Works in Progress

State of Play

Last night I braved the outside world and joined Trent Jamieson and Chris Lynch to talk about SF as part of the QUT Informational Professionals Alumni Chapter’s Bookclub, which was an enormous amount of fun given the books we were discussing (the fact that I’m a nerdy bibliophile who rather enjoys chatting about books didn’t hurt, nor did the fact that Trent and Chris are lovely blokes to share a panel with). Today I started tackling May’s to-do list from hell. It’s a long list, and its terrible, and there were at least two things on there with a deadline of “May 31st”. The first of these is done (short story submission, although given the length my stories are when I’m finishing them these days they may not deserve the title short); the second of these is daunting (going through the fourth rewrite of Cold Cases in preparation for May 31st, when I hand it back to TPP). The rest of the list has a little more

Conspicuous Acts of Cultural Consumption

Ben Francisco @ I09

This week io9’s Weekend Short Story Club is throwing some love in the direction of my friend Ben Francisco and his story Tio Gilberto and the Twenty-Seven Ghosts which originally appeared in Realms of Fantasy last year. This pleases me because, lets face it, Ben is awesome and Tio Gilbertois one of those stories I patiently waited for him to get published since I read the first draft at Clarion back in 2007 (the other peice I’ve been waiting for, This is Not Concrete, appeared in the most recent issue of Lady Churchill’s Rosebud Wristlet that arrived on my doorstep on Friday).

News & Upcoming Events

My Stuff Online This Week

Part One: Tubers in the Moonlight Ben Payne has launched his online zine, Moonlight Tuber, and the first issue (subtitled A Handsome Laundrette, A Box of Lovers, and Two Dozen Happy Sea Cows) is completely free and available for download. Somewhere within its virtual covers, said issue contains my story, The Peanut Guy, which is the tail end of the Warhol Sleeping/Avenue D vignette that started with one of my first publications, The Normal Guy, in Antipodean SF 102 back in 2006. The rest of the series, should you wish to track them down, appeared in Antipodean SF 107, Antipodean SF 117, Dog Versus Sandwich, Dark Recesses 8 (not available online anymore, but I’ve posted a copy here), and Dog Versus Sandwich again. Some of this is old work, and the very fact that it’s split up into various vignettes largely shows my discomfort when it comes to figuring out how prose worked prior to Clarion (these days, I’d probably

Journal

Mmm, new book smell

I don’t normally buy remaindered books, what with the fact that they’re financially dead for the authors who wrote them and I’m in favour of authors getting paid, but today I made an exception based on the grounds of being very broke and finding a trio of Hard Case Crime books at a very low price while shopping for groceries. The part of me that feels bad about buying remaindered books wages a quiet war with the part of me that thinks picking up pulpy, hard-boiled paperbacks in a supermarket is one of those experiences I thought lost forever. It confused the hell out of the woman on check-outs too; she had to be convinced they were store product, rather than library books I was carrying around while picking up bread and milk.

Works in Progress

Deathmarch, Day Ten

And lo, what a difference a few days makes. Today I have run out of steam on the deathmarch. My eyes hurt, my brain hurts, I’m altogether skittish about going near the keyboard. The very act of writing a blogpost seems daunting, since it’s the thing between me and getting back to work. If I don’t blog, I don’t march. If I don’t march, I don’t have to face the fact that the next stage of rewriting is upon us. If that happens, I don’t have to solve the next plot-problem. This death march is all about solving plot problems, figuring out how to make the novella work on a really basic level. It’s not one of my strong points. It makes me stubborn. I hate having to figure out what needs to be done next. The only upside is that I’ve finally realised that this is what I’m doing when I find myself flailing about, so I can at

News & Upcoming Events

Twelfth Planet Press Mother’s Day Sale

The folks over at Twelfth Planet Press have just upgraded their webstore and they’re celebrating with Mother’s Day Sale where you can pick up two or more books for a nice, cheap, wallet-friendly price prior to May 7th. There is some bad news for those of you thinking you know, my mother really digs noir stories with a squicky unicorn filling* and looking for a copy of Horn as a result – it’s out of stock at the moment, and while I don’t know the particulars of when the reprint will happen I’m pretty sure it won’t be in time to show your appreciation for the maternal figure/s in your life on mothers day itself. Of course, you can pre-order yourself a copy of the second printing and pick up a copy of either the Siren Beat/Roadkill double (which delivers Tansy Rayner Roberts’ Hobart noir novelette with a tentacle-squick filling and Robert Shearman’s novelette of desperately uncomfortable, captivating weirdness in one

Conspicuous Acts of Cultural Consumption

because I geek for covers…

My amusement probably makes less sense if you’re not aware of the band (and song) they’re covering, but this amuses me. Oh, how this amuses me; there is a line between cheese and genius. Methinks this dances merily along it:

Works in Progress

Novella Deathmarch, Day Four

Today the novella did good things. Less of the Death side of the equation and more of the March. The sub-conscious writing muscles have remembered how to work and the story starts chugging along under its own steam. I can look of the current draft and see the shape of the book it’s going to be when it’s done, which is something I hadn’t managed prior to starting the deathmarch. The voice started settling down. I remembered how to take stuff out of a rewrite, especially when it belongs in another scene. All is well with the world. The real measure that the Deathmarch is working, though, comes when I can look forward to the next writing project without immediately running off to work on it instead. When I’m avoiding a project, I’m all about the distraction. Today I’m all about the focus, and hopefully I can start transitioning to normal sleeping patterns instead of maintaining the manic manic working-to-five-in-the-morning approach

Works in Progress

Deathmarch, Day 2

I’ve been at it for six hours today, and I’m about halfway through the second chapter of the novella. I’m okay with that. The first half of the second chapter was actually the hard bit, given the amount of damage I’ve been doing to the plot. The second half is mostly rewriting a scene to fit it into a new location, which should be relatively easy to do. All in all, I’m digging the deathmarch as a way of getting this done. I always forget how happy I am when focusing on a story like this. It starts off feeling like a drag, this whole sense of OMG-there-is-so-much-to-do, but once I’m underway it all settles into a comfortable routine and things get done. I like it when things get done. I like it even more when I can spend two hours on the couch, staring into space while I try to figure out how I get between two points in

Works in Progress

Novella Death March: Day One

About ten hours ago I parked myself in front of the laptop and started rewriting Cold Cases. I came up for air a few times, primarily to check e-mail and eat cake, but otherwise I’ve had a pretty consistent day at the keyboard working on the novella. I’ve made a terrible mess of the story. Possibly seven or eight terrible messes, given the plethora of drafts littering my computer. This is the way rewriting goes in my neck of the woods. I fiddle with things. I break them and see what’s wrong. I look at a scene and wonder what the hell I was thinking, then hammer away at it until it starts to look a little better. Also, rewrote the first chapter. Like, heavy rewriting of the first chapter. And for the first time, I actually like the way it ends. The 2010 rejection count has hit 2. That means there’s just 98 rejections to go

Works in Progress

Chaos, Chili-Carrot Cake, & The Twelve Day Deathmarch

On Friday I sat in the middle of messy apartment, contemplating the messy state of affairs, thinking a series of messy thoughts. And after a while I thought, well, enough of that then, it’s kind of a drag, and instituted a plan to cut through the chaos and get stuff done. I spent Saturday and today cleaning rooms, ordering bookshelves, and taking care of long-neglected tasks. Not enough that I’ve instituted order across the flat, but enough to give me a foothold. That was phase one. Phase two requires me to finish the rewrites on Cold Cases*. I have twelve days. That’s a chapter’s worth of rewrites per day, about two-and-half to three thousand words. If I succeed, I will allow myself to have a guilt-free weekend of not-writing in May**. I’ve prepared for this task by making a weeks worth of meals in advance, stocking up on coffee, and dancing around the house to Goldfrapp***. To aid me in

Conspicuous Acts of Cultural Consumption

Stacking Books in Piles

It seemed like a slightly manic goal when I set it back in July of last year, but my question to read 104 books in the space of a year may actually work out. I finished Virginia Woolf’s A Room of One’s Own this morning, which brought my reading total up to 74 books, then put together the final thirty books I’m planning on finishing between now and July 31st. They now live on my bedside table, a pile of words that can be beaten down day by day until I finally clear the whole damn thing. To make the goal I need to clear three books off this pile a week, which is a little less daunting than it should be because of my bad habit of reading half a book and getting distracted (and cherry picking stories out of anthologies and collections). There’s a lot of bookmarks already in that pile, which should cut the reading time down