ECLECTIC PROJECTS BLOG

Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’m finally at a point where the exegesis draft only needs half my daily writing time, rather than all of it, so I’m going to try and kickstart a fiction project this way. My goal is to get a few words down on a novella draft, and plot out the novella that I’ll be writing after it. What’s inspiring me this week? Loretta Chase’s Mr Impossible, a historical romance about a bookish widower and an irresponsible English nobleman chasing across Egypt to track down the rapscallions who have made off with said widower’s brother. It’s

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Adventures in Lifestyle Hacking

Notebook Geekery — the Special Editions

My notebook preferences are deeply entrenched and codified. For example, I use a Leuchtturm1917 (preferably pink and unlined) for drafting and a Leuchtturm1917 Grid Ruled (of alternating colours) as a bullet journal. The colour switch on the journals lets me remember bullet journal “eras” when I’m looking back, while the pink drafting notebook frequently amuses me because I’m generally writing something horror related. Brainstorming typically happens in project-specific notebooks, usually soft-cover Cahier Moleskins that can be colour-coded to different projects. Pocket notebooks will typically be Field Notes (I’m obsessed) or a Moleskine softcover. I’m slowly experimenting with larger hardcover moleskins as project-specific brainstorming, especially for series works, as I’m rapidly discovering that certain projects are filling notebooks at a rate of knots. I’ve got three for my PhD novellas, and could well fill another three before I’m done. All these decisions are largely made so I can quickly scan a row of notebooks on the desk and grab the one I need right now. Rather than looking for notes, I can search for a specific colour and size. It speeds things up. Recently, I’ve broken ranks with this and started using fancier notebooks for very specific projects that I know will run long-term. The smaller notebook in the image above, featuring art by Kathleen Jennings and produced for the Brisbane Writers Festival a few years back, is now the repository of frequently-checked-publishing details. For instance, there’s page devoted to the standard price-points I use for Brain Jar Press so I

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Works in Progress

Milestone

Word count on my exegesis draft ticked past the minimum viable word count last night, although I’m still a few thousand words away from having a final draft. Which puts me behind the self-imposed deadline I set up back in April, but well ahead of my last attempt at writing one of these where I stalled out five thousand words in and ultimately dropped out of the RHD program rather than continue. There was a point where it felt like that was a perfectly logical choice this time, as well. My imposter syndrome is strong with theoretical writing, and the fear that I will expose myself for an idiot triggers my social anxiety something horrible. Fortunately, my beloved was there to suggest it might be time to check in with my GP and have a chat about how my mental health is going, and my GP promptly set me up with a plan to pull things back from the brink. I’m still nervous about writing this damn thing, but not paralysed by indecision and fear. Next deadline isn’t until early January, but that’s where I need to hand over something way cleaner than what I’ve got now, with all the referencing done properly and the chapters making sense. Still, after nearly six weeks of this eclipsing everything else going on in my life, it’s nice to have the to think about fiction a little more.

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Journal

Post-Its

When my dad passed away in March, he left behind a whole bunch of post-its. Parkinsons disease tends to affect levels of dopamine in the brain, which in turn generates various impulsive and compulsive behaviors as to ease anxiety. Having enough post-its was a big thing for Dad, to the point where he accumulated more than he’d ever actually need at the late stage of his life. Mum passed them on to me, on the logic that I’d be most likely to need them over the day-to-day course of life. Reader, I now have a metric buttload of Post-Its. In fact, it’s possible I’m set for the next decade of my life. And it turns out I don’t use them anywhere near as often as I thought.

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Journal

2 December 2019

Everything on my reminder board focuses on dates back in November, and even then I lost track of half the things I needed reminding of in the back half of the month. It’s been four and a half weeks since I last worked on fiction projects. My brain is inciting a rebellion against this focus on one project until it’s finished approach I’ve been trialing.

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

I just realised that the Sunday Circle turns four years old this weekend, which is a lot of weekly check-ins about projects, inspiration, and identifying sticking points. It’s probably a sign that I need to revise the intro to these posts. A project to think about for the new year. The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? Finishing off a few chapters in the exegesis that have blown out past word count, and doing a lot of the busywork in terms of making the draft readable (ie checking references, proofing, etc). What’s inspiring me this week? Monica Valentinelli’s Make Art, Not War

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News & Upcoming Events

EXILE pre-orders!

And lo, my urban fantasy thrillers about an occult hit-man running home to the Gold Coast in order to duck the start of Ragnarok will hit digital shelves once more in January 2020. Keith Murphy is back, yo, in a shiny new edition you can pre-order now. Keith Murphy’s coming home to a city full of demons. What’s following on his heels is much worse. Ever since he left the Gold Coast, Keith Murphy’s been the triggerman for the sorcerer-assassin Danny Roark. Then they screwed up a job and all hell broke loose, unleashing a vengeful cult of necromancers eager to take down the hit man who gunned down their leader and reclaim their master’s soul from the bullet around Keith’s neck. Roark was already running when Keith made it the rendezvous, and the old man left Keith three simple instructions: go home, lie low, and wait for me to call. Easier said than done. The Gold Coast is full of old friends and even older enemies, and nobody is happy to see Keith back on his old turf. He’s got to cut a deal with the local demons and survive an ex-girlfriend who turned to the dark side, all while trying to duck the agents of the Raven Cult using magic to track Keith down and cut off his head. Roark’s always handled the weird stuff, leaving Keith to focus on guns and tactics. Now the old man’s gone and Keith’s running solo—and he’s got to figure out how to use what

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Conspicuous Acts of Cultural Consumption

Netflix, The Christmasing: Phase One

Well, folks. ‘Tis the season in the lands of the streaming services, and the yearly inundation of dodgy holiday films have landed. Netflix, in particular, seems to have doubled down on the genre. What started with an unexpected hit in The Christmas Prince—a franchise due to get its third film in three years come December—is now bolstered with in-house movies made on the cheap and newly acquired made-for-TV fare all about the Christmas romance My partner and I aren’t the biggest fan of Christmas, but we do love a trashy film and that love isn’t limited to action and sci-fi projects. We’ve made ourself a list of unwatched Christmas trash and checked it twice, then fired up the ol’ Netflix viewer to make our way through the sixteen holiday films on our radar this year. Here’s some quick capsule reviews of the stuff we’ve watched thus far. THE KNIGHT BEFORE CHRISTMAS The Christmas Prince may be the franchise that started it all on Netflix, but last year saw the streaming service launch Vanessa Hudgens as a franchise player in the Xmas romance space with The Princess Switch. There’s a sequel to that film coming in 2020, but this year Hudgens is back with a time-travel romance that sees a medieval English knight transported to modern-day Ohio in order to fall in love with a high school science teacher and learn a valuable lesson about knightly virtues. It’s not a particularly ambitious script, but that’s not the point of a film

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Stuff

Are you Studying To Dream of Stars at the moment?

If my email and messages are to be trusted, we’ve hit the point of the year where a bunch of students are sitting down to analyse To Dream of Stars and discovering they have questions. I’m not in a position to respond to people one-on-one due to deadlines right now, but for those of you who have found your way here looking for more information, there’s a whole FAQ post about that story that might be useful. Then again, it might not. The interesting thing about writing fiction is the way other people see things in the work that you don’t, and that’s been particularly true for To Dream of Stars since I sent it out to my beta readers and they started pointing at interesting-things-I’d-done that I was completely blind too.

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? My deadline to get a rough exegesis draft to my supervisor is this Friday, which largely sets my to-do list for the week. There’s about four thousand coherent words left to write, and about ten thousand incoherent ideas half-written in another file. Much of my week will be spent winnowing out the bad ideas and finding the stuff that will fit. Once the draft is turned in, I’m taking a few days to chill and then getting back to fiction…but that’s likely to be next week’s project. What’s inspiring me this week? Rian Johnson’s Knives

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Sunday Circle

The Sunday Circle: What Are You Working On This Week?

The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them). After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all. Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here). MY CHECK-IN What am I working on this week? I’ve just spent two weeks marking, and like all end-of-year grading exercises, it obliterated any other work. Which means this week is all about gaining ground on the two projects earmarked for end-of-November deadlines–getting my exegesis draft finished, and getting a new short story collection together. Everything will be drafting and line-edits for the next seven days, possibly the next fourteen. What’s inspiring me this week? My partner and I finally caught up with Season 4 of She-Ra and the Princesses of Power, which is a phenomenal series in and of itself but also a really

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Conspicuous Acts of Cultural Consumption

Fighting For Your Life With Shia LaBeouf

1. Here is a morning thought for a Friday: the glory of the internet is that there’s always someone who hasn’t seen Rob Cantor’s Shia LaBeouf. And there’s always someone who has forgotten the song and needs to see it again. Being the one to rectify either situation is a gift that keeps on giving. Go forth and be that person. 2. And here’s a challenge for your Friday: what can Rob Cantor’s 3 minute clip offer you as a creative person (regardless of how that creativity manifests). Yesterday I logged a quote from a recent Garth Nix in-conversation I attended: we are all descendants of everything we’ve ever read. This applies to three-minute clips as well as great works of literature and non-fiction. These days I run through a list from Todd Henry’s Accidental Creative designed to help capture creative sparks and insights. ARE THERE ANY PATTERNS YOU’RE EXPERIENCING THAT ARE SIMILAR TO SOMETHING YOU’RE WORKING ON? One project I’m kicking around at the moment is a year-long research-and-report series based around being more satisfied with my writing. Not necessarily being more successful with my writing in purely monetary terms, but hitting the end of 2020 and feeling like I’m pushing towards something instead of treading water. I found my way back to this clip as part of that, thinking about the works of art that really resonate with me and get me excited about creative possibilities. Cantor’s work is part of an emerging pattern: B-Grade ideas treated with

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