were things out of fairy tales. Miriam met the queen of the fey in a bar, felt a rush of attraction, and soon they were head-over-heels in love (or as close to as they fey get). Then the favours started, trying to keep the fey’s existence a secret. Could you ignore some details from this case? Could you take care of this rogue fey? Hey Miriam, could you stop this unicorn from going on a rampage before people get killed? Never Fall In Love With The Queen Of The Fey It ends badly for everyone. Miriam Aster fell in love with the Queen of the Fey, and then her life fell apart. She made mistakes and quit her job. She ignored an order and paid the consequences. She ended

Journal

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a crime story in 900 words. My year of producing original short fiction for Patreon came in incredibly handy, since I have a lot of thoughts on how to curtail your word count after doing that. An interesting side-effect of doing a lot of workshops: I do not go anywhere near a computer while running them. All my writing work gets done in notebooks, scribbling details by hand, rather than firing up a desktop and working in Word or Scrivener directly. Partially, this is a practical concern—notebooks are transportable and easier to flip open when you’re filling a half-hour between sessions in an unfamiliar space—but it has benefits beyond raw pragmatism. I made the switch because I operate from a baseline level of social anxiety, and it rages out of control when I break my routine.

Writing Advice - Business & the Writing Life

Talking Writing and Publishing on Stark Reflections

Back in April I stayed awake until 1:00 AM and recorded an hour-long chat with for Mark Leslie Lefebvre’s Stark Reflections podcast. It went live last week, and over the course of the interview we tackle many writing and publishing topics, including my start as an RPG publisher in the pre-Kindle days of the early 2000s. One thing I dig about Stark Reflections is Mark’s habit of ending every interview by reflecting on the things he can take away and apply to his own practice as a writer/publisher. It’s possible one of my own reflections is “don’t do interviews at 1:00 AM”, because oh wow, I was getting a big loopy towards the end, but such is the curse of writing and publishing in a different time zone to the vast majority of your contemporaries. Check it out on the Stark Reflections website. Here’s the summary of what we cover:

A car speeding off the side of the image with the text "Satuday Morning Story"
News & Upcoming Events

40 Stories

I recently posted my 40th weekly Saturday Morning Story to Patreon, which is a patently absurd sentence to write given I started this project under the belief I could no longer finish anything. I honestly believed I’d have a burst of enthusiasm, produce stories for six weeks, then I’d curl up in a ball and whimper for mercy. Maybe pack this whole writing thing in for a lark and start a new career in a fromagerie (not that I’m qualified to do that, but knee-jerk reactions to hard things are never entirely rational). Today’s a considerable milestone, though. See, I’ve actually posted 41stories to Patreon—one story in Eclectic Projects 001 went straight to the magazine, so patrons had to download it instead. Today is the point where there’s original short fiction on my Patreon than in all three of my short story collections combined. I’ll admit that I haven’t put a lot of thought into this project—again, I expected it

Writing Advice - Craft & Process

Don’t Write What You Love

My birthday is the 18th of March. The anniversary of my father’s death is the 19th of March. This one-two punch often catches me off-guard, a double-whammy of anxiety and guilt that throws me off my game despite my belief that I’m feeling fine. As mentioned in the authors note for this week’s Saturday Morning Story, I honestly figured this would be the first time in thirty-eight weeks where I could not produce and post a story for my patrons. Then Vulture did an article on Kelly Link, and I decided to spend Friday hustling to get a new story done. My biggest influences have always been short fiction writers, and Kelly Link rates up there as one of the biggest. Stranger Things Happen and Magic For Beginners are two of my favourite collections ever, and half the reason I attended Clarion South in 2007 was the chance to get taught by Kelly. In a lot of ways, her work

News & Upcoming Events

It’s My Birthday. Have A New Short Story…

Today’s my forty-sixth birthday, so I’m kicking off today’s post with the traditional unflattering birthday selfie. I gather these have long been robbed of their power to horrify my mother, but I kinda dig having an ongoing archive of my rarely-photographed face to reflect on as the years go by. This year, my birthday falls on a Saturday, which is also when I post an original story to the Eclectic Projects Patreon every week. I honestly thought this week would be the first time in thirty-eight weeks I skipped a day because I didn’t have a story done—the week before my birthday is always rough for me, and rougher still now the 19th of March is the anniversary of my father’s death—but the weekly short story project has changed my relationship with writing. First, because I don’t actually want to skip a week after thirty-eight weeks of showing up without fail. Second, because writing a story a week will change

Status

A Delivery From the Printer (14 March 2023 Status)

The long-delayed delivery from my printer arrived yesterday and I finally got the chance to see both issues of Eclectic Projects side-by-side for the first time. In a lot of ways, these magazine issues are my platonic ideal of a book: 80 to 100 pages, self-contained, with a standardised design creating unity as things progress. Individually, the issue doesn’t seem like something of value, but stack two issues together and they become interesting objects. Stack twelve together, and they’ll like like an impressive body of work. In other news, we’re on the countdown to my Birthday on the 18th and the anniversary of my father’s death on the 19th, and I’ve hit the traditional stretch where my mental health is wobbly. Taking it very easy on myself this week, and reminding myself that it’s not the week to be making big decisions. ON THE DOCKET Off to catch up with my weekly Write Club crew this morning, followed by an