Lead generation is basically marketing speak for “how will you initiate interest in your product or service.” It’s not something many writers are encouraged to think about — there is a mindset, more prevalent in other genres than here in the romance community — that once the book is done, it generates interest simply because […]
Today I turn 45, and in lieu of the traditional god-awful birthday selfie, you get a semi-awful birthday close-up of my cat saying Good Morning. Gods, it’s been a year. The last twelve months have seen plagues and floods, a bunch of books getting published, a couple of ambitions projects started (and, currently, shelved for […]
One of the most useful parts of Thompson’s Merchants of Culture is the breakdown of the five modes of capital used in the publishing industry and its adjacent fields. I’ve used these to build a publishing company, guide my writing career, and solve all manner of problems. But I also see a gap, born of […]
The yellow smiley face was first designed in 1963. State Mutual Life Insurance hired the designer, Harvey Ball, to create the logo attached to a company-wide “make friends” campaign after a merger decimated morale. They paid him $45 for the creation of two eyes, a smile, and a yellow circle. Nobody trademarked the smiley face, […]
We’ve been watching Doom Patrol, a television show that riffs heavily on Grant Morrison’s ground-breaking run on the comics in the late eighties and early nineties. Naturally, this sent me scurrying off to revisit Morrison’s philosophy of narrative as a hypersigil—an extension of the chaos magic philosophy of creating a glyph that codifies your intention […]
The narrative poetics of comic books are driven by the stories relationship with the physical page. Everything must be in a particular page-count, with each scene allotted a certain number of panels and pages, and certain narrative beats work better at the bottom right of a two-page spread just before we flip the page. Prose […]
We used to sell books by telling you how exceptional the story was. The whole back cover synopsis pushing you to invest in the character journey and atmosphere of the story contained within. Selling you on the author was a secondary concern, because the author was an invisible presence nine times out of ten. Your […]
It doesn’t take much to disrupt a habit once it’s established. Our habitual behaviours are often context specific, triggered to run in response to a particular form of stimuli. Go on a two-week break from work and those routines that run like clockwork go out the window — making it easier to adopt new habits […]
Last year I did a new cover for Alan Baxter’s Shadow Bites: A Horror Sampler, a free bundle of stories and novel excerpts for folks who’d like to get a taste of Alan’s work. It’s a project from a longer conversation Al and I were having about title development, the stuff we’ve both been doing […]
Funny thing about the Chapbook challenge: it feels as though I’m always behind, given that I’m only posting about the second chapbook now, but that’s largely because the folks who see them first are signed up to my Patreon (where Chapbook number 4 just dropped and I’m preparing for number 5). It’s also because print […]
The negative effects of stress are magnified by a lack of self-efficacy and control. The more you feel like you’re unable to shift the needle in a stressful situation, the faster you inch towards stress induced burn-out. We often advise new writers to focus on the things you can control. You can’t control whether publishers […]
One of the recurring refrains in Todd Henry’s The Accidental Creative is the importance of unnecessary creating or back-burner creating. The creative work that you do that’s not on spec or on demand, but something that’s done because you’re curious, refining new skills, or simply interested in the subject. My accidental creating often revolves pro-wrestling, […]
