The Question Pro Wrestling Taught Me to Ask About Every Writing Project
I watch a fair bit of pro-wrestling. I mean, I subscribe to the WWE network and mainline NXT like a junkie. I have, in the past, collected an obscene number of shoot interviews and Guest Booker DVDs. I have watched an awful lot of indie stuff, from time to time. I get irritated, occasionally, that you can no longer buy the DVD’s of Paul Heyman’s run booking Ohio Valley Wrestling in 2004, ’cause I couldn’t afford to ship them to Australia then, but could probably afford to do so now. I like wrestling. And, because I like wrestling and it’s a form of storytelling, it is something I spend an awful lot of time trying to understand better and draw lessons from. Thinking about storytelling in wrestling is often a good way of learning something important about storytelling in prose, largely because it such a different form. A few weeks ago I watched a shoot interview with veteran pro-wrestling booker